| Nota di contenuto |
Intro -- Contents -- Introduction: Surfacing Infrastructures in the Arts -- Part One Art: Inversion, Invention, Intervention -- Investigation, Inversion, Intervention: "Women Artists - Past and Present" by Hellen Lassen, Hanne Lise Thomsen and Else Kallesøe -- Solo, Transparent, Responsible? Artist Collectives' Inversion of Eurocentric Infrastructures at Documenta Fifteen -- Practicing a Black Women's International. Infrastructures of a Black, Left, Feminist Sensibility -- The Monument as Relation Model: Examining the Material and Cultural Infrastructure of Sculptural Monuments -- Collaborating with Film and TV-Producer Jef Cornelis: Notes on Infrastructural Forms of the Image and Image Practices -- A Video Store After the End of the World: Material Speculation & -- amp -- Media Infrastructures Beyond the Cloud -- Part Two Aesthetics: Organization, Mediation, Relation -- A Crisis of Autonomy. Critique of Art and Sexuality in 1974 -- Critical Zone(s) Observatories: Modelling Infrastructures of Climate Science in the Art Museum -- The Intratemporal Work of Art -- Art as Reflective Infrastructure -- Aesthetic Appearance: An Infrastructural Perspective -- Part Three Politics: Institution, Reproduction, Support -- Poetry as Infrastructural Switch: Yahya Hassan and the Politics of the Danish Literary Circuit -- Gendered Infrastructures of the Danish Music Industry: From Disorientation to Feminist Collective Capacity -- Brown Island Floating in a White Sea: On Affective Infrastructures -- Institutional and Infrastructural Frictions: The Case of Group-Think - An Art, Sport, and Protest Project with Youth -- TOVES: THE SALE. Towards an Infrastructural Model for Hosting at the Art Museum -- Infrastructural Orientations in the Exhibition -- Contributors -- Index.
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