| Nota di contenuto |
Intro -- Series Editors' Preface -- An Inside Look at the Dynamic, Complex and Hybrid Chinese Society -- References -- Preface -- Contents -- List of Figures -- List of Tables -- 1 Preface -- Reference -- 2 Introduction: 'Being Present' as an Analytical Concept -- Origin and Definition -- 'Being Present' and Its Spatial-temporal Implications -- 'Social space' and 'MediaSpace' -- 'Being Present': 'Structure' and 'Action' -- 'Actor' and 'Actor-Network Theory' -- The Ritual Connotation of 'Being Present'. -- The 'Actual Existence' and 'Symbolic Existence' of 'Being Present' -- Communication and Ritual -- Research Questions and Its Meanings -- Content Composition -- A Brief Explanation for the Way of Narration -- References -- 3 Fieldwork Area and Research Methodology -- Field Research Area -- Research Methods -- Multi-sites Ethnography -- Methods and Practices -- Research Methods and Research Questions Should Be Pursued Simultaneously -- Brief Description of Other Related Methods -- References -- 4 The 'Presence' of the State and Its Reflection -- Institutional Level -- Discourse Level -- Hu Qiaomu Said that the Criticism of the Movie 'The Legend of Wu Xun' Is Very One-sided, Extreme and Crude -- References -- 5 The Historical Evolution of Mobile Cinema in the 'Great Triangle' Region -- Tour Screening -- Establishment of County-Level Screening Teams -- Translation and Explanation -- Township and Village Screening Teams -- 8.75mm Projector -- 'Slide Down from the Top' -- 'Revival' -- 'Digitalization' -- References -- 6 The Film The Serf and Its 'Identity Conferment' -- References -- 7 'The Visual Performance' of the State -- Layout of Screening Points -- Mobile Film Projection Van -- The Films -- The Content of the Films -- Regarding Film Translations into Ethnic Minority Languages -- Viewing -- References -- 8 'Transition' and Its Implications.
'Touring the Points' and 'Transition' -- 'Transition' and Its Implications -- 9 Touring with Mobile Film Screening Van -- August 8, 2011 -- August 9, 2011 -- August 10, 2011 -- August 11, 2011 -- August 12, 2011 -- August 13, 2011 -- 10 A 'Veteran Projectionist' and His Successors -- References -- 11 The Story of an Individual Projectionist -- 12 From 'Actor' to 'Film herdsman' -- 'Actor' -- 'Actor' -- 'Mediator' -- 'Network' -- 'Herding the Films' -- References -- 13 'Viewers Being Present' and Its Theoretical Implications -- 'Audience Research' and 'Audience Ethnography' -- Media Ritual and 'the Ritual View of Communication' -- References -- 14 An Investigation of the Film-Viewing Practice among Primary School Students in a Central Primary School -- Field background -- August 16, 2012 -- August 17, 2012 -- Deriving Research Questions -- Analysis -- State -- Ethnicity -- School -- Individual -- References -- 15 A Study on the Viewing of the Movies The Serf and The Silent Holy Stones -- Research Background -- Village J, Deqin County, Diqing Tibetan Autonomous Prefecture, Yunnan -- Village M, Dingqing County, Qamdo City, Tibet -- N Township, Dege County, Ganzi Tibetan Autonomous Prefecture, Sichuan -- The Serf and 'Identity Solidification' -- The Silent Holy Stones and 'Dislocation of Discourse' -- Conclusion: The Gaming of Discourse -- References -- 16 Watching Movies as a Social Activity -- References -- 17 Film Viewers as 'Interpretive Communities' -- 'Audience' and 'Interpretive Communities' -- 'Interpretative Strategies' of Film Viewers -- Replace the Unfamiliarity with the Familiarity -- 'Embarrassment' -- Reading the Images' -- 'Interpretative Strategies' Under the 'Discipline' of the System -- Rethinking 'Interpretive Communities' -- References -- 18 Conclusion: 'Being Present' and Mobile Cinema in Contemporary China -- 'Being Present'.
Mobile Cinema in Contemporary China -- References -- Postscript -- Bibliography -- Index.
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Being Present
