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Aesthetics and literature / / David Davies
| Aesthetics and literature / / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | London : , : Continuum, , 2007 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 801.93 |
| Collana | Continuum aesthetics |
| Soggetto topico | Literature - Aesthetics |
| ISBN |
1-4725-4534-6
1-4411-7137-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Nature of Literature -- 2. Artistic Uses of Language -- 3. The Nature of Fiction -- 4. Reading Fiction I: Truth in a Story -- 5. Reading Fiction II: Do Artistic Intentions Matter? -- 6. The Nature of Fictional Characters -- 7. Literature and the Emotions -- 8. The Cognitive Value of Literature -- 9. The Ethical Values of Literature -- 10. The Accountability of Literature |
| Record Nr. | UNINA-9910464205803321 |
Davies David <1949->
|
||
| London : , : Continuum, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aesthetics and literature / / David Davies
| Aesthetics and literature / / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | London : , : Continuum, , 2007 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 801.93 |
| Collana | Continuum aesthetics |
| Soggetto topico | Literature - Aesthetics |
| ISBN |
1-4725-4534-6
1-4411-7137-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Nature of Literature -- 2. Artistic Uses of Language -- 3. The Nature of Fiction -- 4. Reading Fiction I: Truth in a Story -- 5. Reading Fiction II: Do Artistic Intentions Matter? -- 6. The Nature of Fictional Characters -- 7. Literature and the Emotions -- 8. The Cognitive Value of Literature -- 9. The Ethical Values of Literature -- 10. The Accountability of Literature |
| Record Nr. | UNINA-9910786917503321 |
|
Davies David <1949->
|
||
| London : , : Continuum, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Aesthetics and literature / / David Davies
| Aesthetics and literature / / David Davies |
| Autore | Davies David <1949-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London : , : Continuum, , 2007 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 801.93 |
| Collana | Continuum aesthetics |
| Soggetto topico | Literature - Aesthetics |
| ISBN |
1-4725-4534-6
1-4411-7137-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Nature of Literature -- 2. Artistic Uses of Language -- 3. The Nature of Fiction -- 4. Reading Fiction I: Truth in a Story -- 5. Reading Fiction II: Do Artistic Intentions Matter? -- 6. The Nature of Fictional Characters -- 7. Literature and the Emotions -- 8. The Cognitive Value of Literature -- 9. The Ethical Values of Literature -- 10. The Accountability of Literature |
| Record Nr. | UNINA-9910820914503321 |
|
Davies David <1949->
|
||
| London : , : Continuum, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art as performance [[electronic resource] /] / David Davies
| Art as performance [[electronic resource] /] / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2004 |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina |
111.85
111/.85 701.1 |
| Collana | New directions in aesthetics |
| Soggetto topico |
Aesthetics
Art - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-19835-4
9786610198351 0-470-79876-9 0-470-77492-4 1-4051-4364-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; 1 Introduction; 1.1 Challenges to Aesthetic Empiricism; 1.2 Methodological Interlude:The "Pragmatic Constraint " on the Ontology of Art; 2 Aesthetic Empiricism and the Philosophy of Art; 2.1 Aesthetic Empiricism; 2.2 Indirect Arguments Against Aesthetic Empiricism; 2.3 Direct Arguments Against Aesthetic Empiricism; 2.4 Drawing Ontological Conclusions from the Counter-Empiricist Arguments; 3 The Fine Structure of the Focus of Appreciation; 3.1 The Structure of the Focus of Appreciation; 3.2 Performance and Appreciation; 3.3 Ontology After Empiricism
4 The Artwork as Performance: An Argument from Artistic Intentions4.1 Overview; 4.2 The Bearing of Provenance on Work and Focus; 4.3 Artistic Intentions and the Ontology of Art; 4.4 Conclusions; 5 Provenance,Modality,and the Identity of the Artwork; 5.1 Preliminaries; 5.2 The Work-Relativity of Modality; 5.3 A Strategy for Accommodating the Work-Relativity of Modality; 5.4 Appendix:A Defense of the "Modality Principle "; 6 Artwork,Action,and Performance; 6.1 The "Action-Type Hypothesis "; 6.2 Assessing the ATH; 6.3 Currie and his Critics; 7 Art as Performance 7.1 Elaborating the Performance Theory7.2 Structure and Focus; 7.3 Heuristics and the Individuation of Artworks; 7.4 Work-Constitution and Modality on the Performance Theory; 7.5 Performances,Actions,and Doings; 8 Revisionism and Modernism Revisited; 8.1 Revisionism Revisited; 8.2 Performance and the Challenge of the Modern; 8.3 More on Forgeries; 9 Performance as Art; 9.1 Performance as Art; 9.2 Performed Works and Work-Performances; 9.3 Work-Performances and Performance-Works; 9.4 Performance-Works and Improvisation; 10 Defining "Art " as Performance,,and the Values of Art 10.1 Notes Toward a Definition of "Art "10.2 The Values of Art; 10.3 Conclusions:The Case Against Contextualism; References; Index |
| Record Nr. | UNINA-9910143293903321 |
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Davies David <1949->
|
||
| Malden, MA, : Blackwell Pub., 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art as performance [[electronic resource] /] / David Davies
| Art as performance [[electronic resource] /] / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2004 |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina |
111.85
111/.85 701.1 |
| Collana | New directions in aesthetics |
| Soggetto topico |
Aesthetics
Art - Philosophy |
| ISBN |
1-280-19835-4
9786610198351 0-470-79876-9 0-470-77492-4 1-4051-4364-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; 1 Introduction; 1.1 Challenges to Aesthetic Empiricism; 1.2 Methodological Interlude:The "Pragmatic Constraint " on the Ontology of Art; 2 Aesthetic Empiricism and the Philosophy of Art; 2.1 Aesthetic Empiricism; 2.2 Indirect Arguments Against Aesthetic Empiricism; 2.3 Direct Arguments Against Aesthetic Empiricism; 2.4 Drawing Ontological Conclusions from the Counter-Empiricist Arguments; 3 The Fine Structure of the Focus of Appreciation; 3.1 The Structure of the Focus of Appreciation; 3.2 Performance and Appreciation; 3.3 Ontology After Empiricism
4 The Artwork as Performance: An Argument from Artistic Intentions4.1 Overview; 4.2 The Bearing of Provenance on Work and Focus; 4.3 Artistic Intentions and the Ontology of Art; 4.4 Conclusions; 5 Provenance,Modality,and the Identity of the Artwork; 5.1 Preliminaries; 5.2 The Work-Relativity of Modality; 5.3 A Strategy for Accommodating the Work-Relativity of Modality; 5.4 Appendix:A Defense of the "Modality Principle "; 6 Artwork,Action,and Performance; 6.1 The "Action-Type Hypothesis "; 6.2 Assessing the ATH; 6.3 Currie and his Critics; 7 Art as Performance 7.1 Elaborating the Performance Theory7.2 Structure and Focus; 7.3 Heuristics and the Individuation of Artworks; 7.4 Work-Constitution and Modality on the Performance Theory; 7.5 Performances,Actions,and Doings; 8 Revisionism and Modernism Revisited; 8.1 Revisionism Revisited; 8.2 Performance and the Challenge of the Modern; 8.3 More on Forgeries; 9 Performance as Art; 9.1 Performance as Art; 9.2 Performed Works and Work-Performances; 9.3 Work-Performances and Performance-Works; 9.4 Performance-Works and Improvisation; 10 Defining "Art " as Performance,,and the Values of Art 10.1 Notes Toward a Definition of "Art "10.2 The Values of Art; 10.3 Conclusions:The Case Against Contextualism; References; Index |
| Record Nr. | UNISA-996214608803316 |
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Davies David <1949->
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| Malden, MA, : Blackwell Pub., 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Art as performance / / David Davies
| Art as performance / / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Malden, MA, : Blackwell Pub., 2004 |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 111/.85 |
| Collana | New directions in aesthetics |
| Soggetto topico |
Aesthetics
Art - Philosophy |
| ISBN |
1-280-19835-4
9786610198351 0-470-79876-9 0-470-77492-4 1-4051-4364-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; 1 Introduction; 1.1 Challenges to Aesthetic Empiricism; 1.2 Methodological Interlude:The "Pragmatic Constraint " on the Ontology of Art; 2 Aesthetic Empiricism and the Philosophy of Art; 2.1 Aesthetic Empiricism; 2.2 Indirect Arguments Against Aesthetic Empiricism; 2.3 Direct Arguments Against Aesthetic Empiricism; 2.4 Drawing Ontological Conclusions from the Counter-Empiricist Arguments; 3 The Fine Structure of the Focus of Appreciation; 3.1 The Structure of the Focus of Appreciation; 3.2 Performance and Appreciation; 3.3 Ontology After Empiricism
4 The Artwork as Performance: An Argument from Artistic Intentions4.1 Overview; 4.2 The Bearing of Provenance on Work and Focus; 4.3 Artistic Intentions and the Ontology of Art; 4.4 Conclusions; 5 Provenance,Modality,and the Identity of the Artwork; 5.1 Preliminaries; 5.2 The Work-Relativity of Modality; 5.3 A Strategy for Accommodating the Work-Relativity of Modality; 5.4 Appendix:A Defense of the "Modality Principle "; 6 Artwork,Action,and Performance; 6.1 The "Action-Type Hypothesis "; 6.2 Assessing the ATH; 6.3 Currie and his Critics; 7 Art as Performance 7.1 Elaborating the Performance Theory7.2 Structure and Focus; 7.3 Heuristics and the Individuation of Artworks; 7.4 Work-Constitution and Modality on the Performance Theory; 7.5 Performances,Actions,and Doings; 8 Revisionism and Modernism Revisited; 8.1 Revisionism Revisited; 8.2 Performance and the Challenge of the Modern; 8.3 More on Forgeries; 9 Performance as Art; 9.1 Performance as Art; 9.2 Performed Works and Work-Performances; 9.3 Work-Performances and Performance-Works; 9.4 Performance-Works and Improvisation; 10 Defining "Art " as Performance,,and the Values of Art 10.1 Notes Toward a Definition of "Art "10.2 The Values of Art; 10.3 Conclusions:The Case Against Contextualism; References; Index |
| Record Nr. | UNINA-9910877605103321 |
|
Davies David <1949->
|
||
| Malden, MA, : Blackwell Pub., 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy of the performing arts [[electronic resource] /] / David Davies
| Philosophy of the performing arts [[electronic resource] /] / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 790.2 |
| Collana | Foundations of the philosophy of the arts |
| Soggetto topico |
Performing arts - Philosophy
Theater - Philosophy |
| ISBN |
9786613407559
1-4443-4344-0 1-283-40755-8 1-4443-4347-5 1-4443-4345-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Philosophy of the Performing Arts; Contents; Preface and Acknowledgments; Part One Performance and the Classical Paradigm; 1 The Nature of Artistic Performance; 1 Introduction; 2 What is a Performance?; 3 Institutional Theories of Artistic Performance; 4 Aesthetic Theories of Artistic Performance; 5 Artistic Performance and Artistic Regard; 6 Overview; 2 The Classical Paradigm I: The Nature of the Performable Work; 1 Introduction: Berthold and Magda Go to the Symphony; 2 The Multiple Nature of Performable Works; 3 Performable Works as Types
4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism5 Other Theories of the Performable Work; 3 The Classical Paradigm II: Appreciating Performable Works in Performance; 1 Introduction: Talking Appreciatively about Performable Works; 2 Can Performable Works Share Artistic Properties with Their Performances?; 3 The Goodman Argument; 4 Answering the Goodman Argument; 4 Authenticity in Musical Performance; 1 Introduction; 2 Authenticity in the Arts; 3 Three Notions of Historically Authentic Performance; 5 Challenges to the Classical Paradigm in Music 1 Introduction: The Classical Paradigm in the Performing Arts2 The Scope of the Paradigm in Classical Music; 3 Jazz, Rock, and the Classical Paradigm; 4 Non-Western Music and the Classical Paradigm; 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature; 1 Introduction: Berthold and Magda Go to the Theater; 2 Theatrical Performances and Performable Works; 3 Challenges to the Classical Paradigm in Theater; 4 Dance and the Classical Paradigm; 5 The Novel as Performable Work?; Part Two Performance as Art; 7 Performances as Artworks 1 Introduction: Spontaneous Performance in the Arts2 The Artistic Status of Performances Outside the Classical Paradigm; 3 The Artistic Status of Performances Within the Classical Paradigm; 8 Elements of Performance I: Improvisation and Rehearsal; 1 Introduction; 2 The Nature of Improvisation; 3 Improvisation and Performable Works: Three Models; 4 Improvisation and Recording; 5 The Place of Rehearsal in the Performing Arts; 9 Elements of Performance II: Audience and Embodiment; 1 Can There Be Artistic Performance Without an Audience?; 2 Audience Response 3 The Embodied Performer and the Mirroring Receiver10 Performance Art and the Performing Arts; 1 Introduction; 2 Some Puzzling Cases; 3 What is Performance Art?; 4 When Do Works of Performance Art Involve Artistic Performances?; 5 Performance as Art: A Final Case; References; Index |
| Record Nr. | UNINA-9910141306203321 |
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Davies David <1949->
|
||
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy of the performing arts / / David Davies
| Philosophy of the performing arts / / David Davies |
| Autore | Davies David <1949-> |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 |
| Descrizione fisica | 1 online resource (244 p.) |
| Disciplina | 790.2 |
| Collana | Foundations of the philosophy of the arts |
| Soggetto topico |
Performing arts - Philosophy
Theater - Philosophy |
| ISBN |
9786613407559
1-4443-4344-0 1-283-40755-8 1-4443-4347-5 1-4443-4345-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Philosophy of the Performing Arts; Contents; Preface and Acknowledgments; Part One Performance and the Classical Paradigm; 1 The Nature of Artistic Performance; 1 Introduction; 2 What is a Performance?; 3 Institutional Theories of Artistic Performance; 4 Aesthetic Theories of Artistic Performance; 5 Artistic Performance and Artistic Regard; 6 Overview; 2 The Classical Paradigm I: The Nature of the Performable Work; 1 Introduction: Berthold and Magda Go to the Symphony; 2 The Multiple Nature of Performable Works; 3 Performable Works as Types
4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism5 Other Theories of the Performable Work; 3 The Classical Paradigm II: Appreciating Performable Works in Performance; 1 Introduction: Talking Appreciatively about Performable Works; 2 Can Performable Works Share Artistic Properties with Their Performances?; 3 The Goodman Argument; 4 Answering the Goodman Argument; 4 Authenticity in Musical Performance; 1 Introduction; 2 Authenticity in the Arts; 3 Three Notions of Historically Authentic Performance; 5 Challenges to the Classical Paradigm in Music 1 Introduction: The Classical Paradigm in the Performing Arts2 The Scope of the Paradigm in Classical Music; 3 Jazz, Rock, and the Classical Paradigm; 4 Non-Western Music and the Classical Paradigm; 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature; 1 Introduction: Berthold and Magda Go to the Theater; 2 Theatrical Performances and Performable Works; 3 Challenges to the Classical Paradigm in Theater; 4 Dance and the Classical Paradigm; 5 The Novel as Performable Work?; Part Two Performance as Art; 7 Performances as Artworks 1 Introduction: Spontaneous Performance in the Arts2 The Artistic Status of Performances Outside the Classical Paradigm; 3 The Artistic Status of Performances Within the Classical Paradigm; 8 Elements of Performance I: Improvisation and Rehearsal; 1 Introduction; 2 The Nature of Improvisation; 3 Improvisation and Performable Works: Three Models; 4 Improvisation and Recording; 5 The Place of Rehearsal in the Performing Arts; 9 Elements of Performance II: Audience and Embodiment; 1 Can There Be Artistic Performance Without an Audience?; 2 Audience Response 3 The Embodied Performer and the Mirroring Receiver10 Performance Art and the Performing Arts; 1 Introduction; 2 Some Puzzling Cases; 3 What is Performance Art?; 4 When Do Works of Performance Art Involve Artistic Performances?; 5 Performance as Art: A Final Case; References; Index |
| Record Nr. | UNINA-9910877742903321 |
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Davies David <1949->
|
||
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||