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Technè/Technology : Researching Cinema and Media Technologies, their Development, Use and Impact / / Annie Oever
| Technè/Technology : Researching Cinema and Media Technologies, their Development, Use and Impact / / Annie Oever |
| Autore | Oever Annie |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2014] |
| Descrizione fisica | 1 online resource (413 p.) |
| Collana | The Key Debates: Mutations and Appropriations in European Film Studies |
| Soggetto topico |
Cinematography - Technological innovations
Motion pictures - Technological innovations Technology in motion pictures PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato | Media Technology |
| ISBN | 90-485-1990-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Editorial -- Acknowledgments -- Introduction: Researching Cinema and Media Technologies -- PART I Philosophy of Technology: Reassessing Key Questions -- The Philosophy of Technology in the Frame of Film Theory: Walter Benjamin’s Contribution -- Toward an Archaeology of the Cinema/ Technology Relation: From Mechanization to “Digital Cinema” -- Technē and Poiēsis: On Heidegger and Film Theory -- Stiegler’s Post-Phenomenological Account of Mediated Experience -- What Are Media? -- PART II Cinema and Media Technologies: Hardware, Software, Wetware -- The “History of Vision”-Debate Revisited -- Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin) -- Television’s Many Technologies: Domesticity, Governmentality, Genealogy -- Postmodern Hi-fi vs. Post-Cool Lo-fi: An Epistemological War -- PART III Cinema and Media Technologies: A Historical Context -- Marey’s Gun: Apparatuses of Capture and the Operational Image -- Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema -- Technophobia and Italian Film Theory in the Interwar Period -- Jean-Luc Godard’s Histoire(s) du Cinéma: Cogito Ergo Video -- Performativity/Expressivity: The Mobile Micro Screen and Its Subject -- PART IV Discussions: Revisiting the Past -- Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline – A Dialogue -- Revisiting Christian Metz’s “Apparatus Theory” – A Dialogue -- PART V Envisioning the Future -- The Future History of a Vanishing Medium -- Experimental Media Archaeology: A Plea for New Directions -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subject |
| Record Nr. | UNISA-996543170303316 |
Oever Annie
|
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| Amsterdam : , : Amsterdam University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Technè/Technology : Researching Cinema and Media Technologies, their Development, Use and Impact / / Annie Oever
| Technè/Technology : Researching Cinema and Media Technologies, their Development, Use and Impact / / Annie Oever |
| Autore | Oever Annie |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2014] |
| Descrizione fisica | 1 online resource (413 p.) |
| Collana | The Key Debates: Mutations and Appropriations in European Film Studies |
| Soggetto topico |
Cinematography - Technological innovations
Motion pictures - Technological innovations Technology in motion pictures PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato | Media Technology |
| ISBN | 90-485-1990-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Editorial -- Acknowledgments -- Introduction: Researching Cinema and Media Technologies -- PART I Philosophy of Technology: Reassessing Key Questions -- The Philosophy of Technology in the Frame of Film Theory: Walter Benjamin’s Contribution -- Toward an Archaeology of the Cinema/ Technology Relation: From Mechanization to “Digital Cinema” -- Technē and Poiēsis: On Heidegger and Film Theory -- Stiegler’s Post-Phenomenological Account of Mediated Experience -- What Are Media? -- PART II Cinema and Media Technologies: Hardware, Software, Wetware -- The “History of Vision”-Debate Revisited -- Will the 3D Revolution Happen? A Brief Perspective on the Long History of Stereoscopy (with special thanks to Eisenstein and Bazin) -- Television’s Many Technologies: Domesticity, Governmentality, Genealogy -- Postmodern Hi-fi vs. Post-Cool Lo-fi: An Epistemological War -- PART III Cinema and Media Technologies: A Historical Context -- Marey’s Gun: Apparatuses of Capture and the Operational Image -- Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema -- Technophobia and Italian Film Theory in the Interwar Period -- Jean-Luc Godard’s Histoire(s) du Cinéma: Cogito Ergo Video -- Performativity/Expressivity: The Mobile Micro Screen and Its Subject -- PART IV Discussions: Revisiting the Past -- Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline – A Dialogue -- Revisiting Christian Metz’s “Apparatus Theory” – A Dialogue -- PART V Envisioning the Future -- The Future History of a Vanishing Medium -- Experimental Media Archaeology: A Plea for New Directions -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subject |
| Record Nr. | UNINA-9910747088903321 |
|
Oever Annie
|
||
| Amsterdam : , : Amsterdam University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||