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Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / / edited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterword by Frederic Jameson
| Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / / edited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterword by Frederic Jameson |
| Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , [2022] |
| Descrizione fisica | 1 online resource (279 pages) |
| Disciplina | 801.95092 |
| Soggetto topico |
Geopolitics in motion pictures
Marxist criticism Motion pictures - Philosophy Philosophers - United States |
| Soggetto non controllato | marxism, allegory, geopolitics, cinema, film, Frederic Jameson, media studies, communications, philosophy, social theory, film theory, totality, national allegory, globalization, representation, pastiche, realism, modernism, postmodernism, neoliberal capitalism, Asia, Latin America, Europe, North America, Stalin, Parasite, All the President's Men, military science fiction, Three Songs of Lenin, The Geopolitical Aesthetic |
| ISBN | 1-9788-0890-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910795377703321 |
| New Brunswick, New Jersey : , : Rutgers University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / / edited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterword by Frederic Jameson
| Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema / / edited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterword by Frederic Jameson |
| Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , [2022] |
| Descrizione fisica | 1 online resource (279 pages) |
| Disciplina | 801.95092 |
| Soggetto topico |
Geopolitics in motion pictures
Marxist criticism Motion pictures - Philosophy Philosophers - United States |
| Soggetto non controllato | marxism, allegory, geopolitics, cinema, film, Frederic Jameson, media studies, communications, philosophy, social theory, film theory, totality, national allegory, globalization, representation, pastiche, realism, modernism, postmodernism, neoliberal capitalism, Asia, Latin America, Europe, North America, Stalin, Parasite, All the President's Men, military science fiction, Three Songs of Lenin, The Geopolitical Aesthetic |
| ISBN | 1-9788-0890-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson’s Place in Film Studies -- 1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson’s “On Diva” -- 2 Allegory and Accommodation: Vertov’s Three Songs of Lenin (1934) as a Stalinist Film -- 3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4 Jameson, Angelopoulos, and the Spirit of Utopia -- 5 Jameson and Japanese Media Theory: A Virtual Dialogue -- 6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President’s Men -- 10 The Conspiracy Film, Hollywood’s Cultural Paradigms, and Class Consciousness -- 11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson’s The Geopolitical Aesthetic -- 12 “An American Utopia” and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910815285203321 |
| New Brunswick, New Jersey : , : Rutgers University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||