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Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]]
| Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]] |
| Autore | Cropley David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (vii, 250 pages) : digital, PDF file(s) |
| Disciplina | 364.3 |
| Soggetto topico |
Crime - Sociological aspects
Creative ability Creative thinking |
| ISBN |
1-107-27249-1
1-139-89106-5 1-107-27188-6 1-107-56251-1 1-107-27520-2 1-107-27397-8 1-139-17611-0 1-107-27846-5 1-107-27723-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Creativity and Crime; Title; Copyright; Contents; Figures; Tables; Introduction; Chapter One Creativity and crime; The main thrust of this book; Why study crime and creativity?; Creativity; 'Second-generation' creativity; 'Unhooking' creativity from the arts; Focus on products; Malevolent creativity; The dimensions of malevolence; Types of malevolent creativity; Crime; The relationship between crime and creativity; Social sciences and crime; The cultural approach; The individualistic approach; The rationale of this book; Chapter Two The social science approach to crime
The contribution of social sciencesGeography; Sociology; Subcultural deviance; Cultural disorganisation; Anthropology; Forensic anthropology; Cultural anthropology; Design; Urban design; Shop design; Ethnography; Psychological approaches; Forensic psychology; Clinical approaches to crime; Criminogenic factors; Special features of the psychological approach; Structuralist vs individualist approaches; Chapter Three Basic creativity concepts; Creative Products; Novel, relevant, and effective products; Functional creative products; Kinds of creative product; Everyday creativity Generality vs specificity of creativityWhere do creative products come from?; Creativity as a system; The 6Ps of creativity; Press (environmental and social factors); Process; Personal properties; Personal motivation; Personal feelings/mood; The link between the 6Ps and crime; Chapter Four The paradoxes of creativity; Bundles of paradoxes; Paradoxical processes; The paradoxical personality; The Press paradox; The phases of creativity; The extended phase model; Interactions among the 6Ps; Practical implications of the paradoxes; Chapter Five General enchantment with creativity Failure to consider the negative dimension of creativityThe bright side of creativity; Creativity is good by definition; Creativity fosters beauty; Creativity encapsulates the essence of humanity; Creativity is of divine origin; The benefits brought by creativity; Benefits for the individual; Benefits for the society; Innovation; Education; Ambivalence about creativity; Ambivalence in school settings; Problems arising from intoxication with creativity; Difficulty taking a stand against crime; Chapter Six The dark side of creativity; The dark/light balance; The subjectivity of benevolence The balance of benefitThe dark side; The dark side of Product; The dark side of Process; The dark side of Person; Moral darkness; The social utility of moral creativity; Chapter Seven Creativity and crime; Process; The social environment and deviance; Person; Creative personal traits and crime; Negative personal traits and creativity; Motivation and feelings/emotions; The fine line between crime and creativity; The lure of self-aggrandisement; The similarities - overview; Common source of positive and negative creativity; Evolutionary psychology; General arousal theory Where do the differences lie? |
| Record Nr. | UNINA-9910452494603321 |
Cropley David
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]]
| Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]] |
| Autore | Cropley David |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (vii, 250 pages) : digital, PDF file(s) |
| Disciplina | 364.3 |
| Soggetto topico |
Crime - Sociological aspects
Creative ability Creative thinking |
| ISBN |
1-107-27249-1
1-139-89106-5 1-107-27188-6 1-107-56251-1 1-107-27520-2 1-107-27397-8 1-139-17611-0 1-107-27846-5 1-107-27723-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Creativity and Crime; Title; Copyright; Contents; Figures; Tables; Introduction; Chapter One Creativity and crime; The main thrust of this book; Why study crime and creativity?; Creativity; 'Second-generation' creativity; 'Unhooking' creativity from the arts; Focus on products; Malevolent creativity; The dimensions of malevolence; Types of malevolent creativity; Crime; The relationship between crime and creativity; Social sciences and crime; The cultural approach; The individualistic approach; The rationale of this book; Chapter Two The social science approach to crime
The contribution of social sciencesGeography; Sociology; Subcultural deviance; Cultural disorganisation; Anthropology; Forensic anthropology; Cultural anthropology; Design; Urban design; Shop design; Ethnography; Psychological approaches; Forensic psychology; Clinical approaches to crime; Criminogenic factors; Special features of the psychological approach; Structuralist vs individualist approaches; Chapter Three Basic creativity concepts; Creative Products; Novel, relevant, and effective products; Functional creative products; Kinds of creative product; Everyday creativity Generality vs specificity of creativityWhere do creative products come from?; Creativity as a system; The 6Ps of creativity; Press (environmental and social factors); Process; Personal properties; Personal motivation; Personal feelings/mood; The link between the 6Ps and crime; Chapter Four The paradoxes of creativity; Bundles of paradoxes; Paradoxical processes; The paradoxical personality; The Press paradox; The phases of creativity; The extended phase model; Interactions among the 6Ps; Practical implications of the paradoxes; Chapter Five General enchantment with creativity Failure to consider the negative dimension of creativityThe bright side of creativity; Creativity is good by definition; Creativity fosters beauty; Creativity encapsulates the essence of humanity; Creativity is of divine origin; The benefits brought by creativity; Benefits for the individual; Benefits for the society; Innovation; Education; Ambivalence about creativity; Ambivalence in school settings; Problems arising from intoxication with creativity; Difficulty taking a stand against crime; Chapter Six The dark side of creativity; The dark/light balance; The subjectivity of benevolence The balance of benefitThe dark side; The dark side of Product; The dark side of Process; The dark side of Person; Moral darkness; The social utility of moral creativity; Chapter Seven Creativity and crime; Process; The social environment and deviance; Person; Creative personal traits and crime; Negative personal traits and creativity; Motivation and feelings/emotions; The fine line between crime and creativity; The lure of self-aggrandisement; The similarities - overview; Common source of positive and negative creativity; Evolutionary psychology; General arousal theory Where do the differences lie? |
| Record Nr. | UNINA-9910779989803321 |
|
Cropley David
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]]
| Creativity and crime : a psychological analysis / / David H. Cropley & Arthur J. Cropley [[electronic resource]] |
| Autore | Cropley David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (vii, 250 pages) : digital, PDF file(s) |
| Disciplina | 364.3 |
| Soggetto topico |
Crime - Sociological aspects
Creative ability Creative thinking |
| ISBN |
1-107-27249-1
1-139-89106-5 1-107-27188-6 1-107-56251-1 1-107-27520-2 1-107-27397-8 1-139-17611-0 1-107-27846-5 1-107-27723-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Creativity and Crime; Title; Copyright; Contents; Figures; Tables; Introduction; Chapter One Creativity and crime; The main thrust of this book; Why study crime and creativity?; Creativity; 'Second-generation' creativity; 'Unhooking' creativity from the arts; Focus on products; Malevolent creativity; The dimensions of malevolence; Types of malevolent creativity; Crime; The relationship between crime and creativity; Social sciences and crime; The cultural approach; The individualistic approach; The rationale of this book; Chapter Two The social science approach to crime
The contribution of social sciencesGeography; Sociology; Subcultural deviance; Cultural disorganisation; Anthropology; Forensic anthropology; Cultural anthropology; Design; Urban design; Shop design; Ethnography; Psychological approaches; Forensic psychology; Clinical approaches to crime; Criminogenic factors; Special features of the psychological approach; Structuralist vs individualist approaches; Chapter Three Basic creativity concepts; Creative Products; Novel, relevant, and effective products; Functional creative products; Kinds of creative product; Everyday creativity Generality vs specificity of creativityWhere do creative products come from?; Creativity as a system; The 6Ps of creativity; Press (environmental and social factors); Process; Personal properties; Personal motivation; Personal feelings/mood; The link between the 6Ps and crime; Chapter Four The paradoxes of creativity; Bundles of paradoxes; Paradoxical processes; The paradoxical personality; The Press paradox; The phases of creativity; The extended phase model; Interactions among the 6Ps; Practical implications of the paradoxes; Chapter Five General enchantment with creativity Failure to consider the negative dimension of creativityThe bright side of creativity; Creativity is good by definition; Creativity fosters beauty; Creativity encapsulates the essence of humanity; Creativity is of divine origin; The benefits brought by creativity; Benefits for the individual; Benefits for the society; Innovation; Education; Ambivalence about creativity; Ambivalence in school settings; Problems arising from intoxication with creativity; Difficulty taking a stand against crime; Chapter Six The dark side of creativity; The dark/light balance; The subjectivity of benevolence The balance of benefitThe dark side; The dark side of Product; The dark side of Process; The dark side of Person; Moral darkness; The social utility of moral creativity; Chapter Seven Creativity and crime; Process; The social environment and deviance; Person; Creative personal traits and crime; Negative personal traits and creativity; Motivation and feelings/emotions; The fine line between crime and creativity; The lure of self-aggrandisement; The similarities - overview; Common source of positive and negative creativity; Evolutionary psychology; General arousal theory Where do the differences lie? |
| Record Nr. | UNINA-9910809056103321 |
|
Cropley David
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Homo problematis solvendis- problem-solving man : a history of human creativity / / David H. Cropley
| Homo problematis solvendis- problem-solving man : a history of human creativity / / David H. Cropley |
| Autore | Cropley David |
| Pubbl/distr/stampa | Gateway East, Singapore : , : Springer Nature Singapore Pte Ltd, , [2019] |
| Descrizione fisica | 1 online resource (xvii, 165 pages) : illustrations (some colour) |
| Disciplina | 153.35 |
| Soggetto topico |
Creative ability
Creative ability in technology Creative thinking |
| ISBN | 981-13-3101-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Measuring creativity -- Prehistory: the dawn of invention (<2700 BCE) -- The Classical period (753 BCE-476 CE): the problem of empires -- The Dark Ages (476-1453 CE): Eastern creativity -- The Renaissance (1300-1700): the rebirth of knowledge -- The Age of Exploration (1490-1700): new worlds and new problems -- The Age of Enlightenment (1685-1815): the business of invention -- The Romantic period (1800-1900): accelerating change -- The Modern Age (1880-1950): expansion and conflict -- The Space Age (1950-1981): the science of creativity -- The Digital Age (1981-present): the rise of complexity -- The innovation scoreboard. |
| Record Nr. | UNINA-9910350304203321 |
|
Cropley David
|
||
| Gateway East, Singapore : , : Springer Nature Singapore Pte Ltd, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||