Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910463171103321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Classificazione | LIT004120 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910786158803321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespearean sensations : experiencing literature in early modern England / / edited by Katharine A. Craik and Tanya Pollard [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (x, 244 pages) : digital, PDF file(s) |
Disciplina | 820.9/353 |
Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism - Theory, etc
English literature - Psychological aspects Reading - Physiological aspects Senses and sensation in literature Reader-response criticism Theater audiences - England - History - 16th century Theater audiences - England - History - 17th century Mind and body |
ISBN |
1-107-23689-4
1-107-30166-1 1-107-30582-9 1-107-30675-2 1-107-30895-X 1-107-31230-2 1-299-00908-5 1-107-31450-X 1-139-23558-3 |
Classificazione | LIT004120 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Part One: Plays -- 1. Feeling fear in Macbeth / Allison P. Hobgood -- 2. Hearing Iago's withheld confession / Allison K. Deutermann -- 3. Self-love, spirituality, and the senses in Twelfth Night / Douglas Trevor -- Part Two: Playhouses -- 4. Conceiving tradgedy / Tanya Pollard -- 5. Playing with appetitie in early modern comedy / Hillary M. Nunn -- 6. Notes towards an analysis of earyly modern applause / Matthew Steggle -- 7. Catharsis as "purgation" in Shakespearean drama / Thomas Rist -- 8. Epigrammatic commotions / William Kerwin -- 9. Poetic "making" and moving the soul / Margaret Healy -- 10. Shakespearean pain / Michael Schoenfeldt -- Afterword: Senses of an ending / Bruce R. Smith.
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith. |
Record Nr. | UNINA-9910824607003321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|