Hollywood's African American films [[electronic resource] ] : the transition to sound / / Ryan Jay Friedman |
Autore | Friedman Ryan Jay |
Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, c2011 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina |
791.43
791.43652996073 |
Soggetto topico |
African Americans in motion pictures
African Americans in the motion picture industry Motion pictures - United States - History - 20th century Race in motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-86437-1
0-8135-5080-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : Negro talking pictures -- "Black became the fad" : white highbrow culture and Negro films -- "The Negro invades Hollywood" : the great migration, the studios, and the performance of African American social mobility -- On (with the) show : race and female bodily spectacle in early Hollywood sound film -- The unhomely plantation : racial phantasmagoria in Hallelujah -- Blackness without African Americans : Check and double check and the dialectics of cinematic blackface -- Conclusion : "the required Negro motif" after the transition to sound. |
Record Nr. | UNINA-9910457205403321 |
Friedman Ryan Jay | ||
New Brunswick, N.J., : Rutgers University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hollywood's African American films [[electronic resource] ] : the transition to sound / / Ryan Jay Friedman |
Autore | Friedman Ryan Jay |
Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, c2011 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina |
791.43
791.43652996073 |
Soggetto topico |
African Americans in motion pictures
African Americans in the motion picture industry Motion pictures - United States - History - 20th century Race in motion pictures |
ISBN |
1-283-86437-1
0-8135-5080-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : Negro talking pictures -- "Black became the fad" : white highbrow culture and Negro films -- "The Negro invades Hollywood" : the great migration, the studios, and the performance of African American social mobility -- On (with the) show : race and female bodily spectacle in early Hollywood sound film -- The unhomely plantation : racial phantasmagoria in Hallelujah -- Blackness without African Americans : Check and double check and the dialectics of cinematic blackface -- Conclusion : "the required Negro motif" after the transition to sound. |
Record Nr. | UNINA-9910778927303321 |
Friedman Ryan Jay | ||
New Brunswick, N.J., : Rutgers University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hollywood's African American films : the transition to sound / / Ryan Jay Friedman |
Autore | Friedman Ryan Jay |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, c2011 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina |
791.43
791.43652996073 |
Soggetto topico |
African Americans in motion pictures
African Americans in the motion picture industry Motion pictures - United States - History - 20th century Race in motion pictures |
ISBN |
1-283-86437-1
0-8135-5080-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : Negro talking pictures -- "Black became the fad" : white highbrow culture and Negro films -- "The Negro invades Hollywood" : the great migration, the studios, and the performance of African American social mobility -- On (with the) show : race and female bodily spectacle in early Hollywood sound film -- The unhomely plantation : racial phantasmagoria in Hallelujah -- Blackness without African Americans : Check and double check and the dialectics of cinematic blackface -- Conclusion : "the required Negro motif" after the transition to sound. |
Record Nr. | UNINA-9910807191503321 |
Friedman Ryan Jay | ||
New Brunswick, N.J., : Rutgers University Press, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Movies as a World Force : American Silent Cinema and the Utopian Imagination / / Ryan Jay Friedman |
Autore | Friedman Ryan Jay |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2019] |
Descrizione fisica | 1 online resource (v, 254 pages) : illustrations |
Disciplina | 791.43/672 |
Soggetto topico |
Utopias in motion pictures
Silent films - United States - History |
ISBN | 0-8135-9363-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Introduction: Motion Pictures and Modern Communion -- 1. Enlightened Public Opinion: Postreform Progressivism, Mental Science, and Gerald Stanley Lee's "Moving-Pictures" -- 2. "The Occult Elements of Motion and Light": Vachel Lindsay's Utopia of the Mirror Screen -- 3. "The Motion Picture Is War's Greatest Antidote": Rescue as Release of Force in D. W. Griffith's Intolerance -- 4. "Everything Wooed Everything": The Triumph of Morale over Moralism in Rupert Hughes's Souls for Sale -- 5. "Little Grains of Sand": Positive Thinking and Corporate Form in Douglas Fairbanks's The Thief of Bagdad -- Conclusion: Universal History and the Historicity of Film Entertainment -- Acknowledgments -- Notes -- Index -- About the Author |
Record Nr. | UNINA-9910795376903321 |
Friedman Ryan Jay | ||
New Brunswick, NJ : , : Rutgers University Press, , [2019] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Movies as a World Force : American Silent Cinema and the Utopian Imagination / / Ryan Jay Friedman |
Autore | Friedman Ryan Jay |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2019] |
Descrizione fisica | 1 online resource (v, 254 pages) : illustrations |
Disciplina | 791.43/672 |
Soggetto topico |
Utopias in motion pictures
Silent films - United States - History |
ISBN | 0-8135-9363-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Introduction: Motion Pictures and Modern Communion -- 1. Enlightened Public Opinion: Postreform Progressivism, Mental Science, and Gerald Stanley Lee's "Moving-Pictures" -- 2. "The Occult Elements of Motion and Light": Vachel Lindsay's Utopia of the Mirror Screen -- 3. "The Motion Picture Is War's Greatest Antidote": Rescue as Release of Force in D. W. Griffith's Intolerance -- 4. "Everything Wooed Everything": The Triumph of Morale over Moralism in Rupert Hughes's Souls for Sale -- 5. "Little Grains of Sand": Positive Thinking and Corporate Form in Douglas Fairbanks's The Thief of Bagdad -- Conclusion: Universal History and the Historicity of Film Entertainment -- Acknowledgments -- Notes -- Index -- About the Author |
Record Nr. | UNINA-9910813074903321 |
Friedman Ryan Jay | ||
New Brunswick, NJ : , : Rutgers University Press, , [2019] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|