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Rethinking documentary [[electronic resource] ] : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong
| Rethinking documentary [[electronic resource] ] : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong |
| Autore | De Jong Wilma |
| Pubbl/distr/stampa | Buckingham, : Open University, 2008 |
| Descrizione fisica | 1 online resource (372 p.) |
| Disciplina |
070.1
791.436 |
| Altri autori (Persone) |
AustinThomas
De JongWilma |
| Soggetto topico |
Documentary films
Documentary mass media |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-78554-7
9786611785543 0-335-23627-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title Page; Copyright Page; Content Page; Notes on Contributors; Acknowledgements; Introduction: Rethinking documentary; PART 1: Critical Perspectives on Documentary Forms and Concepts; Chapter 1: Documentary Studies: Dimensions of transition and continuity; Chapter 2: The Question of Evidence, the Power of Rhetoric and Documentary Film; Chapter 3: First-person Films: Some theses on self-inscription; Chapter 4: ' ...To Leave the Confinements of His Humanness': Authorial voice, death and constructions of nature inWerner Herzog's Grizzly Man
Chapter 5: Collective Subjectivity in The Children of Golzow vs. Alienation in 'Western' Interview DocumentaryChapter 6: Documentary as Critical and Creative Research; Chapter 7: Reframing Ethnographic Film; Chapter 8: Transcendental Realism in Documentary; Chapter 9: Filming 'the Invisible'; Part II: The Changing Faces of Documentary Production; Chapter 10: Developing and Producing a Feature Documentary: The case of Deep Water; Chapter 11: Filmmakers and Their Subjects; Chapter 12: From Eight-Man Crew to One-Woman Band: My life in television documentary Chapter 13: 'You Want to Know That, This Is Real, This Is What Happened': An interview with John SmithsonChapter 14: 'The Idea That There's a ''Truth'' That You Discover Is Like Chasing the End of a Rainbow': An interview with Ralph Lee; Chapter 15: Rice N Peas: Alternative, independent and provocative; Chapter 16: 'The Importance of Memory': An interview with Ai Xiaoming; Part III: Contemporary Documentary: Borders, Neighbours and Disputed Territories; Chapter 17: Drama-documentary, Ethics and Notions of Performance: The 'Flight 93' Films; Chapter 18: Mockumentary: A call to play Chapter 19: Documentary Modes of EngagementChapter 20: 'Ask the Fastidious Woman from Surbiton to Hand-wash the Underpants of the Aging Oldham Skinhead ...' Why not Wife Swap?; Chapter 21: Simulating the Public Sphere; Chapter 22: TheWork ofWork Reality TV and the negotiation of neo-liberal labour in The Apprentice; Part IV: Digital and Online Documentaries: Opportunities and Limitations; Chapter 23: Documentary Viewing Platforms; Chapter 24: Online Documentary; Chapter 25: Public domains: Engaging Iraq through experimental documentary digitalities Chapter 26: Documentary on YouTube: The failure of the direct cinema of the sloganBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910453855003321 |
De Jong Wilma
|
||
| Buckingham, : Open University, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rethinking documentary [[electronic resource] ] : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong
| Rethinking documentary [[electronic resource] ] : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong |
| Autore | De Jong Wilma |
| Pubbl/distr/stampa | Buckingham, : Open University, 2008 |
| Descrizione fisica | 1 online resource (372 p.) |
| Disciplina |
070.1
791.436 |
| Altri autori (Persone) |
AustinThomas
De JongWilma |
| Soggetto topico |
Documentary films
Documentary mass media |
| ISBN |
1-281-78554-7
9786611785543 0-335-23627-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title Page; Copyright Page; Content Page; Notes on Contributors; Acknowledgements; Introduction: Rethinking documentary; PART 1: Critical Perspectives on Documentary Forms and Concepts; Chapter 1: Documentary Studies: Dimensions of transition and continuity; Chapter 2: The Question of Evidence, the Power of Rhetoric and Documentary Film; Chapter 3: First-person Films: Some theses on self-inscription; Chapter 4: ' ...To Leave the Confinements of His Humanness': Authorial voice, death and constructions of nature inWerner Herzog's Grizzly Man
Chapter 5: Collective Subjectivity in The Children of Golzow vs. Alienation in 'Western' Interview DocumentaryChapter 6: Documentary as Critical and Creative Research; Chapter 7: Reframing Ethnographic Film; Chapter 8: Transcendental Realism in Documentary; Chapter 9: Filming 'the Invisible'; Part II: The Changing Faces of Documentary Production; Chapter 10: Developing and Producing a Feature Documentary: The case of Deep Water; Chapter 11: Filmmakers and Their Subjects; Chapter 12: From Eight-Man Crew to One-Woman Band: My life in television documentary Chapter 13: 'You Want to Know That, This Is Real, This Is What Happened': An interview with John SmithsonChapter 14: 'The Idea That There's a ''Truth'' That You Discover Is Like Chasing the End of a Rainbow': An interview with Ralph Lee; Chapter 15: Rice N Peas: Alternative, independent and provocative; Chapter 16: 'The Importance of Memory': An interview with Ai Xiaoming; Part III: Contemporary Documentary: Borders, Neighbours and Disputed Territories; Chapter 17: Drama-documentary, Ethics and Notions of Performance: The 'Flight 93' Films; Chapter 18: Mockumentary: A call to play Chapter 19: Documentary Modes of EngagementChapter 20: 'Ask the Fastidious Woman from Surbiton to Hand-wash the Underpants of the Aging Oldham Skinhead ...' Why not Wife Swap?; Chapter 21: Simulating the Public Sphere; Chapter 22: TheWork ofWork Reality TV and the negotiation of neo-liberal labour in The Apprentice; Part IV: Digital and Online Documentaries: Opportunities and Limitations; Chapter 23: Documentary Viewing Platforms; Chapter 24: Online Documentary; Chapter 25: Public domains: Engaging Iraq through experimental documentary digitalities Chapter 26: Documentary on YouTube: The failure of the direct cinema of the sloganBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910782379403321 |
|
De Jong Wilma
|
||
| Buckingham, : Open University, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rethinking documentary : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong
| Rethinking documentary : new perspectives and practices / / edited by Thomas Austin and Wilma de Jong |
| Autore | De Jong Wilma |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Buckingham, : Open University, 2008 |
| Descrizione fisica | 1 online resource (372 p.) |
| Disciplina |
070.1
791.436 |
| Altri autori (Persone) |
AustinThomas
De JongWilma |
| Soggetto topico |
Documentary films
Documentary mass media |
| ISBN |
1-281-78554-7
9786611785543 0-335-23627-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Half-title; Title Page; Copyright Page; Content Page; Notes on Contributors; Acknowledgements; Introduction: Rethinking documentary; PART 1: Critical Perspectives on Documentary Forms and Concepts; Chapter 1: Documentary Studies: Dimensions of transition and continuity; Chapter 2: The Question of Evidence, the Power of Rhetoric and Documentary Film; Chapter 3: First-person Films: Some theses on self-inscription; Chapter 4: ' ...To Leave the Confinements of His Humanness': Authorial voice, death and constructions of nature inWerner Herzog's Grizzly Man
Chapter 5: Collective Subjectivity in The Children of Golzow vs. Alienation in 'Western' Interview DocumentaryChapter 6: Documentary as Critical and Creative Research; Chapter 7: Reframing Ethnographic Film; Chapter 8: Transcendental Realism in Documentary; Chapter 9: Filming 'the Invisible'; Part II: The Changing Faces of Documentary Production; Chapter 10: Developing and Producing a Feature Documentary: The case of Deep Water; Chapter 11: Filmmakers and Their Subjects; Chapter 12: From Eight-Man Crew to One-Woman Band: My life in television documentary Chapter 13: 'You Want to Know That, This Is Real, This Is What Happened': An interview with John SmithsonChapter 14: 'The Idea That There's a ''Truth'' That You Discover Is Like Chasing the End of a Rainbow': An interview with Ralph Lee; Chapter 15: Rice N Peas: Alternative, independent and provocative; Chapter 16: 'The Importance of Memory': An interview with Ai Xiaoming; Part III: Contemporary Documentary: Borders, Neighbours and Disputed Territories; Chapter 17: Drama-documentary, Ethics and Notions of Performance: The 'Flight 93' Films; Chapter 18: Mockumentary: A call to play Chapter 19: Documentary Modes of EngagementChapter 20: 'Ask the Fastidious Woman from Surbiton to Hand-wash the Underpants of the Aging Oldham Skinhead ...' Why not Wife Swap?; Chapter 21: Simulating the Public Sphere; Chapter 22: TheWork ofWork Reality TV and the negotiation of neo-liberal labour in The Apprentice; Part IV: Digital and Online Documentaries: Opportunities and Limitations; Chapter 23: Documentary Viewing Platforms; Chapter 24: Online Documentary; Chapter 25: Public domains: Engaging Iraq through experimental documentary digitalities Chapter 26: Documentary on YouTube: The failure of the direct cinema of the sloganBibliography; Index; Back Cover |
| Record Nr. | UNINA-9910821941903321 |
|
De Jong Wilma
|
||
| Buckingham, : Open University, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||