Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-85116-4
1-136-51473-2 0-203-14945-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910457948303321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| ISBN |
1-136-51472-4
1-283-85116-4 1-136-51473-2 0-203-14945-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910778919103321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| ISBN |
9781136514722
1136514724 9781283851169 1283851164 9781136514739 1136514732 9780203149454 0203149459 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910971871803321 |
| New York, : Routledge, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Intelligent Technologies for Interactive Entertainment : 14th EAI International Conference, INTETAIN 2023, Lucca, Italy, November 27, 2023, Proceedings / / edited by Martin Clayton, Mauro Passacantando, Marcello Sanguineti
| Intelligent Technologies for Interactive Entertainment : 14th EAI International Conference, INTETAIN 2023, Lucca, Italy, November 27, 2023, Proceedings / / edited by Martin Clayton, Mauro Passacantando, Marcello Sanguineti |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 |
| Descrizione fisica | 1 online resource (XII, 224 p. 50 illus., 31 illus. in color.) |
| Disciplina | 006.7 |
| Collana | Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering |
| Soggetto topico |
Interactive multimedia
Multimedia systems Computer vision Education - Data processing Computer networks User interfaces (Computer systems) Human-computer interaction Media Design Computer Vision Computers and Education Computer Networks User Interfaces and Human Computer Interaction |
| ISBN | 3-031-55722-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Games and Game-Based Learning -- Toward a better measurement of strategic skills: the multiple choice Strategic Quotient (mcSQ) -- Exploring the Effectiveness of Game-Based Learning in Teaching the 2030 Agenda to Middle School Students -- Introducing a Videogame Project in a Mobile Software Development Academic Course -- Artificial Intelligence in Video Games 101: an easy introduction -- A somaesthetic based approach to the design of multisensory interactive systems -- GFTLSTM: Dynamic Graph Neural Network Model Based on Graph Framelets Transform -- Advancing Multi-Actor Graph Convolutions for Skeleton-Based Action Recognition -- Improving output visualization of an algorithm for the automated detection of the perceived origin of movement -- Biases in Micro-level Probabilistic Reasoning and Ist Impact on the Spectators’ Enjoyment of Tennis Games -- A PLS-SEM approach for composite indicators: an original application on the Expected Goal Model -- A comparison of hosting techniques for onlinecybersecurity competitions -- Increasing accessibility of online board games to visually impaired people via machine learning and textual/audio feedback: the case of “Quantik” -- A novel approach to 3D storyboarding -- The WebCrow French Crossword Solver -- Evaluating Touchless Haptics for Interaction with Virtual Objects. |
| Record Nr. | UNINA-9910845500103321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The new (ethno)musicologies / / edited by Henry Stobart
| The new (ethno)musicologies / / edited by Henry Stobart |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Maryland : , : Scarecrow Press, , 2008 |
| Descrizione fisica | 1 online resource (235 p.) |
| Disciplina | 780.89 |
| Collana | Europea: Ethnomusicologies and Modernities |
| Soggetto topico |
Ethnomusicology
Theory of music & musicology |
| ISBN |
979-88-8183-886-7
1-283-88213-2 1-4616-6423-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Series Editors' Foreword; Introduction; Part One: Questions Of Discipline; 1: Perspectives On Ethnomusicology; (a) A View from Musicology; (b) Why I'm Not an Ethnomusicologist: A View from Anthropology; (c) A View from Popular Music Studies: Genre Issues; 2: We are All (Ethno)musicologists Now; 3: Exorcisintgh E Ancestors?; (a) Ethnomusicology, Alterity, and Disciplinary Identity; or ""Do We Still Need an Ethno-?"" ""Do We Still Need an -ology?""; (b) Praisesong to the Ancestors and the Post-New Nuclear Family; (c) Beyond the Academy
4: Other Ethnomusicologies, Another Musicology: The Serious Play of Disciplinary Alterity Part Two: A New Ethnomusicology?; 5: Ethnomusicology, Intermusability, and Performance Practice ; 6: Toward an Ethnomusicology of Sound Experience; 7: E-Fieldwork: A Paradigm for the Twenty-first Century?; 8: New Directions in Ethnomusicology: Seven Themes toward Disciplinary Renewal; 9: Afterword; About the Contributors; Index |
| Record Nr. | UNINA-9910973984103321 |
| Lanham, Maryland : , : Scarecrow Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||