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Dialogues between media / / edited by Paul Ferstl
| Dialogues between media / / edited by Paul Ferstl |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2021] |
| Descrizione fisica | 1 online resource (ix, 665 pages) |
| Disciplina | 809 |
| Collana | XXI. Congress of the ICLA - Proceedings |
| Soggetto topico |
Comparative literature
Art and literature Comic books, strips, etc - History and criticism Literature - Adaptations |
| Soggetto non controllato |
Adaptation
comics studies intermediality world literature |
| ISBN |
9783110642056
9783110641882 9783110641530 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Introduction: Dialogues between Media -- 1. Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-first Century -- The ICLA Research Committee on Comics Studies and Graphic Narrative: Introduction -- Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-First Century – A Preface -- Future Imperfect: Dystopia, Time Travel, Absolute Power, and the Incredible Hulk -- The Participation of Will Eisner’s The Spirit in World War II -- Social Control and Closed Worlds in Manga and Anime -- The Myth of the Great War: Hugo Pratt’s World War I Graphic Novel and Stories -- The Toxic Heroine in Nausicaä of the Valley of the Wind -- Educating to Remember: The Public Use of Comics in Germany and Italy -- Gender Gaps in the Clouds: Expressive Repression and Signs of Change in Italian Comics of the 1950s and 1960s -- Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations -- The Quantum Gaze as a Model for Simultaneous Mobilization in Graphic Narrative -- Wordless: Interpreting Visual Sequence as Storytelling -- 2. Hybridisierung literarischer Sprachen und Ausdrucksformen als Innovationsmodus -- Das Innovative hybrider Literatur am Beispiel Robert Walser -- Goethes Faust in Oper, Film und Manga: Die Faust-Bearbeitungen bei Gounod, Murnau und Tezuka am Beispiel der Studierzimmer-Szene -- „Gossen-Orpheus“ Jean Genet: Deutsche Übersetzungs- und Rezeptionsschwierigkeiten eines poetisch-derben Stils -- Grimm 2.0 – Die Brüder Grimm in der Postmoderne -- ‚das junge jakobli läßt den alten jakob grüßen‘ – Poetik im Dazwischen der Sprachen und jenseits der Sprache in Friedrich Glausers Kriminalroman Die Fieberkurve -- Dante-Comics zwischen Kanon- und Populärkultur: Spielformen der Hybridisierung und Strategien der Selbstreferenz -- Intermediale Formen der Sebald-Rezeption in der populären Musik -- Darstellung und Zeitlichkeit -- Schulromane von Robert Walser und Natsume Sōseki: Hybride Darstellungsformen zwischen „hoch und niedrig“ -- Wie hältst duʼs mit der Liebe? Vampirische Emanzipation im Abendlicht von Elfriede Jelineks „Krankheit oder Moderne Frauen“ -- 3. Languages of the Imaginary -- La lumière dans les romans arthuriens et le Livre des rois de Ferdowsi -- Temporality and Finitude: The Wolf in the Fiction of João Guimarães Rosa and of Marcus Aurelius Pimenta and José Roberto Torero -- The Paulo Afonso Falls by Castro Alves (1847–1871): Interweaving Poetry and Social Imaginaries -- Once Upon a Time and So Many Other Times: Hansel and Gretel -- Storytelling in Advertising: The Case of Os Últimos Desejos da Kombi -- 4. The State of Adaptation Studies Today -- Modern Film Adaptations of Fairy Tales: An Examination of Four 2012 Versions of Snow White -- Adapting Hamlet to the Turkish Screen -- Three Adaptations of Dracula: Friedrich Murnau, Tod Browning, Francis Ford Coppola, and the Liminal Vampire -- Adaptation as Creation: From Yu Hua’s to Zhang Yimou’s To Live -- Transnational Adaptations: The Nineteenth-Century Novel Revisited through a Transcultural Lens -- 5. International Intermediality -- Marlene Creates: Land, Nature, and the Forest as Poetry/Museum -- Le texte liquide entre linéarité et causalité : les caractéristiques de l’hypertexte dans la littérature numérique -- Polyphonie Mehrsprachigkeit_Kreativität_Schreiben -- Intertextualität als Intermedialität: Zum Mond fliegen mit Jules Verne, Georges Méliès, Brian Selznick und Martin Scorsese -- Das Selbst zwischen Bild und Sprache: Marc Chagalls Autobiographie Mein Leben -- Pallenberg alias Schwejk: Ikonografie der Satire, 1918–1933 -- Archaic Greek Poetry and Hip-Hop: A Comparison -- Language and Intermedial Metamorphoses in Indian Literature and Arts -- Intertextual Encounters between Jorge de Sena and Manuel Bandeira -- References to Music in the Translations of Alice’s Adventures in Wonderland into Russian -- Emma/Juremma: An Intersemiotic Translation of Jane Austen’s Emma into Brazilian Culture -- Literature and Cinema: The Military vs. the People in the Hetero-Visiotypes and Hetero-Imagotypes of the 1974 Portuguese Revolution -- Translational Functions of Book Illustrations, and What Dickens Has to Do with Them -- Images littéraires de l’atelier de l’artiste -- La conception française du lyrisme à l’épreuve du lied : l’exemple de Blaze de Bury Contents [delete if appropriate]. |
| Record Nr. | UNINA-9910437645103321 |
| Berlin ; ; Boston : , : De Gruyter, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dialogues between media / / edited by Paul Ferstl
| Dialogues between media / / edited by Paul Ferstl |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2021] |
| Descrizione fisica | 1 online resource (ix, 665 pages) |
| Disciplina | 809 |
| Collana | XXI. Congress of the ICLA - Proceedings |
| Soggetto topico |
Comparative literature
Art and literature Comic books, strips, etc - History and criticism Literature - Adaptations |
| Soggetto non controllato |
Adaptation
comics studies intermediality world literature |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Introduction: Dialogues between Media -- 1. Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-first Century -- The ICLA Research Committee on Comics Studies and Graphic Narrative: Introduction -- Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-First Century – A Preface -- Future Imperfect: Dystopia, Time Travel, Absolute Power, and the Incredible Hulk -- The Participation of Will Eisner’s The Spirit in World War II -- Social Control and Closed Worlds in Manga and Anime -- The Myth of the Great War: Hugo Pratt’s World War I Graphic Novel and Stories -- The Toxic Heroine in Nausicaä of the Valley of the Wind -- Educating to Remember: The Public Use of Comics in Germany and Italy -- Gender Gaps in the Clouds: Expressive Repression and Signs of Change in Italian Comics of the 1950s and 1960s -- Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations -- The Quantum Gaze as a Model for Simultaneous Mobilization in Graphic Narrative -- Wordless: Interpreting Visual Sequence as Storytelling -- 2. Hybridisierung literarischer Sprachen und Ausdrucksformen als Innovationsmodus -- Das Innovative hybrider Literatur am Beispiel Robert Walser -- Goethes Faust in Oper, Film und Manga: Die Faust-Bearbeitungen bei Gounod, Murnau und Tezuka am Beispiel der Studierzimmer-Szene -- „Gossen-Orpheus“ Jean Genet: Deutsche Übersetzungs- und Rezeptionsschwierigkeiten eines poetisch-derben Stils -- Grimm 2.0 – Die Brüder Grimm in der Postmoderne -- ‚das junge jakobli läßt den alten jakob grüßen‘ – Poetik im Dazwischen der Sprachen und jenseits der Sprache in Friedrich Glausers Kriminalroman Die Fieberkurve -- Dante-Comics zwischen Kanon- und Populärkultur: Spielformen der Hybridisierung und Strategien der Selbstreferenz -- Intermediale Formen der Sebald-Rezeption in der populären Musik -- Darstellung und Zeitlichkeit -- Schulromane von Robert Walser und Natsume Sōseki: Hybride Darstellungsformen zwischen „hoch und niedrig“ -- Wie hältst duʼs mit der Liebe? Vampirische Emanzipation im Abendlicht von Elfriede Jelineks „Krankheit oder Moderne Frauen“ -- 3. Languages of the Imaginary -- La lumière dans les romans arthuriens et le Livre des rois de Ferdowsi -- Temporality and Finitude: The Wolf in the Fiction of João Guimarães Rosa and of Marcus Aurelius Pimenta and José Roberto Torero -- The Paulo Afonso Falls by Castro Alves (1847–1871): Interweaving Poetry and Social Imaginaries -- Once Upon a Time and So Many Other Times: Hansel and Gretel -- Storytelling in Advertising: The Case of Os Últimos Desejos da Kombi -- 4. The State of Adaptation Studies Today -- Modern Film Adaptations of Fairy Tales: An Examination of Four 2012 Versions of Snow White -- Adapting Hamlet to the Turkish Screen -- Three Adaptations of Dracula: Friedrich Murnau, Tod Browning, Francis Ford Coppola, and the Liminal Vampire -- Adaptation as Creation: From Yu Hua’s to Zhang Yimou’s To Live -- Transnational Adaptations: The Nineteenth-Century Novel Revisited through a Transcultural Lens -- 5. International Intermediality -- Marlene Creates: Land, Nature, and the Forest as Poetry/Museum -- Le texte liquide entre linéarité et causalité : les caractéristiques de l’hypertexte dans la littérature numérique -- Polyphonie Mehrsprachigkeit_Kreativität_Schreiben -- Intertextualität als Intermedialität: Zum Mond fliegen mit Jules Verne, Georges Méliès, Brian Selznick und Martin Scorsese -- Das Selbst zwischen Bild und Sprache: Marc Chagalls Autobiographie Mein Leben -- Pallenberg alias Schwejk: Ikonografie der Satire, 1918–1933 -- Archaic Greek Poetry and Hip-Hop: A Comparison -- Language and Intermedial Metamorphoses in Indian Literature and Arts -- Intertextual Encounters between Jorge de Sena and Manuel Bandeira -- References to Music in the Translations of Alice’s Adventures in Wonderland into Russian -- Emma/Juremma: An Intersemiotic Translation of Jane Austen’s Emma into Brazilian Culture -- Literature and Cinema: The Military vs. the People in the Hetero-Visiotypes and Hetero-Imagotypes of the 1974 Portuguese Revolution -- Translational Functions of Book Illustrations, and What Dickens Has to Do with Them -- Images littéraires de l’atelier de l’artiste -- La conception française du lyrisme à l’épreuve du lied : l’exemple de Blaze de Bury Contents [delete if appropriate]. |
| Record Nr. | UNISA-996411327103316 |
| Berlin ; ; Boston : , : De Gruyter, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Dialogues between media / / edited by Paul Ferstl
| Dialogues between media / / edited by Paul Ferstl |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2021] |
| Descrizione fisica | 1 online resource (ix, 665 pages) |
| Disciplina | 809 |
| Collana | XXI. Congress of the ICLA - Proceedings |
| Soggetto topico |
Comparative literature
Art and literature Comic books, strips, etc - History and criticism Literature - Adaptations |
| Soggetto non controllato |
Adaptation
comics studies intermediality world literature |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Introduction: Dialogues between Media -- 1. Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-first Century -- The ICLA Research Committee on Comics Studies and Graphic Narrative: Introduction -- Unsettled Narratives: Graphic Novel and Comics Studies in the Twenty-First Century – A Preface -- Future Imperfect: Dystopia, Time Travel, Absolute Power, and the Incredible Hulk -- The Participation of Will Eisner’s The Spirit in World War II -- Social Control and Closed Worlds in Manga and Anime -- The Myth of the Great War: Hugo Pratt’s World War I Graphic Novel and Stories -- The Toxic Heroine in Nausicaä of the Valley of the Wind -- Educating to Remember: The Public Use of Comics in Germany and Italy -- Gender Gaps in the Clouds: Expressive Repression and Signs of Change in Italian Comics of the 1950s and 1960s -- Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations -- The Quantum Gaze as a Model for Simultaneous Mobilization in Graphic Narrative -- Wordless: Interpreting Visual Sequence as Storytelling -- 2. Hybridisierung literarischer Sprachen und Ausdrucksformen als Innovationsmodus -- Das Innovative hybrider Literatur am Beispiel Robert Walser -- Goethes Faust in Oper, Film und Manga: Die Faust-Bearbeitungen bei Gounod, Murnau und Tezuka am Beispiel der Studierzimmer-Szene -- „Gossen-Orpheus“ Jean Genet: Deutsche Übersetzungs- und Rezeptionsschwierigkeiten eines poetisch-derben Stils -- Grimm 2.0 – Die Brüder Grimm in der Postmoderne -- ‚das junge jakobli läßt den alten jakob grüßen‘ – Poetik im Dazwischen der Sprachen und jenseits der Sprache in Friedrich Glausers Kriminalroman Die Fieberkurve -- Dante-Comics zwischen Kanon- und Populärkultur: Spielformen der Hybridisierung und Strategien der Selbstreferenz -- Intermediale Formen der Sebald-Rezeption in der populären Musik -- Darstellung und Zeitlichkeit -- Schulromane von Robert Walser und Natsume Sōseki: Hybride Darstellungsformen zwischen „hoch und niedrig“ -- Wie hältst duʼs mit der Liebe? Vampirische Emanzipation im Abendlicht von Elfriede Jelineks „Krankheit oder Moderne Frauen“ -- 3. Languages of the Imaginary -- La lumière dans les romans arthuriens et le Livre des rois de Ferdowsi -- Temporality and Finitude: The Wolf in the Fiction of João Guimarães Rosa and of Marcus Aurelius Pimenta and José Roberto Torero -- The Paulo Afonso Falls by Castro Alves (1847–1871): Interweaving Poetry and Social Imaginaries -- Once Upon a Time and So Many Other Times: Hansel and Gretel -- Storytelling in Advertising: The Case of Os Últimos Desejos da Kombi -- 4. The State of Adaptation Studies Today -- Modern Film Adaptations of Fairy Tales: An Examination of Four 2012 Versions of Snow White -- Adapting Hamlet to the Turkish Screen -- Three Adaptations of Dracula: Friedrich Murnau, Tod Browning, Francis Ford Coppola, and the Liminal Vampire -- Adaptation as Creation: From Yu Hua’s to Zhang Yimou’s To Live -- Transnational Adaptations: The Nineteenth-Century Novel Revisited through a Transcultural Lens -- 5. International Intermediality -- Marlene Creates: Land, Nature, and the Forest as Poetry/Museum -- Le texte liquide entre linéarité et causalité : les caractéristiques de l’hypertexte dans la littérature numérique -- Polyphonie Mehrsprachigkeit_Kreativität_Schreiben -- Intertextualität als Intermedialität: Zum Mond fliegen mit Jules Verne, Georges Méliès, Brian Selznick und Martin Scorsese -- Das Selbst zwischen Bild und Sprache: Marc Chagalls Autobiographie Mein Leben -- Pallenberg alias Schwejk: Ikonografie der Satire, 1918–1933 -- Archaic Greek Poetry and Hip-Hop: A Comparison -- Language and Intermedial Metamorphoses in Indian Literature and Arts -- Intertextual Encounters between Jorge de Sena and Manuel Bandeira -- References to Music in the Translations of Alice’s Adventures in Wonderland into Russian -- Emma/Juremma: An Intersemiotic Translation of Jane Austen’s Emma into Brazilian Culture -- Literature and Cinema: The Military vs. the People in the Hetero-Visiotypes and Hetero-Imagotypes of the 1974 Portuguese Revolution -- Translational Functions of Book Illustrations, and What Dickens Has to Do with Them -- Images littéraires de l’atelier de l’artiste -- La conception française du lyrisme à l’épreuve du lied : l’exemple de Blaze de Bury Contents [delete if appropriate]. |
| Record Nr. | UNINA-9910774695503321 |
| Berlin ; ; Boston : , : De Gruyter, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Quote, double quote : aesthetics between high and popular culture / / edited by Paul Ferstl and Keyvan Sarkhosh
| Quote, double quote : aesthetics between high and popular culture / / edited by Paul Ferstl and Keyvan Sarkhosh |
| Pubbl/distr/stampa | Amsterdam ; ; New York : , : Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (246 pages) |
| Disciplina | 111.85 |
| Altri autori (Persone) |
FerstlPaul <1981->
SarkhoshKeyvan <1981-> |
| Collana | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft |
| Soggetto topico |
Aesthetics - In popular culture
Art - Philosophy Popular culture |
| ISBN | 94-012-1044-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Keyvan Sarkhosh and Paul Ferstl Introduction: Popular Culture in the Field of ‘Undercomplexity’ and ‘Imbalanced Coding’ -- Moritz Baßler “New Standards of Beauty and Style and Taste”. Expanding the Concept of Camp -- Achim Hölter Doppelte Optik and lange Ohren – Notes on the Aesthetic Compromise -- Marion Wittfeld “Wartime Entertainment”: Press Instructions of the NS Propaganda Ministry on Literary Texts in Magazines -- Norbert Bachleitner Literary Field or “Digital Soup”? Literature in the Internet -- Keyvan Sarkhosh »Sick, sick, sick«? Pornography, Disgust, and the Limit Values of Aesthetics -- Daniel Syrovy Sharks, Spiders, Locusts, Bats, and Rats: Thoughts Toward the Morphology of Creature Features -- Sabine Schönfellner Appropriating the Undead: Zombies Outside the Horror Genre -- Stefan Tetzlaff Narrative Devices in Contemporary Animated Series, or: Why Family Guy Does not Copy The Simpsons -- Paul Ferstl Wrestling with Narratives: Reflections on the Montréal Screwjob -- Esteban Sanchino Martinez The Logic of Metallica out of the Spirit of the Drastic: Reflections on Serious Writing in Popular Culture -- Ulrich Meurer Becoming Line: On Some Features of Philosophy in Salut, Deleuze! -- Monika Schmitz-Emans Alphabetical Writing between Information, Entertainment, and Experiment. Playful Variations of Lexicography in High and Popular Culture -- Notes on Contributors. |
| Record Nr. | UNINA-9910789291303321 |
| Amsterdam ; ; New York : , : Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Quote, double quote : aesthetics between high and popular culture / / edited by Paul Ferstl and Keyvan Sarkhosh
| Quote, double quote : aesthetics between high and popular culture / / edited by Paul Ferstl and Keyvan Sarkhosh |
| Pubbl/distr/stampa | Amsterdam ; ; New York : , : Rodopi, , 2014 |
| Descrizione fisica | 1 online resource (246 pages) |
| Disciplina | 111.85 |
| Altri autori (Persone) |
FerstlPaul <1981->
SarkhoshKeyvan <1981-> |
| Collana | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft |
| Soggetto topico |
Aesthetics - In popular culture
Art - Philosophy Popular culture |
| ISBN | 94-012-1044-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Keyvan Sarkhosh and Paul Ferstl Introduction: Popular Culture in the Field of ‘Undercomplexity’ and ‘Imbalanced Coding’ -- Moritz Baßler “New Standards of Beauty and Style and Taste”. Expanding the Concept of Camp -- Achim Hölter Doppelte Optik and lange Ohren – Notes on the Aesthetic Compromise -- Marion Wittfeld “Wartime Entertainment”: Press Instructions of the NS Propaganda Ministry on Literary Texts in Magazines -- Norbert Bachleitner Literary Field or “Digital Soup”? Literature in the Internet -- Keyvan Sarkhosh »Sick, sick, sick«? Pornography, Disgust, and the Limit Values of Aesthetics -- Daniel Syrovy Sharks, Spiders, Locusts, Bats, and Rats: Thoughts Toward the Morphology of Creature Features -- Sabine Schönfellner Appropriating the Undead: Zombies Outside the Horror Genre -- Stefan Tetzlaff Narrative Devices in Contemporary Animated Series, or: Why Family Guy Does not Copy The Simpsons -- Paul Ferstl Wrestling with Narratives: Reflections on the Montréal Screwjob -- Esteban Sanchino Martinez The Logic of Metallica out of the Spirit of the Drastic: Reflections on Serious Writing in Popular Culture -- Ulrich Meurer Becoming Line: On Some Features of Philosophy in Salut, Deleuze! -- Monika Schmitz-Emans Alphabetical Writing between Information, Entertainment, and Experiment. Playful Variations of Lexicography in High and Popular Culture -- Notes on Contributors. |
| Record Nr. | UNINA-9910823153803321 |
| Amsterdam ; ; New York : , : Rodopi, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||