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Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910792967203321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910808523103321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||