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It’s My Party : Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong / / by Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt
| It’s My Party : Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong / / by Yiu Fai Chow, Jeroen de Kloet, Leonie Schmidt |
| Autore | Chow Yiu Fai |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (244 pages) |
| Disciplina | 320.95 |
| Altri autori (Persone) |
de KloetJeroen
SchmidtLeonie |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics |
| Soggetto topico |
Asia - Politics and government
Sociology, Urban Comparative literature Popular music Asian Politics Urban Sociology Comparative Literature Pop and Rock |
| ISBN |
9789819967100
9819967104 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Documenting the Past, Sustaining the Present, Making the Future -- Chapter 2 Colonial Nostalgia and Postcolonial Longings -- Chapter 3 The Worst of Times, The Best of Music -- Chapter 4 Forbidden Love, Forgetting Gender -- Chapter 5 It’s My Party -- Chapter 6 1+1=? - Chapter 7 We Think We Should Stop Now. |
| Record Nr. | UNINA-9910861946103321 |
Chow Yiu Fai
|
||
| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet
| Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet |
| Autore | Chow Yiu Fai |
| Pubbl/distr/stampa | Chicago, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina |
781.63095125
781.630952 |
| Altri autori (Persone) | KloetJeroen de |
| Soggetto topico |
Popular music - China - Hong Kong
Popular music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84150-761-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; List of Figures and Table; INTRODUCTION: SONIC MULTIPLICITIES; Sonic disappearances; What is going on?; Overview; Chapter 1: ME AND THE DRAGON: A LYRICAL ENGAGEMENT WITH THE POLITICS OF CHINESENESS; Nationalistic songs; Another approach; Re-nationalization I: Descendants of the dragon; Re-nationalization II: Home and nation; Re-nationalization III: Performing acts (i) - writing against the grain; Re-nationalization IV: Performing acts (ii) - writing with a twist; Shoot the dragon
Chapter 2: THE PRODUCTION OF LOCALITY IN GLOBAL POP - A COMPARATIVE STUDY OF POP FANS IN THE NETHERLANDS AND HONG KONGIntroduction; Globalization: A sense of locality; Fandom: On fans of local stars; Methodology; Production of locality: The linguistic and the heroic; Production of locality: The social, the charitable and the personal; Community; Charity; Character; Conclusion; Chapter 3: BLOWING IN THE CHINA WIND: ENGAGEMENTS WITH CHINESENESS IN HONG KONG'S ZHONGGUOFENG MUSIC VIDEOS; Destabilizing Chineseness; Feminizing Chineseness; Whither China Wind?; Chapter 4: SEX, MORALITY AND CANTOPOP Picture GateThe Edison Chen scandal; The Confucian cum Victorian ethics and the spirit of global capitalism; Spectacle and image; Eye see you as I see you; Coda; Chapter 5: BUILDING MEMORIES - A STUDY OF POP VENUES IN HONG KONG; Fluid sounds; Monumental buildings; Building memories; The Coliseum; Belonging and temporality; Chapter 6: OLYMPIC CELEBRATIONS AND PERFORMATIVE CONTESTATIONS; The constative and the performative; Welcome to Olympic Beijing; Performing Olympic China from Hong Kong; Shanghai also welcomes you!; Criticality and popular culture Chapter 7: MUSIC, DESIRE AND THE TRANSNATIONAL POLITICS OF CHINESENESS: FOLLOWING DIANAFollowing Diana; Diasporic hope: Rewriting migration narrative; Musical hope: Rewriting modernity narrative; Language; Music; Body; Methodological endnote; The flow; The bodily; The political; The personal; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910461975503321 |
|
Chow Yiu Fai
|
||
| Chicago, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet
| Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet |
| Autore | Chow Yiu Fai |
| Pubbl/distr/stampa | Chicago, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina |
781.63095125
781.630952 |
| Altri autori (Persone) | KloetJeroen de |
| Soggetto topico |
Popular music - China - Hong Kong
Popular music - Social aspects |
| ISBN | 1-84150-761-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; List of Figures and Table; INTRODUCTION: SONIC MULTIPLICITIES; Sonic disappearances; What is going on?; Overview; Chapter 1: ME AND THE DRAGON: A LYRICAL ENGAGEMENT WITH THE POLITICS OF CHINESENESS; Nationalistic songs; Another approach; Re-nationalization I: Descendants of the dragon; Re-nationalization II: Home and nation; Re-nationalization III: Performing acts (i) - writing against the grain; Re-nationalization IV: Performing acts (ii) - writing with a twist; Shoot the dragon
Chapter 2: THE PRODUCTION OF LOCALITY IN GLOBAL POP - A COMPARATIVE STUDY OF POP FANS IN THE NETHERLANDS AND HONG KONGIntroduction; Globalization: A sense of locality; Fandom: On fans of local stars; Methodology; Production of locality: The linguistic and the heroic; Production of locality: The social, the charitable and the personal; Community; Charity; Character; Conclusion; Chapter 3: BLOWING IN THE CHINA WIND: ENGAGEMENTS WITH CHINESENESS IN HONG KONG'S ZHONGGUOFENG MUSIC VIDEOS; Destabilizing Chineseness; Feminizing Chineseness; Whither China Wind?; Chapter 4: SEX, MORALITY AND CANTOPOP Picture GateThe Edison Chen scandal; The Confucian cum Victorian ethics and the spirit of global capitalism; Spectacle and image; Eye see you as I see you; Coda; Chapter 5: BUILDING MEMORIES - A STUDY OF POP VENUES IN HONG KONG; Fluid sounds; Monumental buildings; Building memories; The Coliseum; Belonging and temporality; Chapter 6: OLYMPIC CELEBRATIONS AND PERFORMATIVE CONTESTATIONS; The constative and the performative; Welcome to Olympic Beijing; Performing Olympic China from Hong Kong; Shanghai also welcomes you!; Criticality and popular culture Chapter 7: MUSIC, DESIRE AND THE TRANSNATIONAL POLITICS OF CHINESENESS: FOLLOWING DIANAFollowing Diana; Diasporic hope: Rewriting migration narrative; Musical hope: Rewriting modernity narrative; Language; Music; Body; Methodological endnote; The flow; The bodily; The political; The personal; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910786489903321 |
|
Chow Yiu Fai
|
||
| Chicago, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||