The music documentary : acid rock to electropop / / edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan |
Pubbl/distr/stampa | New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 780.26/7 |
Altri autori (Persone) |
Edgar-HuntRobert
Fairclough-IsaacsKirsty HalliganBenjamin |
Collana | Routledge music and screen media series |
Soggetto topico |
Documentary films - History and criticism
Documentary television programs - History and criticism Musicians in motion pictures Concert films - History and criticism Rock films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
0-415-52802-X
0-203-11868-5 1-136-31104-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Title Information; Title Page; Copyright Page; Dedication ; Table of Contents; Series Foreword; Preface; Acknowledgments; Introduction: Music Seen: The Formats and Functions of the Music Documentary; Part I: Evolutions of the Music Documentary ; 1 Tony Palmer's All You Need Is Love: Television's First Pop History; 2 Retrospective Compilations: (Re)defining the Music Documentary; 3 Sound and Vision: Radio Documentary, Fandom, and New Participatory Cultures; Part II: Scenes from the Sixties ; 4 The Good, The Bad, and The Ugly '60s: The Opposing Gazes of Woodstock and Gimme Shelter
5 "Let Your Bullets Fly, My Friend": Jimi Hendrix at Berkeley 6 "You Can't Always Get What You Want": Riding on The Medicine Ball Caravan; Part III: Punk Cultures ; 7 No Wave Film and the Music Documentary: From No Wave Cinema "Documents" to Retrospective Documentaries; 8 The Anxiety of Authenticity: Post-punk Film in the 2000s; 9 "Every Tongue Brings in a Several Tale": The Filth and the Fury's Counterhistorical Transgressions; Part IV: "Mockumentaries" and "Rockumentaries" ; 10 The Circus is in Town: Rock Mockumentaries and the Carnivalesque 11 Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970sPart V: New Directions in the Music Documentary ; 12 "Moogie Wonderland": Technology, Modernity, and the Music Documentary; 13 An Ethnographic Video Project for the Music Classroom; 14 Mediating The Agony and the Ecstasy of Phil Spector: Documenting Monstrosity?; 15 Desperately Seeking Kylie! Critical Reflections on William Baker's White Diamond; List of Contributors; Index |
Record Nr. | UNINA-9910452316903321 |
New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The music documentary : acid rock to electropop / / edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan |
Pubbl/distr/stampa | New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 780.26/7 |
Altri autori (Persone) |
Edgar-HuntRobert
Fairclough-IsaacsKirsty HalliganBenjamin |
Collana | Routledge music and screen media series |
Soggetto topico |
Documentary films - History and criticism
Documentary television programs - History and criticism Musicians in motion pictures Concert films - History and criticism Rock films - History and criticism |
ISBN |
1-136-31103-3
0-415-52802-X 0-203-11868-5 1-136-31104-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Title Information; Title Page; Copyright Page; Dedication ; Table of Contents; Series Foreword; Preface; Acknowledgments; Introduction: Music Seen: The Formats and Functions of the Music Documentary; Part I: Evolutions of the Music Documentary ; 1 Tony Palmer's All You Need Is Love: Television's First Pop History; 2 Retrospective Compilations: (Re)defining the Music Documentary; 3 Sound and Vision: Radio Documentary, Fandom, and New Participatory Cultures; Part II: Scenes from the Sixties ; 4 The Good, The Bad, and The Ugly '60s: The Opposing Gazes of Woodstock and Gimme Shelter
5 "Let Your Bullets Fly, My Friend": Jimi Hendrix at Berkeley 6 "You Can't Always Get What You Want": Riding on The Medicine Ball Caravan; Part III: Punk Cultures ; 7 No Wave Film and the Music Documentary: From No Wave Cinema "Documents" to Retrospective Documentaries; 8 The Anxiety of Authenticity: Post-punk Film in the 2000s; 9 "Every Tongue Brings in a Several Tale": The Filth and the Fury's Counterhistorical Transgressions; Part IV: "Mockumentaries" and "Rockumentaries" ; 10 The Circus is in Town: Rock Mockumentaries and the Carnivalesque 11 Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970sPart V: New Directions in the Music Documentary ; 12 "Moogie Wonderland": Technology, Modernity, and the Music Documentary; 13 An Ethnographic Video Project for the Music Classroom; 14 Mediating The Agony and the Ecstasy of Phil Spector: Documenting Monstrosity?; 15 Desperately Seeking Kylie! Critical Reflections on William Baker's White Diamond; List of Contributors; Index |
Record Nr. | UNINA-9910779740303321 |
New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The music documentary : acid rock to electropop / / edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 780.26/7 |
Altri autori (Persone) |
Edgar-HuntRobert
Fairclough-IsaacsKirsty HalliganBenjamin |
Collana | Routledge music and screen media series |
Soggetto topico |
Documentary films - History and criticism
Documentary television programs - History and criticism Musicians in motion pictures Concert films - History and criticism Rock films - History and criticism |
ISBN |
1-136-31103-3
0-415-52802-X 0-203-11868-5 1-136-31104-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Title Information; Title Page; Copyright Page; Dedication ; Table of Contents; Series Foreword; Preface; Acknowledgments; Introduction: Music Seen: The Formats and Functions of the Music Documentary; Part I: Evolutions of the Music Documentary ; 1 Tony Palmer's All You Need Is Love: Television's First Pop History; 2 Retrospective Compilations: (Re)defining the Music Documentary; 3 Sound and Vision: Radio Documentary, Fandom, and New Participatory Cultures; Part II: Scenes from the Sixties ; 4 The Good, The Bad, and The Ugly '60s: The Opposing Gazes of Woodstock and Gimme Shelter
5 "Let Your Bullets Fly, My Friend": Jimi Hendrix at Berkeley 6 "You Can't Always Get What You Want": Riding on The Medicine Ball Caravan; Part III: Punk Cultures ; 7 No Wave Film and the Music Documentary: From No Wave Cinema "Documents" to Retrospective Documentaries; 8 The Anxiety of Authenticity: Post-punk Film in the 2000s; 9 "Every Tongue Brings in a Several Tale": The Filth and the Fury's Counterhistorical Transgressions; Part IV: "Mockumentaries" and "Rockumentaries" ; 10 The Circus is in Town: Rock Mockumentaries and the Carnivalesque 11 Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970sPart V: New Directions in the Music Documentary ; 12 "Moogie Wonderland": Technology, Modernity, and the Music Documentary; 13 An Ethnographic Video Project for the Music Classroom; 14 Mediating The Agony and the Ecstasy of Phil Spector: Documenting Monstrosity?; 15 Desperately Seeking Kylie! Critical Reflections on William Baker's White Diamond; List of Contributors; Index |
Record Nr. | UNINA-9910815083003321 |
New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|