A commentary on Shakespeare's Richard III / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (270 p.) |
Disciplina | 270 |
Collana |
Routledge library editions. Shakespeare : critical studies
Routledge library editions. |
Soggetto topico | Kings and rulers in literature |
Soggetto genere / forma | Electronic books. |
ISBN |
0-415-85287-0
1-315-01832-2 1-136-55929-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's Tactics
The 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the Murderers Incitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-Scene Technique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act III SCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Rôle and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVE Contrast as a Structural Element |
Record Nr. | UNINA-9910453718803321 |
Clemen Wolfgang | ||
Oxon [England] : , : Routledge, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A commentary on Shakespeare's Richard III / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (270 p.) |
Disciplina | 270 |
Collana |
Routledge library editions. Shakespeare : critical studies
Routledge library editions. |
Soggetto topico | Kings and rulers in literature |
ISBN |
1-136-55936-1
0-415-85287-0 1-315-01832-2 1-136-55929-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's Tactics
The 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the Murderers Incitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-Scene Technique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act III SCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Rôle and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVE Contrast as a Structural Element |
Record Nr. | UNINA-9910790655103321 |
Clemen Wolfgang | ||
Oxon [England] : , : Routledge, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A commentary on Shakespeare's Richard III / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (270 p.) |
Disciplina | 270 |
Collana |
Routledge library editions. Shakespeare : critical studies
Routledge library editions. |
Soggetto topico | Kings and rulers in literature |
ISBN |
1-136-55936-1
0-415-85287-0 1-315-01832-2 1-136-55929-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; A COMMENTARY ON SHAKESPEARE'S RICHARD III; Original Title Page; Original Copyright Page; Title Page; Copyright Page; Table of Contents; PREFATORY NOTE; INTRODUCTION; Act I; SCENE ONE; General Structure; The Opening Soliloquy; The Pre-Shakespearian Opening Soliloquy; Dialogue-Technique in the Episodes with Clarence and Hastings; Forms of Irony in I, i; The Language of the Dialogue; Richard's Soliloquies; Exposition within the Scene; SCENE TWO; Anne's Soliloquy; The Address as a Means of Irony; Anne's Speech of Imprecation; The Technique of the Dialogue; Richard's Tactics
The 'Conversion-Speech'Psychological Development; Richard's Concluding Soliloquy; Conversion-Scenes and Wooing-Scenes in Pre-Shakespearian Drama; SCENE THREE; Structure; The Opening Episodes; Richard's Entry and Behaviour; Richard's Use of Language; Margaret; Margaret and the Stage Action; Simultaneous Staging in Pre-Shakespearian Drama; Linguistic Structure; Richard as the Instrument of Nemesis; Past and Future Dramatically Portrayed; The Curses; Curses in Pre-Shakespearian Drama; Warnings and Prophecies; Margaret's Final Curse; Richard's Soliloquy; The Interlude with the Murderers Incitement to Murder in Pre-Shakespearian DramaSCENE FOUR; The 'Self-Contained' Scene in Shakespeare's Plays; The Place of the Scene in the Dramatic Structure; The Composition of the Scene; Clarence's Dream; The Journey to the Underworld; Comparison with Richard's Dream in V, iii; Dramatization of the Dream-Narrative; The Dream: Language and Versification; Dreams in Pre-Shakespearian Drama; Brakenbury's Monologue; The Murder-Scene; The Conversation on Conscience; The Dialogue with Clarence; Murder-Scenes in Pre-Shakespearian Drama; Act II; SCENE ONE; The Reconciliation-Scene Technique of RepetitionIrony and Ambiguity; Richard's Entry; The Derby-Episode as a 'Mirror-Scene'; The King's Final Speech; SCENE TWO; The Opening: The Children; Children in Elizabethan Drama; The Lament; Richard's Entry; Buckingham's Speech; SCENE THREE; The Time-Element in Richard III; II, iii as a Choric Scene; II, iii as a Mirror-Scene; Structure and Themes; Anticipation and Foreboding; The Use of Proverbs; Recurrent Key-Words; SCENE FOUR; Portrayal of Richard; References to Time and Place; Dialogue-Technique; The Messenger; Language and Style of the Passionate Rhetorical Speech; Act III SCENE ONEStructure of the Scene; The Arrival in London; The Discussion of Sanctuary; The Discussion about Caesar; Richard and the Figure of Vice; The Talk with York; Forms of Irony; Versification; Final Section; SCENE TWO; The Messenger's Entry; Stanley's Dream; The Catesby-Episode: Ironic Contrast; The Tower as a Scene of Action; SCENE THREE; Treatment of a Minor Episode; The Spectacle and the Text; Turning-Point in the Action; SCENE FOUR; Hastings' Rôle and Dramatic Irony; Richard's Entry; The Reversal of the Situation; Hastings' Epilogue; Scene-Endings in Richard III; SCENE FIVE Contrast as a Structural Element |
Record Nr. | UNINA-9910825668503321 |
Clemen Wolfgang | ||
Oxon [England] : , : Routledge, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Development of Shakespeare's Imagery [[electronic resource]] |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
Descrizione fisica | 1 online resource (251 p.) |
Soggetto topico |
English
Languages & Literatures English Literature |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-70847-4
1-299-47778-X 1-135-03286-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE DEVELOPMENT OF SHAKESPEARE'S IMAGERY; Title Page; Copyright Page; Table of Contents; PREFACE BY THE AUTHOR: LOOKING BACK OVER FORTY YEARS; I. INTRODUCTION; 2. IMAGERY IN THE HISTORY OF SHAKESPEARE CRITICISM; PART I THE DEVELOPMENT OF IMAGERY IN THE PLAYS OF SHAKESPEARE'S EARLY AND MIDDLE PERIOD; 3· Titus Andronicus; 4· THE EARLY COMEDIES; 5· Henry VI; 6. Richard III; 7· Richard II; 8. Romeo and Juliet; 9· LANGUAGE AND IMAGERY IN SHAKESPEARE'S MIDDLE PERIOD; 10. THE DRAMATIC FUNCTION OF THE IMAGES IN PLAYS OF THE MIDDLE PERIOD
PART II THE DEVELOPMENT OF IMAGERY IN SHAKESPEARE'S GREAT TRAGEDIES11. INTRODUCTORY; 12. Hamlet; 13· Othello; 14· King Lear; 15· Coriolanus; 16. Antony and Cleopatra; 17· Timon of Athens; PART III THE IMAGERY IN THE ""ROMANCES""; 18. INTRODUCTORY; 19. The Tempest; 20. The Winter's Tale; 21. Cymbeline; PART IV SUMMARY AND CONCLUSION; SUMMARY AND CONCLUSION; SELECT BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910452851103321 |
Clemen Wolfgang | ||
Hoboken, : Taylor and Francis, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Development of Shakespeare's Imagery [[electronic resource]] |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
Descrizione fisica | 1 online resource (251 p.) |
Disciplina | 822.3/3 |
Collana | Routledge library editions. Shakespeare |
Soggetto topico |
English
Languages & Literatures English Literature |
ISBN |
0-203-70847-4
1-299-47778-X 1-135-03286-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE DEVELOPMENT OF SHAKESPEARE'S IMAGERY; Title Page; Copyright Page; Table of Contents; PREFACE BY THE AUTHOR: LOOKING BACK OVER FORTY YEARS; I. INTRODUCTION; 2. IMAGERY IN THE HISTORY OF SHAKESPEARE CRITICISM; PART I THE DEVELOPMENT OF IMAGERY IN THE PLAYS OF SHAKESPEARE'S EARLY AND MIDDLE PERIOD; 3· Titus Andronicus; 4· THE EARLY COMEDIES; 5· Henry VI; 6. Richard III; 7· Richard II; 8. Romeo and Juliet; 9· LANGUAGE AND IMAGERY IN SHAKESPEARE'S MIDDLE PERIOD; 10. THE DRAMATIC FUNCTION OF THE IMAGES IN PLAYS OF THE MIDDLE PERIOD
PART II THE DEVELOPMENT OF IMAGERY IN SHAKESPEARE'S GREAT TRAGEDIES11. INTRODUCTORY; 12. Hamlet; 13· Othello; 14· King Lear; 15· Coriolanus; 16. Antony and Cleopatra; 17· Timon of Athens; PART III THE IMAGERY IN THE ""ROMANCES""; 18. INTRODUCTORY; 19. The Tempest; 20. The Winter's Tale; 21. Cymbeline; PART IV SUMMARY AND CONCLUSION; SUMMARY AND CONCLUSION; SELECT BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910779552803321 |
Clemen Wolfgang | ||
Hoboken, : Taylor and Francis, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Development of Shakespeare's Imagery |
Autore | Clemen Wolfgang |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
Descrizione fisica | 1 online resource (251 p.) |
Disciplina | 822.3/3 |
Collana | Routledge library editions. Shakespeare |
Soggetto topico |
English
Languages & Literatures English Literature |
ISBN |
0-203-70847-4
1-299-47778-X 1-135-03286-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE DEVELOPMENT OF SHAKESPEARE'S IMAGERY; Title Page; Copyright Page; Table of Contents; PREFACE BY THE AUTHOR: LOOKING BACK OVER FORTY YEARS; I. INTRODUCTION; 2. IMAGERY IN THE HISTORY OF SHAKESPEARE CRITICISM; PART I THE DEVELOPMENT OF IMAGERY IN THE PLAYS OF SHAKESPEARE'S EARLY AND MIDDLE PERIOD; 3· Titus Andronicus; 4· THE EARLY COMEDIES; 5· Henry VI; 6. Richard III; 7· Richard II; 8. Romeo and Juliet; 9· LANGUAGE AND IMAGERY IN SHAKESPEARE'S MIDDLE PERIOD; 10. THE DRAMATIC FUNCTION OF THE IMAGES IN PLAYS OF THE MIDDLE PERIOD
PART II THE DEVELOPMENT OF IMAGERY IN SHAKESPEARE'S GREAT TRAGEDIES11. INTRODUCTORY; 12. Hamlet; 13· Othello; 14· King Lear; 15· Coriolanus; 16. Antony and Cleopatra; 17· Timon of Athens; PART III THE IMAGERY IN THE ""ROMANCES""; 18. INTRODUCTORY; 19. The Tempest; 20. The Winter's Tale; 21. Cymbeline; PART IV SUMMARY AND CONCLUSION; SUMMARY AND CONCLUSION; SELECT BIBLIOGRAPHY; INDEX |
Record Nr. | UNINA-9910818810803321 |
Clemen Wolfgang | ||
Hoboken, : Taylor and Francis, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
English tragedy before Shakespeare : the development of dramatic speech / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (504 p.) |
Disciplina | 822.05120903 |
Collana | Routledge revivals |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
English drama (Tragedy) - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-59151-0
9786613903969 1-136-81110-9 0-203-82883-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Fornt Cover; Half Title; Title Page; Copyright; Title Page; Copyright; Contents; TRANSLATOR'S NOTE; ABBREVIATIONS; 1 Introduction; PART ONE; 2 The Set Speech in Renaissance Drama and Contemporary Theory; 3 The Basic Types of Dramatic Set Speech; 4 Gorboduc; PART TWO; 5 English Classical Plays; 6 Locrine; 7 Kyd; 8 Marlowe I. Tamburlaine; 9 Imitations of Marlowe's Tamburlaine. Selimus and The Wounds of Civil War; 10 Marlowe II. The Later Plays; 11 Peele; 12 Greene; 13 Popular Drama and History Plays; 14 The Dramatic Lament and Its Forms; PART THREE; 15 The Pre-Shakespearian Dramatic Lament
16 ConclusionSelect Bibliography; Index of Authors and Subjects; Index of Plays |
Record Nr. | UNINA-9910462006403321 |
Clemen Wolfgang | ||
Abingdon, Oxon : , : Routledge, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
English tragedy before Shakespeare : the development of dramatic speech / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (504 p.) |
Disciplina | 822.05120903 |
Collana | Routledge revivals |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
English drama (Tragedy) - History and criticism |
ISBN |
1-136-81109-5
1-283-59151-0 9786613903969 1-136-81110-9 0-203-82883-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Fornt Cover; Half Title; Title Page; Copyright; Title Page; Copyright; Contents; TRANSLATOR'S NOTE; ABBREVIATIONS; 1 Introduction; PART ONE; 2 The Set Speech in Renaissance Drama and Contemporary Theory; 3 The Basic Types of Dramatic Set Speech; 4 Gorboduc; PART TWO; 5 English Classical Plays; 6 Locrine; 7 Kyd; 8 Marlowe I. Tamburlaine; 9 Imitations of Marlowe's Tamburlaine. Selimus and The Wounds of Civil War; 10 Marlowe II. The Later Plays; 11 Peele; 12 Greene; 13 Popular Drama and History Plays; 14 The Dramatic Lament and Its Forms; PART THREE; 15 The Pre-Shakespearian Dramatic Lament
16 ConclusionSelect Bibliography; Index of Authors and Subjects; Index of Plays |
Record Nr. | UNINA-9910785786403321 |
Clemen Wolfgang | ||
Abingdon, Oxon : , : Routledge, , 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
English tragedy before Shakespeare : the development of dramatic speech / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Routledge, 2011 |
Descrizione fisica | 1 online resource (504 p.) |
Disciplina | 822.05120903 |
Collana | Routledge revivals |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
English drama (Tragedy) - History and criticism |
ISBN |
1-136-81109-5
1-283-59151-0 9786613903969 1-136-81110-9 0-203-82883-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Fornt Cover; Half Title; Title Page; Copyright; Title Page; Copyright; Contents; TRANSLATOR'S NOTE; ABBREVIATIONS; 1 Introduction; PART ONE; 2 The Set Speech in Renaissance Drama and Contemporary Theory; 3 The Basic Types of Dramatic Set Speech; 4 Gorboduc; PART TWO; 5 English Classical Plays; 6 Locrine; 7 Kyd; 8 Marlowe I. Tamburlaine; 9 Imitations of Marlowe's Tamburlaine. Selimus and The Wounds of Civil War; 10 Marlowe II. The Later Plays; 11 Peele; 12 Greene; 13 Popular Drama and History Plays; 14 The Dramatic Lament and Its Forms; PART THREE; 15 The Pre-Shakespearian Dramatic Lament
16 ConclusionSelect Bibliography; Index of Authors and Subjects; Index of Plays |
Record Nr. | UNINA-9910826927103321 |
Clemen Wolfgang | ||
New York, : Routledge, 2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare's dramatic art : collected essays / / Wolfgang Clemen |
Autore | Clemen Wolfgang |
Pubbl/distr/stampa | Oxon [England] : , : Routledge, , 2005 |
Descrizione fisica | 1 online resource (249 p.) |
Disciplina | 249 |
Collana | Routledge library editions. Shakespeare. Critical studies |
Soggetto genere / forma | Electronic books. |
ISBN |
1-315-01831-4
1-136-55901-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication; Table of Contents; Bibliographical Note; Preface; 1 Shakespeare's Art of Preparation. A Preliminary Sketch; Introduction; A First Scene as an Example: A Midsummer Night's Dream, I, i; Henry VI; Richard III; Richard II; Titus Andronicus; Romeo and Juliet; Julius Caesar; Hamlet; Othello; Macbeth; Conclusion; 2 Shakespeare's Use of the Messenger's Report; 3 Past and Future in Shakespeare's Drama; 4 Shakespeare's Soliloquies; 5 Appearance and Reality in Shakespeare's Plays
6 Shakespeare and the Modern World7 Characteristic Features of Shakespearian Drama; 8 How to Read a Shakespeare Play; Index of Authors; Index of Plays |
Record Nr. | UNINA-9910452435703321 |
Clemen Wolfgang | ||
Oxon [England] : , : Routledge, , 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|