Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
Autore | Brøvig-Hanssen Ragnhild |
Pubbl/distr/stampa | Cambridge, Massachusetts : , : MIT Press, , 2016 |
Descrizione fisica | 1 online resource (199 p.) |
Disciplina | 781.640285 |
Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
Soggetto genere / forma | Electronic books. |
ISBN | 0-262-33446-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
Record Nr. | UNINA-9910465870003321 |
Brøvig-Hanssen Ragnhild
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Cambridge, Massachusetts : , : MIT Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
Autore | Brøvig-Hanssen Ragnhild |
Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
Descrizione fisica | 1 online resource (199 p.) |
Disciplina | 781.640285 |
Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
ISBN |
0-262-33445-3
0-262-33446-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
Record Nr. | UNINA-9910798176103321 |
Brøvig-Hanssen Ragnhild
![]() |
||
Cambridge, MA : , : The MIT Press, , [2016] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Digital signatures : the impact of digitization on popular music sound / / Ragnhild Brøvig-Hanssen and Anne Danielsen |
Autore | Brøvig-Hanssen Ragnhild |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge, MA : , : The MIT Press, , [2016] |
Descrizione fisica | 1 online resource (199 p.) |
Disciplina | 781.640285 |
Soggetto topico |
Popular music - Philosophy and aesthetics
Popular music - Production and direction Sound - Recording and reproducing - Digital techniques |
Soggetto non controllato |
ARTS/Music & Sound Studies
SOCIAL SCIENCES/Media Studies CULTURAL STUDIES/Popular Culture |
ISBN |
0-262-33445-3
0-262-33446-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era. |
Record Nr. | UNINA-9910823763603321 |
Brøvig-Hanssen Ragnhild
![]() |
||
Cambridge, MA : , : The MIT Press, , [2016] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical rhythm in the age of digital reproduction [[electronic resource] /] / edited by Anne Danielsen |
Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2010 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 781.64/1224 |
Altri autori (Persone) | DanielsenAnne |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Microrhythm
Musical meter and rhythm Popular music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-317-09138-8
1-282-85764-9 9786612857645 1-4094-0931-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; Notes on Contributors; Acknowledgments; 1 Introduction: Rhythm in the Age of Digital Reproduction; Part I Microrhythm and Rhythmic Structure; 2 Here, There and Everywhere: Three Accounts of Pulse in D'Angelo's 'Left and Right'; 3 Microtiming and Rhythmic Structure in Clave-Based Music: A Quantitative Study; 4 Simultaneous Rhythmic Events with Different Schematic Affiliations: Microtiming and Dynamic; 5 The Concept of Rhythmic Tolerance: Examining Flexible Grooves in Scandinavian Folk Fiddling
6 Timbral Relationships and Microrhythmic Tension: Shaping the Groove ExperiencePart II Groove and Embodiment; 7 Rhythm/Body/Motion: Tricky's Contradictory Dance Music; 8 Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music; 9 Slave to the Supradiegetic Rhythm: A Microrhythmic Analysis of Creaky Voice in Sia's 'Breathe Me'; Part III Mediation and Music Production; 10 Opaque Mediation: The Cut-and-Paste Groove in DJ Food's 'Break'; 11 Microsampling: From Akufen's Microhouse to Todd Edwards and the Sound of UK Garage 12 Real and Unreal Performances: The Interaction of Recording Technology and Rock Drum Kit13 Composing a Performance: The Analogue Experience in the Age of Digital (Re)Production; Bibliography; Index |
Record Nr. | UNINA-9910459198203321 |
Burlington, VT, : Ashgate, c2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical rhythm in the age of digital reproduction [[electronic resource] /] / edited by Anne Danielsen |
Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2010 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 781.64/1224 |
Altri autori (Persone) | DanielsenAnne |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Microrhythm
Musical meter and rhythm Popular music - History and criticism |
ISBN |
1-317-09139-6
1-315-59698-9 1-317-09138-8 1-282-85764-9 9786612857645 1-4094-0931-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; Notes on Contributors; Acknowledgments; 1 Introduction: Rhythm in the Age of Digital Reproduction; Part I Microrhythm and Rhythmic Structure; 2 Here, There and Everywhere: Three Accounts of Pulse in D'Angelo's 'Left and Right'; 3 Microtiming and Rhythmic Structure in Clave-Based Music: A Quantitative Study; 4 Simultaneous Rhythmic Events with Different Schematic Affiliations: Microtiming and Dynamic; 5 The Concept of Rhythmic Tolerance: Examining Flexible Grooves in Scandinavian Folk Fiddling
6 Timbral Relationships and Microrhythmic Tension: Shaping the Groove ExperiencePart II Groove and Embodiment; 7 Rhythm/Body/Motion: Tricky's Contradictory Dance Music; 8 Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music; 9 Slave to the Supradiegetic Rhythm: A Microrhythmic Analysis of Creaky Voice in Sia's 'Breathe Me'; Part III Mediation and Music Production; 10 Opaque Mediation: The Cut-and-Paste Groove in DJ Food's 'Break'; 11 Microsampling: From Akufen's Microhouse to Todd Edwards and the Sound of UK Garage 12 Real and Unreal Performances: The Interaction of Recording Technology and Rock Drum Kit13 Composing a Performance: The Analogue Experience in the Age of Digital (Re)Production; Bibliography; Index |
Record Nr. | UNINA-9910785391703321 |
Burlington, VT, : Ashgate, c2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical rhythm in the age of digital reproduction / / edited by Anne Danielsen |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Burlington, VT, : Ashgate, c2010 |
Descrizione fisica | 1 online resource (269 p.) |
Disciplina | 781.64/1224 |
Altri autori (Persone) | DanielsenAnne |
Collana | Ashgate popular and folk music series |
Soggetto topico |
Microrhythm
Musical meter and rhythm Popular music - History and criticism |
ISBN |
1-317-09139-6
1-315-59698-9 1-317-09138-8 1-282-85764-9 9786612857645 1-4094-0931-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; List of Figures; List of Music Examples; Notes on Contributors; Acknowledgments; 1 Introduction: Rhythm in the Age of Digital Reproduction; Part I Microrhythm and Rhythmic Structure; 2 Here, There and Everywhere: Three Accounts of Pulse in D'Angelo's 'Left and Right'; 3 Microtiming and Rhythmic Structure in Clave-Based Music: A Quantitative Study; 4 Simultaneous Rhythmic Events with Different Schematic Affiliations: Microtiming and Dynamic; 5 The Concept of Rhythmic Tolerance: Examining Flexible Grooves in Scandinavian Folk Fiddling
6 Timbral Relationships and Microrhythmic Tension: Shaping the Groove ExperiencePart II Groove and Embodiment; 7 Rhythm/Body/Motion: Tricky's Contradictory Dance Music; 8 Moved by the Groove: Bass Drum Sounds and Body Movements in Electronic Dance Music; 9 Slave to the Supradiegetic Rhythm: A Microrhythmic Analysis of Creaky Voice in Sia's 'Breathe Me'; Part III Mediation and Music Production; 10 Opaque Mediation: The Cut-and-Paste Groove in DJ Food's 'Break'; 11 Microsampling: From Akufen's Microhouse to Todd Edwards and the Sound of UK Garage 12 Real and Unreal Performances: The Interaction of Recording Technology and Rock Drum Kit13 Composing a Performance: The Analogue Experience in the Age of Digital (Re)Production; Bibliography; Index |
Record Nr. | UNINA-9910818836603321 |
Burlington, VT, : Ashgate, c2010 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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