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New Zealand film and television [[electronic resource] ] : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce
| New Zealand film and television [[electronic resource] ] : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce |
| Autore | Dunleavy Trisha |
| Pubbl/distr/stampa | Bristol, U.K., : Intellect, 2011 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina |
791.43
791.430993 |
| Altri autori (Persone) | JoyceHester |
| Soggetto topico |
Motion pictures - New Zealand
Television - New Zealand |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-60998-3
9786613922434 1-84150-609-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Glossary of Ma-ori Terms; List of Abbreviations; Introduction; New Zealand Screen Production and Political Economy; 'New Zealand-Domiciled' Feature Film and Television Drama; The Institutional Ecology for New Zealand-Domiciled Screen Production; 'Localness' and 'Universality'; New Zealand Screen Production and Cultural Considerations; Research Questions and Chapter Organisation; Chapter 1: Television in the Era of Public Monopoly (1960-88); Introduction; Television and National Culture
The Inception of Television The Single-Channel Era (1960-74); Two-Channel Independence (1975-79); Two-Channel Complementarity: The First Years of TVNZ (1980-88); 'Public Service' Objectives in Programming; Ma-ori Television; Locally-Produced TV Drama in the Monopoly Era; The Institutional Culture for TV Drama Production; Three Landmark TV Drama Productions; Pukemanu (1971-72); The Governor (1977); Erebus the Aftermath (1987); Conclusions; Chapter 2: Pioneers, Mavericks and the Inception of a National Cinema (1960-88); Introduction; Cinema, Industry and National Culture The Film Industry Working Party Television and the Emergence of a Fledgling Film Industry; The Development of the New Zealand Film Commission; The NZFC's Founding Act of Parliament; Halcyon Days: the First Years of the NZFC (1978-82); The Tax Shelter Years (1982-84): A Production Boom and Bust; NZFC Policy Directions in the Mid-1980's; Neo-Liberal Politics and Some Initial Impacts; New Zealand Film-Making: The Achievement of a Production Industry and a Distinctive Voice; New Zealand Feature Films: Three Contrasting Examples; Sleeping Dogs (1977); Vigil (1984); Nga-ti (1987); Conclusions Chapter 3: Television, Neo-liberalism and the Advent of Competition (1988-99)Introduction; The Neo-Liberal Turn and 'New Zealand Experiment'; Neo-Liberalism and Television; The Restructuring and Deregulation of Broadcasting; The New Broadcasting Legislation; The Creation and Role of New Zealand On Air; NZoA's Funding Allocation Strategies; Successes and Failures: The First Decade of Competition; The Proposal to Sell TVNZ; Commissioning Culture after Deregulation; The Independent Sector, Local-Content and South Pacific Pictures; TV Drama Production in the 1990's Case Study of Shortland Street (1992-)Conclusions; Chapter 4: Neo-Liberalism and the Consolidation of a National Film Industry (1988-97); Introduction; Challenges for the NZFC in the Late 1980's; The Emergence of an NZFC Script Development Policy; Changes in Television, New Zealand On Air and New Horizons for the Film Industry; Alternative Forms and Related Strategies: Short Films and One-Off Dramas; Renewed Production, Consolidation and Success; Changes of Direction for the NZFC; The 'Low Budget Film' and Other Developments in NZFC Funding Criteria; International Collaborations Further Changes to NZFC Directions and Policy: The Ruth Harley Era |
| Record Nr. | UNINA-9910457535003321 |
Dunleavy Trisha
|
||
| Bristol, U.K., : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand film and television [[electronic resource] ] : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce
| New Zealand film and television [[electronic resource] ] : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce |
| Autore | Dunleavy Trisha |
| Pubbl/distr/stampa | Bristol, U.K., : Intellect, 2011 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina |
791.43
791.430993 |
| Altri autori (Persone) | JoyceHester |
| Soggetto topico |
Motion pictures - New Zealand
Television - New Zealand |
| ISBN |
1-283-60998-3
9786613922434 1-84150-609-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Glossary of Ma-ori Terms; List of Abbreviations; Introduction; New Zealand Screen Production and Political Economy; 'New Zealand-Domiciled' Feature Film and Television Drama; The Institutional Ecology for New Zealand-Domiciled Screen Production; 'Localness' and 'Universality'; New Zealand Screen Production and Cultural Considerations; Research Questions and Chapter Organisation; Chapter 1: Television in the Era of Public Monopoly (1960-88); Introduction; Television and National Culture
The Inception of Television The Single-Channel Era (1960-74); Two-Channel Independence (1975-79); Two-Channel Complementarity: The First Years of TVNZ (1980-88); 'Public Service' Objectives in Programming; Ma-ori Television; Locally-Produced TV Drama in the Monopoly Era; The Institutional Culture for TV Drama Production; Three Landmark TV Drama Productions; Pukemanu (1971-72); The Governor (1977); Erebus the Aftermath (1987); Conclusions; Chapter 2: Pioneers, Mavericks and the Inception of a National Cinema (1960-88); Introduction; Cinema, Industry and National Culture The Film Industry Working Party Television and the Emergence of a Fledgling Film Industry; The Development of the New Zealand Film Commission; The NZFC's Founding Act of Parliament; Halcyon Days: the First Years of the NZFC (1978-82); The Tax Shelter Years (1982-84): A Production Boom and Bust; NZFC Policy Directions in the Mid-1980's; Neo-Liberal Politics and Some Initial Impacts; New Zealand Film-Making: The Achievement of a Production Industry and a Distinctive Voice; New Zealand Feature Films: Three Contrasting Examples; Sleeping Dogs (1977); Vigil (1984); Nga-ti (1987); Conclusions Chapter 3: Television, Neo-liberalism and the Advent of Competition (1988-99)Introduction; The Neo-Liberal Turn and 'New Zealand Experiment'; Neo-Liberalism and Television; The Restructuring and Deregulation of Broadcasting; The New Broadcasting Legislation; The Creation and Role of New Zealand On Air; NZoA's Funding Allocation Strategies; Successes and Failures: The First Decade of Competition; The Proposal to Sell TVNZ; Commissioning Culture after Deregulation; The Independent Sector, Local-Content and South Pacific Pictures; TV Drama Production in the 1990's Case Study of Shortland Street (1992-)Conclusions; Chapter 4: Neo-Liberalism and the Consolidation of a National Film Industry (1988-97); Introduction; Challenges for the NZFC in the Late 1980's; The Emergence of an NZFC Script Development Policy; Changes in Television, New Zealand On Air and New Horizons for the Film Industry; Alternative Forms and Related Strategies: Short Films and One-Off Dramas; Renewed Production, Consolidation and Success; Changes of Direction for the NZFC; The 'Low Budget Film' and Other Developments in NZFC Funding Criteria; International Collaborations Further Changes to NZFC Directions and Policy: The Ruth Harley Era |
| Record Nr. | UNINA-9910781940703321 |
|
Dunleavy Trisha
|
||
| Bristol, U.K., : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Zealand film and television : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce
| New Zealand film and television : institution, industry and cultural change / / Trisha Dunleavy and Hester Joyce |
| Autore | Dunleavy Trisha |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, U.K., : Intellect, 2011 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina |
791.43
791.430993 |
| Altri autori (Persone) | JoyceHester |
| Soggetto topico |
Motion pictures - New Zealand
Television - New Zealand |
| ISBN |
1-283-60998-3
9786613922434 1-84150-609-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Glossary of Ma-ori Terms; List of Abbreviations; Introduction; New Zealand Screen Production and Political Economy; 'New Zealand-Domiciled' Feature Film and Television Drama; The Institutional Ecology for New Zealand-Domiciled Screen Production; 'Localness' and 'Universality'; New Zealand Screen Production and Cultural Considerations; Research Questions and Chapter Organisation; Chapter 1: Television in the Era of Public Monopoly (1960-88); Introduction; Television and National Culture
The Inception of Television The Single-Channel Era (1960-74); Two-Channel Independence (1975-79); Two-Channel Complementarity: The First Years of TVNZ (1980-88); 'Public Service' Objectives in Programming; Ma-ori Television; Locally-Produced TV Drama in the Monopoly Era; The Institutional Culture for TV Drama Production; Three Landmark TV Drama Productions; Pukemanu (1971-72); The Governor (1977); Erebus the Aftermath (1987); Conclusions; Chapter 2: Pioneers, Mavericks and the Inception of a National Cinema (1960-88); Introduction; Cinema, Industry and National Culture The Film Industry Working Party Television and the Emergence of a Fledgling Film Industry; The Development of the New Zealand Film Commission; The NZFC's Founding Act of Parliament; Halcyon Days: the First Years of the NZFC (1978-82); The Tax Shelter Years (1982-84): A Production Boom and Bust; NZFC Policy Directions in the Mid-1980's; Neo-Liberal Politics and Some Initial Impacts; New Zealand Film-Making: The Achievement of a Production Industry and a Distinctive Voice; New Zealand Feature Films: Three Contrasting Examples; Sleeping Dogs (1977); Vigil (1984); Nga-ti (1987); Conclusions Chapter 3: Television, Neo-liberalism and the Advent of Competition (1988-99)Introduction; The Neo-Liberal Turn and 'New Zealand Experiment'; Neo-Liberalism and Television; The Restructuring and Deregulation of Broadcasting; The New Broadcasting Legislation; The Creation and Role of New Zealand On Air; NZoA's Funding Allocation Strategies; Successes and Failures: The First Decade of Competition; The Proposal to Sell TVNZ; Commissioning Culture after Deregulation; The Independent Sector, Local-Content and South Pacific Pictures; TV Drama Production in the 1990's Case Study of Shortland Street (1992-)Conclusions; Chapter 4: Neo-Liberalism and the Consolidation of a National Film Industry (1988-97); Introduction; Challenges for the NZFC in the Late 1980's; The Emergence of an NZFC Script Development Policy; Changes in Television, New Zealand On Air and New Horizons for the Film Industry; Alternative Forms and Related Strategies: Short Films and One-Off Dramas; Renewed Production, Consolidation and Success; Changes of Direction for the NZFC; The 'Low Budget Film' and Other Developments in NZFC Funding Criteria; International Collaborations Further Changes to NZFC Directions and Policy: The Ruth Harley Era |
| Record Nr. | UNINA-9910818477503321 |
|
Dunleavy Trisha
|
||
| Bristol, U.K., : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||