Soviet music and society under Lenin and Stalin [[electronic resource] ] : the baton and sickle / / edited by Neil Edmunds |
Pubbl/distr/stampa | New York, : RoutledgeCurzon, c2004 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 780/.947/0904 |
Altri autori (Persone) | EdmundsNeil <1966-2008.> |
Collana | BASEES/RoutledgeCurzon series on Russian and East European studies |
Soggetto topico | Music - Soviet Union - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-60107-6
1-280-07771-9 0-203-49626-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Soviet Music and Society under Lenin and Stalin: The baton and sickle; Copyright; Contents; Illustrations; Notes on contributors; Acknowledgements; A note on transliteration; Introduction; 1 Music in the socialist state; 2 The ways of Russian popular music to 1953; 3 Declared dead, but only provisionally: Shostakovich, Soviet music-hall and Uslovno ubityi; 4 From the factory to the flat: Thirty years of the Song of the Counterplan; 5 Prokofiev's Le Pas d'Acier: How the steel was tempered; 6 'Lenin is always with us': Soviet musical propaganda and its composers during the 1920s
7 Amateurs and enthusiasts: Folk music and the Soviet state on stage in the 1930s8 National identity, cultural policy and the Soviet Folk Ensemble in Armenia; 9 Going beyond the border: National cultural policy and the development of musical life in Soviet Karelia, 1920-1940; 10 A nation on stage: Music and the 1936 Festival of Kazak Arts; 11 Uzeyir Hajibeyov and his role in the development of musical life in Azerbaidzhan; Index |
Record Nr. | UNINA-9910451383203321 |
New York, : RoutledgeCurzon, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Soviet music and society under Lenin and Stalin [[electronic resource] ] : the baton and sickle / / edited by Neil Edmunds |
Pubbl/distr/stampa | New York, : RoutledgeCurzon, c2004 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 780/.947/0904 |
Altri autori (Persone) | EdmundsNeil <1966-2008.> |
Collana | BASEES/RoutledgeCurzon series on Russian and East European studies |
Soggetto topico | Music - Soviet Union - History and criticism |
ISBN |
1-134-41562-1
0-203-60107-6 1-280-07771-9 0-203-49626-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Soviet Music and Society under Lenin and Stalin: The baton and sickle; Copyright; Contents; Illustrations; Notes on contributors; Acknowledgements; A note on transliteration; Introduction; 1 Music in the socialist state; 2 The ways of Russian popular music to 1953; 3 Declared dead, but only provisionally: Shostakovich, Soviet music-hall and Uslovno ubityi; 4 From the factory to the flat: Thirty years of the Song of the Counterplan; 5 Prokofiev's Le Pas d'Acier: How the steel was tempered; 6 'Lenin is always with us': Soviet musical propaganda and its composers during the 1920s
7 Amateurs and enthusiasts: Folk music and the Soviet state on stage in the 1930s8 National identity, cultural policy and the Soviet Folk Ensemble in Armenia; 9 Going beyond the border: National cultural policy and the development of musical life in Soviet Karelia, 1920-1940; 10 A nation on stage: Music and the 1936 Festival of Kazak Arts; 11 Uzeyir Hajibeyov and his role in the development of musical life in Azerbaidzhan; Index |
Record Nr. | UNINA-9910783849903321 |
New York, : RoutledgeCurzon, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Soviet music and society under Lenin and Stalin : the baton and sickle / / edited by Neil Edmunds |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : RoutledgeCurzon, c2004 |
Descrizione fisica | 1 online resource (258 p.) |
Disciplina | 780/.947/0904 |
Altri autori (Persone) | EdmundsNeil <1966-2008.> |
Collana | BASEES/RoutledgeCurzon series on Russian and East European studies |
Soggetto topico | Music - Soviet Union - History and criticism |
ISBN |
1-134-41562-1
0-203-60107-6 1-280-07771-9 0-203-49626-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Soviet Music and Society under Lenin and Stalin: The baton and sickle; Copyright; Contents; Illustrations; Notes on contributors; Acknowledgements; A note on transliteration; Introduction; 1 Music in the socialist state; 2 The ways of Russian popular music to 1953; 3 Declared dead, but only provisionally: Shostakovich, Soviet music-hall and Uslovno ubityi; 4 From the factory to the flat: Thirty years of the Song of the Counterplan; 5 Prokofiev's Le Pas d'Acier: How the steel was tempered; 6 'Lenin is always with us': Soviet musical propaganda and its composers during the 1920s
7 Amateurs and enthusiasts: Folk music and the Soviet state on stage in the 1930s8 National identity, cultural policy and the Soviet Folk Ensemble in Armenia; 9 Going beyond the border: National cultural policy and the development of musical life in Soviet Karelia, 1920-1940; 10 A nation on stage: Music and the 1936 Festival of Kazak Arts; 11 Uzeyir Hajibeyov and his role in the development of musical life in Azerbaidzhan; Index |
Record Nr. | UNINA-9910812099103321 |
New York, : RoutledgeCurzon, c2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Twentieth-century music and politics : essays in memory of Neil Edmunds / / Pauline Fairclough |
Autore | Fairclough Pauline |
Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (313 p.) |
Disciplina | 780.9/04 |
Altri autori (Persone) | EdmundsNeil <1966-2008.> |
Soggetto topico | Music - Political aspects - History - 20th century |
ISBN |
1-315-54949-2
1-317-00580-5 1-317-00579-1 1-283-85994-7 1-4094-5508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; List of Musical Examples; Notes on Contributors; Foreword; Preface and Acknowledgements; Introduction; 1 'A World of Marxist Orthodoxy'? Alan Bush's Wat Tyler in Great Britain and the German Democratic Republic; 2 Stravinsky's Petrushka: Modernizing the Past, Russianizing the Future; or, How Stravinsky Learned to Be an Exile; 3 Détente to Cold War: Anglo-Soviet Musical Exchanges in the Late Stalin Period; 4 Front Theatre: Musical Films and the War in Nazi Cinema
5 'Those damn foreigners': Xenophobia and British Musical Life During the First Half of the Twentieth Century6 'An angry ape': Some Preliminary Thoughts about Orango; 7 A Bridge between Two Worlds: The Founding Years of the Warsaw Autumn Festival; 8 Winning Hearts and Minds? Soviet Music in the Cold War Struggle against the West; 9 Preserving the Façade of Normal Times: Musical Life in Belgrade under the German Occupation (1941-1944); 10 Musical Commemorations in Post-Civil War Spain: Joaquín Rodrigo's Concierto Heroico 11 The Racialization and Ghettoization of Music in the General Government12 'I Only Need the Good Old Budapest': Hungarian Cabaret in Wartime London; 13 Irish Nationalism, British Imperialism and the Role of Popular Music; 14 Shostakovich as Film Music Theorist; 15 Diaspora, Music and Politics: Russian Musical Life in Shanghai during the Interwar Period; Select Bibliography; Index |
Record Nr. | UNINA-9910779338003321 |
Fairclough Pauline | ||
London, [England] ; ; New York, New York : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Twentieth-century music and politics : essays in memory of Neil Edmunds / / Pauline Fairclough |
Autore | Fairclough Pauline |
Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (313 p.) |
Disciplina | 780.9/04 |
Altri autori (Persone) | EdmundsNeil <1966-2008.> |
Soggetto topico | Music - Political aspects - History - 20th century |
ISBN |
1-315-54949-2
1-317-00580-5 1-317-00579-1 1-283-85994-7 1-4094-5508-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; List of Musical Examples; Notes on Contributors; Foreword; Preface and Acknowledgements; Introduction; 1 'A World of Marxist Orthodoxy'? Alan Bush's Wat Tyler in Great Britain and the German Democratic Republic; 2 Stravinsky's Petrushka: Modernizing the Past, Russianizing the Future; or, How Stravinsky Learned to Be an Exile; 3 Détente to Cold War: Anglo-Soviet Musical Exchanges in the Late Stalin Period; 4 Front Theatre: Musical Films and the War in Nazi Cinema
5 'Those damn foreigners': Xenophobia and British Musical Life During the First Half of the Twentieth Century6 'An angry ape': Some Preliminary Thoughts about Orango; 7 A Bridge between Two Worlds: The Founding Years of the Warsaw Autumn Festival; 8 Winning Hearts and Minds? Soviet Music in the Cold War Struggle against the West; 9 Preserving the Façade of Normal Times: Musical Life in Belgrade under the German Occupation (1941-1944); 10 Musical Commemorations in Post-Civil War Spain: Joaquín Rodrigo's Concierto Heroico 11 The Racialization and Ghettoization of Music in the General Government12 'I Only Need the Good Old Budapest': Hungarian Cabaret in Wartime London; 13 Irish Nationalism, British Imperialism and the Role of Popular Music; 14 Shostakovich as Film Music Theorist; 15 Diaspora, Music and Politics: Russian Musical Life in Shanghai during the Interwar Period; Select Bibliography; Index |
Record Nr. | UNINA-9910823823203321 |
Fairclough Pauline | ||
London, [England] ; ; New York, New York : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|