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Harry B. Smith : dean of American librettists / / John Franceschina
| Harry B. Smith : dean of American librettists / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2003 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina |
782.1/092
B |
| Collana | Forgotten stars of the musical theatre |
| Soggetto topico | Librettists - United States |
| ISBN |
1-135-94908-5
1-138-99211-9 1-135-94907-7 1-280-05751-3 0-203-48976-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Contents; ACKNOWLEDGMENTS; SERIES INTRODUCTION; FROM BUFFALO TO BURLESOUE; BURLESQUE TO BROADWAY; ~COME TO SHERWOOD; JOIN OUR JOLLY CREW~; ~AM I A WIZ?~; ~I'D LIKE TO HAVE A PHOTOGRAPH OF THAT~; ~IF I ONLY HAD A THEATRE ON BROADWAY~; FOLLIES OF THE YEAR; GERMAN IMPORTS; JEROME KERN AND IRVING BERLIN; ~HARRY-B-SMITHING~; ~A LONG WALK UPHILL AGAINST THE WIND~; APPENDIX; INDEX |
| Record Nr. | UNINA-9910822056303321 |
Franceschina John Charles <1947->
|
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| New York, : Routledge, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910460277903321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910797122603321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory through musical theatre : putting it together / / John Franceschina
| Music theory through musical theatre : putting it together / / John Franceschina |
| Autore | Franceschina John Charles <1947-> |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2015 |
| Descrizione fisica | 1 online resource (465 p.) |
| Disciplina | 782.1/11 |
| Soggetto topico |
Musical theater - Instruction and study
Music theory |
| ISBN |
0-19-999958-9
0-19-999957-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Music Theory through Musical TheatrePutting It Together; Copyright; Contents; For Teachers; For Students; Part One THE LEAD SHEET; 1 Basic Concepts for Reading, Writing, and Appreciating Music; Pitch, Staff, Clef, and Ledger Lines; Recognizing Pitches on the Piano Keyboard; Accidentals: Sharps, Flats, and Naturals; Double Sharps and Double Flats; Notes and Rhythm; Augmentation and Diminution; Dots and Ties; Rests; Meter and Time Signature; Simple Time Signatures; Other Simple Time Signatures; Compound Time Signatures; Infrequently Used Time Signatures; Tuplets; Beaming; Syncopation
Musical Terms and SymbolsPickup Measures; Repeat Signs; Tempo Marks; Articulations; Dynamics; Expression Marks; 2 Major and Minor Scales; Major Scales; Key Signatures; Identifying Major Scales; Sight-Singing; Minor Scales; Writing Minor Scales; Identifying Minor Scales; Names of Scale Degrees; The Circle of Fifths; The Harmonic Minor Scale; The Melodic Minor Scale; Singing Minor Scales; The Major-Minor Scale (Mode Mixture); Modal Shifts; Performing Major and Minor Scales; 3 Modes and Other Scales; Modes; "Minor" Modes; Writing and Singing the "Minor" Modes; The Locrian Mode; "Major" Modes Writing and Singing the "Major" ModesOther Scales: Pentatonic, Whole-Tone, and Chromatic; 4 Intervals; Perfect Intervals; Identifying the Qualitative Nature of Intervals; Major Intervals; Minor Intervals; Diminished Intervals; Augmented Intervals; The Tritone; Harmonic Intervals; Inversions of Intervals; Compound Intervals; Consonance and Dissonance; Review Quiz; Unit Test 1; Part Two THE ARRANGEMENT; 5 Triads, Seventh Chords, and Nonharmonic Tones; Harmony with Chords; Chord Tones; Inversions of Chords; Singing Chords; Seventh Chords; Seventh Chord Inversions; Singing Seventh Chords Nonchord TonesNeighbor Tones; Passing Tones; Suspensions and Retardations; The Appoggiatura; Escape Tones; The Anticipation; Changing Tones; Pedal Tones; Free Tones; 6 Chord Progressions and Sixth Chords; Numbering Chords in Major Scales with Roman Numerals; Numbering Chords in Minor Scales with Roman Numerals; Numbering Diatonic Seventh Chords with Roman Numerals; Diatonic Chord Accompaniments; Alternating Bass; Chord Functionality; Harmonic Movement; Sight-Reading and Transposition; Major and Minor Sixth Chords; Review Quiz; Unit Test 2; 7 Singing Counterpoint 1; Counterpoint and Polyphony Species CounterpointFirst Species Counterpoint; Dramatic Use of First Species Counterpoint; Second Species Counterpoint; Dramatic Use of Second Species Counterpoint; 8 Singing Counterpoint 2; Third Species Counterpoint; Dramatic Use of Third Species Counterpoint; Fourth Species Counterpoint; Dramatic Use of Fourth Species Counterpoint; Fifth Species Counterpoint; Dramatic Use of Fifth Species Counterpoint; Fugue; Review Quiz; Unit Test 3; 9 Chromatically Altered Chords; Secondary Dominants; Secondary Functions of the Leading Tone Chord; Common Tone Diminished Chords; Passing Diminished Chords Neapolitan and Augmented Sixth Chords |
| Record Nr. | UNINA-9910812453903321 |
|
Franceschina John Charles <1947->
|
||
| New York, New York : , : Oxford University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||