Rethinking Identities Across Boundaries : Genders/Genres/Genera / / edited by Claudia Capancioni, Mariaconcetta Costantini, and Mara Mattoscio |
Edizione | [First edition.] |
Pubbl/distr/stampa | Cham, Switzerland : , : Macmillan Palgrave, , [2024] |
Descrizione fisica | 1 online resource (310 pages) |
Disciplina | 320.12 |
Soggetto topico |
Boundaries
Boundaries (Philosophy) |
ISBN | 3-031-40795-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Images and Figure -- Chapter 1: Bordering Genders, Genres, Genera: An Introduction -- Border Theorisations: An Overview -- The Volume's Thematic Cartographies -- Moving across the Chapters -- References -- Chapter 2: Biometric Technologies, Gendered Subjectivities and Artistic Resistance -- Introduction -- The Biopolitical Technology of Gender Markers -- Binary-Based Biometric Technologies -- (In)visibility and Artistic Resistance -- Zach Blas, Facial Weaponization Suite and SANCTUM -- Heather Dewey-Hagborg, Radical Love and Probably Chelsea -- Ma Liuming, Visa to the USA -- References -- Chapter 3: 'My tongue doesn't believe in boundaries': A®tivism Across the US/Mexico Border -- Introduction -- Linking a®tivism with la conciencia de la mestiza -- 'My tongue doesn't believe in boundaries': A Linguistic Analysis of Border(s) (De)construction in Mexican American Slam Poetry -- Methodology -- Results and Discussion -- Conclusion -- References -- Chapter 4: Migrant Women's Documentary Filmmaking: Shifting Positionalities and Precarious Creativity Across Borders in the Experience of Five Latin American Directors -- Introduction -- Crossing the Boundaries of the Film Text/Production Divide: The Interview Method -- Inside the Film: Reflexivity, Self-Discovery, and Shifting Subjectivities -- A Flexible and Mobile Production Mode: Contingency, Loose Authorship, and Alternative Values -- Conclusions -- References -- Chapter 5: 'I've always thought that we are living on the cowhide': Chen Li's Edge as Method and Border-Queering in The Edge of the Island -- Introduction -- Cowhide Intimacy: Global Colonialism and Chen's Queering of Borders -- Threading and Ropewalking: Eroticizing/Inhabiting the Frontier -- Conclusion -- References.
Chapter 6: Crossing the Borders of Genders and Genres: Akwaeke Emezi's Freshwater as a World-Making Narrative of Identity Reaffirmation -- Introduction -- Poietic Literature and Border-Crossing: An Evaluation -- Crisscrossing of Genders and Genres in Freshwater -- Border-Crossing and the Creation of a World-Making Narrative of Resistance -- Conclusions -- References -- Chapter 7: Mobility, Belonging and the Utopia of a Borderless World: A Spatial and Identitarian Reading of Imbolo Mbue's Behold the Dreamers -- The 'spatial turn' and the Recent Debordering/Rebordering Processes -- Living in the Margins: Border Policies and the Global Immigration Crisis -- Social Divides, Metropolitan Niches, and Intersectional Discrimination -- A Brief Reflection on Genres and Literary Categories -- References -- Chapter 8: 'Violent conclusion[s]' versus 'hopeful return[s]': Zadie Smith's The Embassy of Cambodia and the Performative Border-Crossing of the Narrative Voice -- Introduction -- Narrative Confrontations: A 'Communal Voice'? -- Textual Performativity and Its Political Potential -- To Conclude: A Global/Local Critique -- References -- Chapter 9: Morphing Forms: Metamorphosis in Twenty-First-Century British Women's Experimental Short Fiction -- Introduction -- Form -- Metamorphosis -- Gender -- Conclusions -- References -- Chapter 10: 'This particular art [is] all about walls': Nomadic Poetics of Identity in Ali Smith's How to be both -- Nomadic Poetics of Identity -- By the Edge of a Wall: Moral Conundrums and Dilemmas -- On the Wall: Looking Beyond Borders -- On Nomadic Reading -- References -- Chapter 11: Oblique Emotions and Border Intimacies in Dionne Brand's Theory -- Introduction -- Footnotes and Other Borderscapes -- Oblique Emotions -- Border Intimacies -- Re/fusing Speculative Practices -- References. Chapter 12: An Unresolved Crossing: David Foster Wallace's 'Oblivion' -- Mapping Borders -- The Formal Border: From Monologue to Dialogue and Back -- Thematic Borders: From Within a Dream -- Stubborn Voices -- References -- Chapter 13: Crossing Gender: Andy Warhol's Candy Darling, America, and Angela Carter's The Passion of New Eve -- Introduction -- S.C.U.M and Drag Queens -- Tristessa de St Ange: The World's Most Beautiful Woman -- Candy Darling -- Crossing Gender and Double Drag -- References -- Chapter 14: Genders, GYnealogies, GYne(co)alogies of Decolonial Geo-thalasso-corpographies: A Theoretical Reflection on Interconnectedness in Gender Configurations -- Introduction -- From Epistemology to Gnoseology and Feminist conocimiento -- Matrixial Borderspace, nepantla, and gYne(co)alogies -- For a Decolonial Thalasso-corpo-graphy or a Marine Epistemology of the South -- References -- Chapter 15: Spivak and Sontag: Deconstructing Borders Through a Philosophical Appraisal of Literature -- Introduction -- Embodiment and Disembodiment -- Bodies, Literary Texts, and Books -- Conclusions -- References -- Index. |
Record Nr. | UNINA-9910768479203321 |
Cham, Switzerland : , : Macmillan Palgrave, , [2024] | ||
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Lo trovi qui: Univ. Federico II | ||
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Sherlock Holmes, un nouveau limier pour le XXIe siècle : Du Strand Magazine au Sherlock de la BBC / / Hélène Machinal, Gilles Menegaldo, Jean-Pierre Naugrette |
Autore | Chelebourg Christian |
Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2018 |
Descrizione fisica | 1 online resource (334 p.) |
Altri autori (Persone) |
CostantiniMariaconcetta
CotteOlivier DesmetMaud FaivreAntoine FortCamille GuieuJulien GuillaudLauric JaëckNathalie MachinalHélène MarcusLaura MénégaldoGilles MeyerJean-Paul Meyer-BolzingerDominique NaugretteJean-Pierre RenouardCaroline MenegaldoGilles |
Collana | Interférences |
Soggetto topico |
Literary Theory & Criticism
Sherlock Holmes roman policier cinéma télévision médias |
Soggetto non controllato |
Sherlock Holmes
roman policier cinéma télévision médias |
ISBN | 2-7535-5787-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910495778703321 |
Chelebourg Christian
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Rennes, : Presses universitaires de Rennes, 2018 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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