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Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman
| Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2013] |
| Descrizione fisica | 1 online resource (842 p.) |
| Disciplina | 709.394 |
| Soggetto topico |
Art, Ancient -- Middle East
Art, Middle Eastern Art, Modern Art, Middle Eastern - Middle East Art, Ancient Visual Arts Art, Architecture & Applied Arts Visual Arts - General |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-61451-035-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Contents -- Contributors -- List of Illustrations -- Editor's Note. Maps -- Introduction -- Archaeology and Politics in Iraq -- Forgeries of Ancient Near Eastern Artifacts and Cultures -- Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings -- Orientalism and Orientalization in the Iron Age Mediterranean -- The Historiography of the Concept of “Workshop” in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) -- The Impact of the “Portable”: Integrating “Minor Arts” into the Ancient Near Eastern Canon -- The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the “Phoenician” Bowls -- Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period -- Histories of Cypriot Art through Seal Carving -- Relating Image and Word in Ancient Mesopotamia -- Pictorial Mythology and Narrative in the Ancient Near East -- Art’s Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts -- Posthumous Images and the Memory of the Akkadian Kings -- Styles of Pictorial Narratives in Assurbanipal’s Reliefs -- Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE -- Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c. 883–627 BCE -- Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion -- Terracotta Figurines and Social Identities in Hellenistic Babylonia -- ` The Impressed Image: Glyptic Studies as Art and Social History -- Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State -- Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts -- A Silent Message: Godlike Kings in Mesopotamian Art -- When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin -- Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art -- The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture -- A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla -- The Art of Building a Late Assyrian Royal Palace -- The Assyrian Landscape as Ritual -- Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun -- Art of the Achaemenid Empire, and Art in the Achaemenid Empire -- Index |
| Record Nr. | UNINA-9910463496403321 |
| Berlin ; ; Boston : , : De Gruyter, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman
| Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2013] |
| Descrizione fisica | 1 online resource (842 p.) |
| Disciplina | 709.394 |
| Soggetto topico |
Art, Ancient -- Middle East
Art, Middle Eastern Art, Modern Art, Middle Eastern - Middle East Art, Ancient Visual Arts Art, Architecture & Applied Arts Visual Arts - General |
| Soggetto non controllato |
Ancient Near Eastern art
anthropology of art archaeology art history |
| ISBN | 1-61451-035-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Contents -- Contributors -- List of Illustrations -- Editor's Note. Maps -- Introduction -- Archaeology and Politics in Iraq -- Forgeries of Ancient Near Eastern Artifacts and Cultures -- Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings -- Orientalism and Orientalization in the Iron Age Mediterranean -- The Historiography of the Concept of “Workshop” in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) -- The Impact of the “Portable”: Integrating “Minor Arts” into the Ancient Near Eastern Canon -- The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the “Phoenician” Bowls -- Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period -- Histories of Cypriot Art through Seal Carving -- Relating Image and Word in Ancient Mesopotamia -- Pictorial Mythology and Narrative in the Ancient Near East -- Art’s Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts -- Posthumous Images and the Memory of the Akkadian Kings -- Styles of Pictorial Narratives in Assurbanipal’s Reliefs -- Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE -- Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c. 883–627 BCE -- Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion -- Terracotta Figurines and Social Identities in Hellenistic Babylonia -- ` The Impressed Image: Glyptic Studies as Art and Social History -- Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State -- Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts -- A Silent Message: Godlike Kings in Mesopotamian Art -- When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin -- Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art -- The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture -- A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla -- The Art of Building a Late Assyrian Royal Palace -- The Assyrian Landscape as Ritual -- Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun -- Art of the Achaemenid Empire, and Art in the Achaemenid Empire -- Index |
| Record Nr. | UNINA-9910787731303321 |
| Berlin ; ; Boston : , : De Gruyter, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman
| Critical Approaches to Ancient Near Eastern Art / / Brian A. Brown, Marian H. Feldman |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2013] |
| Descrizione fisica | 1 online resource (842 p.) |
| Disciplina | 709.394 |
| Soggetto topico |
Art, Ancient -- Middle East
Art, Middle Eastern Art, Modern Art, Middle Eastern - Middle East Art, Ancient Visual Arts Art, Architecture & Applied Arts Visual Arts - General |
| Soggetto non controllato |
Ancient Near Eastern art
anthropology of art archaeology art history |
| ISBN | 1-61451-035-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Acknowledgements -- Contents -- Contributors -- List of Illustrations -- Editor's Note. Maps -- Introduction -- Archaeology and Politics in Iraq -- Forgeries of Ancient Near Eastern Artifacts and Cultures -- Beyond the East-West Dichotomy in Syrian and Levantine Wall Paintings -- Orientalism and Orientalization in the Iron Age Mediterranean -- The Historiography of the Concept of “Workshop” in Ancient Near Eastern Archaeology: Descriptive Models and Theoretical Approaches (Anthropology vs. Art History) -- The Impact of the “Portable”: Integrating “Minor Arts” into the Ancient Near Eastern Canon -- The Influence of the Physical Medium on the Decoration of a Work of Art: A Case Study of the “Phoenician” Bowls -- Impressions of the Contest Scene: Glyptic Imagery and Sealing Practice in the Akkadian Period -- Histories of Cypriot Art through Seal Carving -- Relating Image and Word in Ancient Mesopotamia -- Pictorial Mythology and Narrative in the Ancient Near East -- Art’s Role in the Origins of Writing: The Seal-Carver, the Scribe, and the Earliest Lexical Texts -- Posthumous Images and the Memory of the Akkadian Kings -- Styles of Pictorial Narratives in Assurbanipal’s Reliefs -- Sexuality, Reproduction and Gender in Terracotta Plaques from the Late Third-Early Second Millennia BCE -- Images and Conceptions of Ideal Feminine Beauty in Neo-Assyrian Royal Contexts, c. 883–627 BCE -- Uniforms and Non-Conformists: Tensions and Trends in Early Dynastic Fashion -- Terracotta Figurines and Social Identities in Hellenistic Babylonia -- ` The Impressed Image: Glyptic Studies as Art and Social History -- Culture on Display: Representations of Ethnicity in the Art of the Late Assyrian State -- Human, Divine or Both? The Uruk Vase and the Problem of Ambiguity in Early Mesopotamian Visual Arts -- A Silent Message: Godlike Kings in Mesopotamian Art -- When the Subject is the Object: Relational Ontologies, the Partible Person and Images of Naram-Sin -- Gods, Heroes, Rituals, and Violence: Warfare in Neo-Assyrian Art -- The Tell Asmar Hoard and Rituals of Early Dynastic Sculpture -- A Feast for the Eyes: Depiction and Performance of Ritual within the Sacred Space of Middle Bronze Age Ebla -- The Art of Building a Late Assyrian Royal Palace -- The Assyrian Landscape as Ritual -- Aesthetics of the Natural Environment in the Arts of the Ancient Near East: The Elamite Rock-Cut Sanctuary of Kurangun -- Art of the Achaemenid Empire, and Art in the Achaemenid Empire -- Index |
| Record Nr. | UNINA-9910811458403321 |
| Berlin ; ; Boston : , : De Gruyter, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||