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A companion to contemporary French cinema / / edited by Alistair Fox [and four others]
| A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
| Descrizione fisica | 1 online resource (1692 p.) |
| Disciplina | 791.430944 |
| Collana | Wiley Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
| ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
| Record Nr. | UNINA-9910208956103321 |
| Chichester, England : , : Wiley-Blackwell, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A companion to contemporary French cinema / / edited by Alistair Fox [and four others]
| A companion to contemporary French cinema / / edited by Alistair Fox [and four others] |
| Pubbl/distr/stampa | Chichester, England : , : Wiley-Blackwell, , 2015 |
| Descrizione fisica | 1 online resource (1692 p.) |
| Disciplina | 791.430944 |
| Collana | Wiley Blackwell companions to national cinemas |
| Soggetto topico |
Motion pictures - France - History - 20th century
Motion pictures - France - History - 21st century |
| ISBN |
1-118-58544-5
1-118-58536-4 1-118-58540-2 1-118-58542-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity
The Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens The Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present Auteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave The Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors Auteurist Styles |
| Record Nr. | UNINA-9910828846303321 |
| Chichester, England : , : Wiley-Blackwell, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francois Truffaut [[electronic resource] ] : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author
| Francois Truffaut [[electronic resource] ] : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author |
| Autore | Gillain Anne |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, [2013] |
| Descrizione fisica | 1 online resource (374 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) | FoxAlistair |
| Soggetto topico | Motion picture producers and directors |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-00845-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface to the English edition of François Truffaut: the lost secret / Anne Gillain -- Emotion and the authorial fantasmatic: an introduction to Anne Gillian's François Truffaut: the lost secret / Alistair Fox -- Preface to the original French edition: One secret can hide another / Jean Gruault -- Introduction: The secret of the Art -- Family Secrets: The 400 Blows (1959), The Woman Next Door (1981) -- deceptions: Shoot the piano player (1960), The soft skin (1964) -- Queen-women: Jules and Jim (1962), The last metro (1980) -- Sentimental educations: Stolen kisses (1968), Two English girls (1971) -- Criminal women: The bride wore black (1967), A Gorgeous Girl Like Me (1972) -- In Search of the Father: Fahrenheit 451 (1966), Day for night (1973) -- Marriages: Mississippi mermaid (1969), Bed and board (1970) -- Words and things: The wild child (1970), The story of Adele H. (1975) -- The child king: small change (1976), Love on the run (1979) -- Fetishism and mourning: The man who loved women (1977), The green room (1978) -- The role of play: confidentially yours (1983) -- Conclusion: The art of the secret. |
| Record Nr. | UNINA-9910465091803321 |
Gillain Anne
|
||
| Bloomington, : Indiana University Press, [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francois Truffaut [[electronic resource] ] : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author
| Francois Truffaut [[electronic resource] ] : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author |
| Autore | Gillain Anne |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, [2013] |
| Descrizione fisica | 1 online resource (374 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) | FoxAlistair |
| Soggetto topico | Motion picture producers and directors |
| ISBN | 0-253-00845-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface to the English edition of François Truffaut: the lost secret / Anne Gillain -- Emotion and the authorial fantasmatic: an introduction to Anne Gillian's François Truffaut: the lost secret / Alistair Fox -- Preface to the original French edition: One secret can hide another / Jean Gruault -- Introduction: The secret of the Art -- Family Secrets: The 400 Blows (1959), The Woman Next Door (1981) -- deceptions: Shoot the piano player (1960), The soft skin (1964) -- Queen-women: Jules and Jim (1962), The last metro (1980) -- Sentimental educations: Stolen kisses (1968), Two English girls (1971) -- Criminal women: The bride wore black (1967), A Gorgeous Girl Like Me (1972) -- In Search of the Father: Fahrenheit 451 (1966), Day for night (1973) -- Marriages: Mississippi mermaid (1969), Bed and board (1970) -- Words and things: The wild child (1970), The story of Adele H. (1975) -- The child king: small change (1976), Love on the run (1979) -- Fetishism and mourning: The man who loved women (1977), The green room (1978) -- The role of play: confidentially yours (1983) -- Conclusion: The art of the secret. |
| Record Nr. | UNINA-9910792015603321 |
|
Gillain Anne
|
||
| Bloomington, : Indiana University Press, [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francois Truffaut : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author
| Francois Truffaut : the lost secret / / by Anne Gillain ; translated by Alistair Fox with a new preface by the author |
| Autore | Gillain Anne |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, [2013] |
| Descrizione fisica | 1 online resource (374 p.) |
| Disciplina | 791.4302/33092 |
| Altri autori (Persone) | FoxAlistair |
| Soggetto topico | Motion picture producers and directors |
| ISBN | 0-253-00845-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface to the English edition of François Truffaut: the lost secret / Anne Gillain -- Emotion and the authorial fantasmatic: an introduction to Anne Gillian's François Truffaut: the lost secret / Alistair Fox -- Preface to the original French edition: One secret can hide another / Jean Gruault -- Introduction: The secret of the Art -- Family Secrets: The 400 Blows (1959), The Woman Next Door (1981) -- deceptions: Shoot the piano player (1960), The soft skin (1964) -- Queen-women: Jules and Jim (1962), The last metro (1980) -- Sentimental educations: Stolen kisses (1968), Two English girls (1971) -- Criminal women: The bride wore black (1967), A Gorgeous Girl Like Me (1972) -- In Search of the Father: Fahrenheit 451 (1966), Day for night (1973) -- Marriages: Mississippi mermaid (1969), Bed and board (1970) -- Words and things: The wild child (1970), The story of Adele H. (1975) -- The child king: small change (1976), Love on the run (1979) -- Fetishism and mourning: The man who loved women (1977), The green room (1978) -- The role of play: confidentially yours (1983) -- Conclusion: The art of the secret. |
| Record Nr. | UNINA-9910808776703321 |
|
Gillain Anne
|
||
| Bloomington, : Indiana University Press, [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910461284503321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema [[electronic resource] ] : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910789437103321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand cinema : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner
| New Zealand cinema : interpreting the past / / edited by Alistair Fox, Barry Keith Grant and Hilary Radner |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol [England] ; ; Chicago, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.430993 |
| Altri autori (Persone) |
FoxAlistair
GrantBarry Keith <1947-> RadnerHilary |
| Soggetto topico | Motion pictures - New Zealand |
| ISBN |
1-283-16283-0
9786613162830 1-84150-525-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction: The Historical Film in New Zealand Cinema; Chapter 1: Rudall Hayward and the Cinema of Maoriland: Genre-mixing and Counter-discourses in Rewi's Last Stand (1925), The Te; Chapter 2: Rudall Hayward's Democratic Cinema and the "Civilising Mission" in the "Land of the Wrong White Crowd"; Chapter 3: The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth; Chapter 4: Unsettled Historiography: Postcolonial Anxiety and the Burden of the Past in Pictures
Chapter 5: Cross-currents: River Queen's National and Trans-national Heritages Chapter 6: Tracking Titokowaru over Text and Screen: Pakeha Narrate the Warrior, 1906-2005; Chapter 7: Rites of Passage in Post-Second World War New Zealand Cinema: Migrating the Masculine in Journey for Three (1950); Chapter 8: Cinema and the Interpretation of 1950's New Zealand History: John O'Shea and Roger Mirams, Broken Barrier (1952); Chapter 9: Re-representing Indigeneity: Approaches to History in Some Recent New Zealand and Australian Films Chapter 10: "The Donations of History": Mauri and the Transfigured "Maori Gaze": Towards a Bi-national Cinema in Aotearoa Chapter 11: History, Hybridity and Indeterminate Space: The Parker-Hulme Murder, Heavenly Creatures and New Zealand Cinema; Chapter 12: Screening Women's Histories: Jane Campion and the New Zealand Heritage Film, from the Biopic to the Female Gothic; Chapter 13: The Time and the Place: Music and Costume and the "Affect" of History in the New Zealand Films of Jane Campion; Chapter 14: Mining for Forgotten Gold: Leon Narbey's Illustrious Energy (1987); Filmography Bibliography Contributors; Index; Back Cover |
| Record Nr. | UNINA-9910826133603321 |
| Bristol [England] ; ; Chicago, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||