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Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Indianapolis, Ind., : Wiley Pub., Inc., 2013 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 778.5/345 |
| Collana | Serious skills |
| Soggetto topico |
Digital cinematography
Animation (Cinematography) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-299-18995-4
1-118-46123-1 1-118-52966-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving; Acknowledgments; About the Author; Contents; Introduction; Chapter 1: The Basics of Matchmoving; Exploring a Typical Matchmove; Moving from 3D to 2D and Back Again; Understanding the Matchmoving Process; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures; Chapter 2: Matchmoving Software; Using Matchmoving Programs; Introducing Photogrammetry; Understanding How Matchmoving Programs Work; Laying Down Your First Tracks; Chapter 3: 2D Tracking; Understanding the 2D Tracking Process
Exploring the Anatomy of a 2D TrackTrack Placement: Making Every Track Count; Getting Tracks to Stick; Following Hints for Effective 2D Tracking; Handling Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Moving from 2D to 3D; Chapter 4: 3D Calibration; Understanding "Good" Calibration; Calibrating Your Cameras; Evaluating the Solution; Determining Camera Moves; Setting Up a Coordinate System; Coordinate System Tutorial; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks Reaping the Benefits of Automatic Tracking Implementing the Automatic Tracking Process; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Film Backs; Format; Lens Distortion; Capture and Digitization; Keeping It All Straight; Fitting In; Chapter 7: Set Fitting; Fitting the Camera; Checking the Matchmove; Fitting the Set; Set-Fitting Tutorial; Altering the Coordinate System; Delivering the Scene; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Marking Up the Set; Working with Others on Set Building a Matchmoving Kit Shooting Distortion Grids; Filling In the Details; Chapter 9: Matchamation; Understanding the Basic Technique; Making Model Changes; Working with Imperfect Data; Matchamation Tutorial; When the Going Gets Tough; Chapter 10: Troubleshooting and Advanced Techniques; Performing Effective Troubleshooting; Following a Troubleshooting Checklist; Diagnosing the Problem; Using Advanced Tools and Tricks; Tracking Moving Objects; Chapter 11: Object Tracking; The Object-Tracking Process; Object-Tracking Tutorial ; Common Problems with Object Tracking; Geometry Tracking Geometry-Tracking Tutorial Common Problems with Geometry Tracking; Advanced Object Tracking; And That's Not All; Chapter 12: Multipurposing Matchmoving Data; Creating Special Cameras; Matchmoves for Paint Work: "Patchmoves"; Matchmoves for Compositors; Matchmoves for TD Work; Not the End of the Road; Chapter 13: Stereo; Understanding Stereoscopy; Filming Stereo Footage; Viewing Stereo Footage; Matchmoving Stereo Footage; Overcoming Common Problems; So What's Next?; Appendix A: Resources; Appendix B: Matchmoving Software and Useful Links; Matchmoving Software; Other Useful Programs; Books Websites |
| Record Nr. | UNINA-9910463423703321 |
Dobbert Tim
|
||
| Indianapolis, Ind., : Wiley Pub., Inc., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Indianapolis, Ind., : Wiley Pub., Inc., 2013 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 778.5/345 |
| Collana | Serious skills |
| Soggetto topico |
Digital cinematography
Animation (Cinematography) |
| ISBN |
1-299-18995-4
1-118-46123-1 1-118-52966-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving; Acknowledgments; About the Author; Contents; Introduction; Chapter 1: The Basics of Matchmoving; Exploring a Typical Matchmove; Moving from 3D to 2D and Back Again; Understanding the Matchmoving Process; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures; Chapter 2: Matchmoving Software; Using Matchmoving Programs; Introducing Photogrammetry; Understanding How Matchmoving Programs Work; Laying Down Your First Tracks; Chapter 3: 2D Tracking; Understanding the 2D Tracking Process
Exploring the Anatomy of a 2D TrackTrack Placement: Making Every Track Count; Getting Tracks to Stick; Following Hints for Effective 2D Tracking; Handling Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Moving from 2D to 3D; Chapter 4: 3D Calibration; Understanding "Good" Calibration; Calibrating Your Cameras; Evaluating the Solution; Determining Camera Moves; Setting Up a Coordinate System; Coordinate System Tutorial; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks Reaping the Benefits of Automatic Tracking Implementing the Automatic Tracking Process; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Film Backs; Format; Lens Distortion; Capture and Digitization; Keeping It All Straight; Fitting In; Chapter 7: Set Fitting; Fitting the Camera; Checking the Matchmove; Fitting the Set; Set-Fitting Tutorial; Altering the Coordinate System; Delivering the Scene; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Marking Up the Set; Working with Others on Set Building a Matchmoving Kit Shooting Distortion Grids; Filling In the Details; Chapter 9: Matchamation; Understanding the Basic Technique; Making Model Changes; Working with Imperfect Data; Matchamation Tutorial; When the Going Gets Tough; Chapter 10: Troubleshooting and Advanced Techniques; Performing Effective Troubleshooting; Following a Troubleshooting Checklist; Diagnosing the Problem; Using Advanced Tools and Tricks; Tracking Moving Objects; Chapter 11: Object Tracking; The Object-Tracking Process; Object-Tracking Tutorial ; Common Problems with Object Tracking; Geometry Tracking Geometry-Tracking Tutorial Common Problems with Geometry Tracking; Advanced Object Tracking; And That's Not All; Chapter 12: Multipurposing Matchmoving Data; Creating Special Cameras; Matchmoves for Paint Work: "Patchmoves"; Matchmoves for Compositors; Matchmoves for TD Work; Not the End of the Road; Chapter 13: Stereo; Understanding Stereoscopy; Filming Stereo Footage; Viewing Stereo Footage; Matchmoving Stereo Footage; Overcoming Common Problems; So What's Next?; Appendix A: Resources; Appendix B: Matchmoving Software and Useful Links; Matchmoving Software; Other Useful Programs; Books Websites |
| Record Nr. | UNINA-9910786163803321 |
|
Dobbert Tim
|
||
| Indianapolis, Ind., : Wiley Pub., Inc., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Indianapolis, Ind., : Wiley Pub., Inc., 2013 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 778.5/345 |
| Collana |
Sybex serious skills
Serious skills |
| Soggetto topico |
Digital cinematography
Animation (Cinematography) |
| ISBN |
9781299189959
1299189954 9781118461235 1118461231 9781118529669 1118529669 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving; Acknowledgments; About the Author; Contents; Introduction; Chapter 1: The Basics of Matchmoving; Exploring a Typical Matchmove; Moving from 3D to 2D and Back Again; Understanding the Matchmoving Process; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures; Chapter 2: Matchmoving Software; Using Matchmoving Programs; Introducing Photogrammetry; Understanding How Matchmoving Programs Work; Laying Down Your First Tracks; Chapter 3: 2D Tracking; Understanding the 2D Tracking Process
Exploring the Anatomy of a 2D TrackTrack Placement: Making Every Track Count; Getting Tracks to Stick; Following Hints for Effective 2D Tracking; Handling Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Moving from 2D to 3D; Chapter 4: 3D Calibration; Understanding "Good" Calibration; Calibrating Your Cameras; Evaluating the Solution; Determining Camera Moves; Setting Up a Coordinate System; Coordinate System Tutorial; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks Reaping the Benefits of Automatic Tracking Implementing the Automatic Tracking Process; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Film Backs; Format; Lens Distortion; Capture and Digitization; Keeping It All Straight; Fitting In; Chapter 7: Set Fitting; Fitting the Camera; Checking the Matchmove; Fitting the Set; Set-Fitting Tutorial; Altering the Coordinate System; Delivering the Scene; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Marking Up the Set; Working with Others on Set Building a Matchmoving Kit Shooting Distortion Grids; Filling In the Details; Chapter 9: Matchamation; Understanding the Basic Technique; Making Model Changes; Working with Imperfect Data; Matchamation Tutorial; When the Going Gets Tough; Chapter 10: Troubleshooting and Advanced Techniques; Performing Effective Troubleshooting; Following a Troubleshooting Checklist; Diagnosing the Problem; Using Advanced Tools and Tricks; Tracking Moving Objects; Chapter 11: Object Tracking; The Object-Tracking Process; Object-Tracking Tutorial ; Common Problems with Object Tracking; Geometry Tracking Geometry-Tracking Tutorial Common Problems with Geometry Tracking; Advanced Object Tracking; And That's Not All; Chapter 12: Multipurposing Matchmoving Data; Creating Special Cameras; Matchmoves for Paint Work: "Patchmoves"; Matchmoves for Compositors; Matchmoves for TD Work; Not the End of the Road; Chapter 13: Stereo; Understanding Stereoscopy; Filming Stereo Footage; Viewing Stereo Footage; Matchmoving Stereo Footage; Overcoming Common Problems; So What's Next?; Appendix A: Resources; Appendix B: Matchmoving Software and Useful Links; Matchmoving Software; Other Useful Programs; Books Websites |
| Record Nr. | UNINA-9910828875503321 |
|
Dobbert Tim
|
||
| Indianapolis, Ind., : Wiley Pub., Inc., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910451535203321 |
|
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910777458203321 |
|
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910814969103321 |
|
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||