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Indigenous African Popular Music, Volume 1 : Prophets and Philosophers / / edited by Abiodun Salawu, Israel A. Fadipe
| Indigenous African Popular Music, Volume 1 : Prophets and Philosophers / / edited by Abiodun Salawu, Israel A. Fadipe |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (409 pages) |
| Disciplina |
781.63096
781.629606 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Popular music
Ethnology - Africa Culture African languages Intercultural communication Emigration and immigration Digital media Popular Music African Culture African Languages Intercultural Communication Diaspora Studies Digital and New Media |
| ISBN |
9783030978846
3030978842 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Indigenous African Popular Music -- SECTION A: THE NATURE, PHILOSOPHIES AND GENRES OF INDIGENOUS AFRICAN POPULAR MUSIC -- Chapter 2: Indigenous and modern Zimbabwean music: Reflections from Thomas Mapfumo's Chimurenga music genre -- Chapter 3: Rhythmic signifying in popular Venda music -- Chapter 4: Baansi ni Yila: A critical history of the music industry in Northern Ghana -- Chapter 5: Indigenous and Indigenised Yoruba Popular Music -- Chapter 6: Social Cognition and Advertisement in Yusuf Olatunji's Music -- Chapter 7: Exploring the value systems embedded in indigenous Yorùbá music genres and Yorùbá nursery rhymes -- Chapter 8: Cultural Frames: Socio-Cultural Metaphors in Owerri-Igbo Bongo Music -- Chapter 9: Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization & Contradictions: Discourse Narrative -- Chapter 10: Dung Chollom and Berom Ethnic Popular Music -- SECTION B: INDIGENOUS AFRICAN POPULAR MUSIC ARTISTES AS PROPHETS AND PHILOSOPHERS -- Chapter 11: Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music -- Chapter 12: Forewarned is forearmed: Exploring the apocalyptic voice of popular music in the post-colonial Zimbabwe -- Chapter 13: Reeling Nostalgia: 'Aremote' and the enduring Sakara music in Nigeria -- Chapter 14: Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) -- Chapter 15: Yoruba Socio-Cultural Norms and Values in Selected Songs of Bukola Elemide (Asa) -- Chapter 16: Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation -- SECTION C: INDIGENOUS AFRICAN POPULAR MUSIC AND THE WORLD -- Chapter 17: Valodia: A Transatlantic Praise Song -- Chapter 18: The adaptation of Zimbabwean mbira dzavadzimu music, from traditional to modern popular band format; the case of Thomas Mapfumo -- Chapter 19: Macheso's Sungura and Socialidentity narratives in Postcolonial Zimbabwe -- Chapter 20: "One Beat, One Pound" - Kasumu Isola Sanni: The Sákárà Master Drummer -- Chapter 21: When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal. |
| Record Nr. | UNINA-9910574086903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indigenous African Popular Music, Volume 2 : Social Crusades and the Future / / edited by Abiodun Salawu, Israel A. Fadipe
| Indigenous African Popular Music, Volume 2 : Social Crusades and the Future / / edited by Abiodun Salawu, Israel A. Fadipe |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (474 pages) |
| Disciplina |
782.42
781.63096 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Popular music
Ethnology - Africa Culture African languages Intercultural communication Emigration and immigration Africa - History Popular Music African Culture African Languages Intercultural Communication Diaspora Studies African History |
| ISBN |
9783030987053
3030987051 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I Indigenous African Popular Music, Democracy, Politics and Social Crusade -- 1 Extra-Mundane Communication in Ayinla Omowura's Music: Exploring Connections Between a Tool and an Agent -- 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria -- 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008-2018) -- 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe -- 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti's Songs in Nigeria -- 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music -- 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction -- 9 State-Minded Praise Music Culture Through Electoral Nigeria -- 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu's Ijala Song-Texts -- 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu -- Part II Indigenous African Popular Music and Environmental Health Communication -- 12 Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal.-13 Promotion of Food Sovereignty in Africa Through Yoruba's Indigenous Music -- 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19 -- Part III Indigenous African Popular Music and Gender Empowerment -- 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire's Gender Philosophy -- 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women -- 17 Content and Reception of Eswatini's Indigenous and Popular Music on Women Empowerment -- Part IV Indigenous African Popular Music, African Youths and African Future -- 18 Ngoma Songs as Tanzanian Youths' Third Space for Political Participation -- 19 The Future of the Indigenous African Popular Music -- 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa -- 21 Zimdancehall Music as Rules ofSexual Engagement -- Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media -- 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State -- 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry.-24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies -- 25 Commodification of Music in the Digital Age: Locating Namibia's Oviritje Popular Music Genre in the Capitalist Music Economy -- 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern Nigeria. |
| Record Nr. | UNINA-9910578689003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||