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Harmony in Haydn and Mozart / / David Damschroder [[electronic resource]]
| Harmony in Haydn and Mozart / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (xii, 298 pages) : digital, PDF file(s) |
| Disciplina | 780.92/2 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - 18th century - Analysis, appreciation Harmony |
| ISBN |
1-139-88769-6
1-139-56474-9 1-139-55246-5 1-139-54995-2 1-139-55616-9 1-139-55491-3 1-139-17805-9 1-283-83611-4 1-139-55120-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Harmonic practice in the late eighteenth century : twelve excerpts from string quartets by Haydn and Mozart -- Anatomy of the I-II♯-V two-part exposition : twelve keyboard sonatas by Haydn -- Composition in a minor key : six arias in G minor from operas by Mozart -- The happy ending : three sonata-rondos in D major from piano concertos by Haydn and Mozart -- Haydn : Symphony no. 45 in F♯ minor ("Farewell"), movement 2 : in response to James Webster -- Haydn : String quartet in G minor (op. 20, no. 3), movement 3 : in response to Robert O. Gjerdingen -- Mozart : String quintet in C major (K. 515), movement 1 : in response to V. Kofi Agawu and Michael Spitzer -- Mozart : Don Giovanni (K. 527), Act 1, Scene 13 : Donna Anna's recitative and aria : in response to Carl Schachter -- Mozart : Symphony no. 40 in G minor (K. 550), movement 3, trio : in response to Leonard B. Meyer -- Haydn : Symphony no. 96 in D major ("Miracle"), movement 1 : in response to Warren Darcy, James Hepokoski, and Lauri Suurpää. |
| Altri titoli varianti | Harmony in Haydn & Mozart |
| Record Nr. | UNINA-9910452985503321 |
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Harmony in Haydn and Mozart / / David Damschroder [[electronic resource]]
| Harmony in Haydn and Mozart / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
| Descrizione fisica | 1 online resource (xii, 298 pages) : digital, PDF file(s) |
| Disciplina | 780.92/2 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - 18th century - Analysis, appreciation Harmony |
| ISBN |
1-139-88769-6
1-139-56474-9 1-139-55246-5 1-139-54995-2 1-139-55616-9 1-139-55491-3 1-139-17805-9 1-283-83611-4 1-139-55120-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Harmonic practice in the late eighteenth century : twelve excerpts from string quartets by Haydn and Mozart -- Anatomy of the I-II♯-V two-part exposition : twelve keyboard sonatas by Haydn -- Composition in a minor key : six arias in G minor from operas by Mozart -- The happy ending : three sonata-rondos in D major from piano concertos by Haydn and Mozart -- Haydn : Symphony no. 45 in F♯ minor ("Farewell"), movement 2 : in response to James Webster -- Haydn : String quartet in G minor (op. 20, no. 3), movement 3 : in response to Robert O. Gjerdingen -- Mozart : String quintet in C major (K. 515), movement 1 : in response to V. Kofi Agawu and Michael Spitzer -- Mozart : Don Giovanni (K. 527), Act 1, Scene 13 : Donna Anna's recitative and aria : in response to Carl Schachter -- Mozart : Symphony no. 40 in G minor (K. 550), movement 3, trio : in response to Leonard B. Meyer -- Haydn : Symphony no. 96 in D major ("Miracle"), movement 1 : in response to Warren Darcy, James Hepokoski, and Lauri Suurpää. |
| Altri titoli varianti | Harmony in Haydn & Mozart |
| Record Nr. | UNINA-9910779341603321 |
|
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]]
| Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 331 pages) : digital, PDF file(s) |
| Disciplina | 781.09034 |
| Soggetto topico |
Musical analysis - History - 19th century
Harmony - History Music - History and criticism |
| ISBN |
1-107-18733-8
1-281-38343-0 9786611383435 0-511-39838-7 0-511-39763-1 0-511-48206-X 0-511-39686-4 0-511-39922-7 0-511-39613-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. |
| Record Nr. | UNINA-9910450922503321 |
|
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]]
| Thinking about harmony : historical perspectives on analysis / / David Damschroder [[electronic resource]] |
| Autore | Damschroder David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 331 pages) : digital, PDF file(s) |
| Disciplina | 781.09034 |
| Soggetto topico |
Musical analysis - History - 19th century
Harmony - History Music - History and criticism |
| ISBN |
1-107-18733-8
1-281-38343-0 9786611383435 0-511-39838-7 0-511-39763-1 0-511-48206-X 0-511-39686-4 0-511-39922-7 0-511-39613-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chord identification. Arabic and Roman numerals ; Daube's three chords and the emergence of a function theory ; Chordal roots ; Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions ; Kirnberger's incidental dissonances ; Embellishment in a phrase by Chopin ; Koch's Stamakkord and the dissonant 6/4 ; A Beethoven/Schubert connection ; Berlioz and Fetis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths ; Chains of descending fifths ; Langle's Tours de l'harmonie ; Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads ; Rankings of chord successions ; Portmann's rules of succession ; The privileged fifth ; Succession by third ; Succession by second ; Koch's model : Schubert's composition -- Chordal hierarchy. Passing note, passing chord ; Reductive analysis in the nineteenth century ; Hierarchy in fifth-related chords ; Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer : Lampe ; Chromatic pitches as modulatory triggers ; Non-modulatory analysis ; Multiple meaning ; Prout's modulatory practice -- Chromatic chords : diminished/augmented. Chords via "licence" ; Enharmonicism ; Diminished seventh chords in Weber's Euryanthe ; Marx on diminished thirds (augmented sixths) ; Weitzmann on diminished sevenths -- Chromatic chords : major and minor. ♭II : the strategy of denial ; ♭II : strategies of inclusion ; Non-diatonic goals of modulation ; Rossini and the major mediant ; Seyfried's and Schubert's modulations ; A Wagnerian antipodal conundrum ; A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. |
| Record Nr. | UNINA-9910777047903321 |
|
Damschroder David
|
||
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||