The learned eye : regarding art, theory, and the artist's reputation : essays for Ernst van de Wetering / / edited by Marieke van den Doel [and others] [[electronic resource]] |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2005 |
Descrizione fisica | 1 online resource (228 pages) : digital, PDF file(s) |
Disciplina | 709.492 |
Collana | Rembrandt |
Soggetto topico |
Art, Dutch - 17th century
Artists - Netherlands Visual perception |
ISBN |
1-280-95909-6
9781423709624 9786610959099 90-485-0538-0 1-4237-0962-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Introduction -- The Learned Eye / Weststeijn, Thijs -- Biography of Ernst van de Wetering / Weststeijn, Thijs -- Part I. The Work of Art -- In the Beginning There Was Red / Groen, Karin -- The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses / Klein, Peter -- Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston / Haverkamp Begemann, Egbert -- The Portrait of Theodorus Schrevelius / Bijl, Martin -- Part II. The Rules of Art -- The Contours in the Paintings of the Oranjezaal, Huis ten Bosch / van Eikema Hommes, Margriet -- Aelbert Cuyp's Innovative Use of Spatial Devices / Tummers, Anna -- Colour Symbolism in Seventeenth-Century Dutch Painting / Wheelock, Arthur -- Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master / Weststeijn, Thijs -- Part III. The Artist's Reputation -- 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession / Brown, Christopher -- 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria / Simons, Madelon -- Crossing the Wall of History. Etienne Delécluze on the Art and Morality of Jacques-Louis David / Haveman, Mariette -- Goltzius, Painting and Flesh; or, Why Goltzius Began to Paint in 1600 / Sluijter, Eric Jan -- Part IV. Painters, Patrons and Art-Lovers -- 'Pour mon honneur et pour vostre contentement': Nicolas Poussin, Paul Fréart de Chantelou and the Making and Collecting of Copies / Franken, Michiel -- Gerard de Lairesse and Jacob de Wit in situ / Liedtke, Walter -- 'The Painter he findes at his Easill at worke' / van Os, Henk -- Bibliography of Ernst van de Wetering -- About the Authors -- Index of Names |
Record Nr. | UNINA-9910450329503321 |
Amsterdam : , : Amsterdam University Press, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The learned eye : regarding art, theory, and the artist's reputation : essays for Ernst van de Wetering / / edited by Marieke van den Doel [and others] |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2005 |
Descrizione fisica | 1 online resource (228 pages) : digital, PDF file(s) |
Disciplina | 709.492 |
Collana | Rembrandt |
Soggetto topico |
Art, Dutch - 17th century
Artists - Netherlands Visual perception |
ISBN |
1-280-95909-6
9781423709624 9786610959099 90-485-0538-0 1-4237-0962-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Introduction -- The Learned Eye / Weststeijn, Thijs -- Biography of Ernst van de Wetering / Weststeijn, Thijs -- Part I. The Work of Art -- In the Beginning There Was Red / Groen, Karin -- The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses / Klein, Peter -- Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston / Haverkamp Begemann, Egbert -- The Portrait of Theodorus Schrevelius / Bijl, Martin -- Part II. The Rules of Art -- The Contours in the Paintings of the Oranjezaal, Huis ten Bosch / van Eikema Hommes, Margriet -- Aelbert Cuyp's Innovative Use of Spatial Devices / Tummers, Anna -- Colour Symbolism in Seventeenth-Century Dutch Painting / Wheelock, Arthur -- Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master / Weststeijn, Thijs -- Part III. The Artist's Reputation -- 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession / Brown, Christopher -- 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria / Simons, Madelon -- Crossing the Wall of History. Etienne Delécluze on the Art and Morality of Jacques-Louis David / Haveman, Mariette -- Goltzius, Painting and Flesh; or, Why Goltzius Began to Paint in 1600 / Sluijter, Eric Jan -- Part IV. Painters, Patrons and Art-Lovers -- 'Pour mon honneur et pour vostre contentement': Nicolas Poussin, Paul Fréart de Chantelou and the Making and Collecting of Copies / Franken, Michiel -- Gerard de Lairesse and Jacob de Wit in situ / Liedtke, Walter -- 'The Painter he findes at his Easill at worke' / van Os, Henk -- Bibliography of Ernst van de Wetering -- About the Authors -- Index of Names |
Record Nr. | UNINA-9910783571303321 |
Amsterdam : , : Amsterdam University Press, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The learned eye : regarding art, theory, and the artist's reputation : essays for Ernst van de Wetering / / edited by Marieke van den Doel ... [et at.] |
Edizione | [1st ed.] |
Pubbl/distr/stampa | [Amsterdam], : Amsterdam University Press, 2005 |
Descrizione fisica | 1 online resource (228 pages) : digital, PDF file(s) |
Disciplina | 709.492 |
Altri autori (Persone) | DoelMarieke van den |
Collana | Rembrandt |
Soggetto topico |
Art, Dutch - 17th century
Artists - Netherlands Visual perception Arts - Philosophy Aesthetics |
ISBN |
1-280-95909-6
9781423709624 9786610959099 90-485-0538-0 1-4237-0962-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Introduction -- The Learned Eye / Weststeijn, Thijs -- Biography of Ernst van de Wetering / Weststeijn, Thijs -- Part I. The Work of Art -- In the Beginning There Was Red / Groen, Karin -- The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses / Klein, Peter -- Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston / Haverkamp Begemann, Egbert -- The Portrait of Theodorus Schrevelius / Bijl, Martin -- Part II. The Rules of Art -- The Contours in the Paintings of the Oranjezaal, Huis ten Bosch / van Eikema Hommes, Margriet -- Aelbert Cuyp's Innovative Use of Spatial Devices / Tummers, Anna -- Colour Symbolism in Seventeenth-Century Dutch Painting / Wheelock, Arthur -- Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master / Weststeijn, Thijs -- Part III. The Artist's Reputation -- 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession / Brown, Christopher -- 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria / Simons, Madelon -- Crossing the Wall of History. Etienne Delécluze on the Art and Morality of Jacques-Louis David / Haveman, Mariette -- Goltzius, Painting and Flesh; or, Why Goltzius Began to Paint in 1600 / Sluijter, Eric Jan -- Part IV. Painters, Patrons and Art-Lovers -- 'Pour mon honneur et pour vostre contentement': Nicolas Poussin, Paul Fréart de Chantelou and the Making and Collecting of Copies / Franken, Michiel -- Gerard de Lairesse and Jacob de Wit in situ / Liedtke, Walter -- 'The Painter he findes at his Easill at worke' / van Os, Henk -- Bibliography of Ernst van de Wetering -- About the Authors -- Index of Names |
Altri titoli varianti | Regarding art, theory, and the artist's reputation |
Record Nr. | UNINA-9910818476803321 |
[Amsterdam], : Amsterdam University Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|