Beyond aesthetics : philosophical essays / / Noel Carroll |
Autore | Carroll Noel <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge, UK ; ; New York, : Cambridge University Press, 2001 |
Descrizione fisica | 1 online resource (xiv, 450 pages) : digital, PDF file(s) |
Disciplina | 111/.85 |
Soggetto topico |
Art - Philosophy
Arts - Philosophy Aesthetics |
ISBN |
1-107-12035-7
1-280-42976-3 0-511-17371-7 0-511-30216-9 0-511-60597-8 0-511-15289-2 0-521-78134-5 0-511-04602-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Foreword; Introduction; PART I : BEYOND AESTHETICS; PART II : ART, HISTORY, AND NARRATIVE; PART III : INTERPRETATION AND INTENTION; PART IV: ART, EMOTION, AND MORALITY; PART V: ALTERNATIVE TOPICS; Notes; Index |
Record Nr. | UNINA-9910819932303321 |
Carroll Noel <1947-> | ||
Cambridge, UK ; ; New York, : Cambridge University Press, 2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Comedy incarnate : Buster Keaton, physical humour and bodily coping / / Noe l Carroll |
Autore | Carroll Noel <1947-> |
Pubbl/distr/stampa | Oxford, : Blackwell, 2006 |
Descrizione fisica | 1 online resource (188 p.) |
Disciplina | 791.4372 |
Soggetto topico | Motion picture industry |
ISBN |
1-280-74893-1
9786610748938 0-470-76501-1 0-470-75493-1 1-4051-7188-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping; Contents; Acknowledgments; Introduction: The Phenomenological Background; 1 Themes of The General; 2 Style in The General; 3 Keaton, Chaplin, Lloyd, and Langdon; Summary; Appendix: Narration in Keaton's The General; Index |
Record Nr. | UNINA-9910877649003321 |
Carroll Noel <1947-> | ||
Oxford, : Blackwell, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Minerva's night out [[electronic resource] ] : philosophy, pop culture, and moving pictures / / Noel Carroll |
Autore | Carroll Noel <1947-> |
Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, c2013 |
Descrizione fisica | x, 358 p |
Disciplina | 791.4301 |
Soggetto topico |
Motion pictures - Philosophy
Popular culture - Philosophy |
ISBN |
1118322991
9781118322994 9781118322925 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910796083903321 |
Carroll Noel <1947-> | ||
Malden, MA, : Wiley-Blackwell, c2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Minerva's night out : philosophy, pop culture, and moving pictures / / Noel Carroll |
Autore | Carroll Noel <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, c2013 |
Descrizione fisica | x, 358 p |
Disciplina | 791.4301 |
Soggetto topico |
Motion pictures - Philosophy
Popular culture - Philosophy |
ISBN |
1118322991
9781118322994 9781118322925 |
Classificazione |
778
791.4301 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Minerva's Night Out: Philosophy, Pop Culture, and Moving Pictures -- Copyright -- Contents -- Acknowledgments -- Introduction: Philosophy and the Popular Arts -- Notes -- Section I The Philosophy of Mass Art -- 1 The Ontology of Mass Art -- I. The definition of mass art -- II. The ontology of mass art -- III. Objection #1: All art is multiple -- IV. Objection #2: Mass art is irrelevant -- Notes -- 2 Modernity and the Plasticity of Perception -- Notes -- 3 The Ties that Bind: Characters, the Emotions, and Popular Fictions -- The issues -- Identification -- Simulation -- Sympathy -- Mirror reflexes -- Summary -- Notes -- 4 Character, Social Information, and the Challenge of Psychology -- I. Introduction -- II. Aristotle, poetry, and character -- III. Social psychological skepticism about character -- IV. A defense of a modified version of the common view -- V. The Big Country -- VI. Summary -- Notes -- Section II The Philosophy of Motion Pictures -- 5 Movies, the Moral Emotions, and Sympathy -- I. Introduction -- II. Emotions and movies -- III. The moral emotions and the audience's response to movie characters, actions, events, and scenes -- IV. Sympathy/antipathy, morality, and the movies -- V. Concluding remarks -- Notes -- 6 The Problem with Movie Stars -- Introduction -- The problem -- Film, photography, and allusion -- The movie star as allusion -- Summary -- Notes -- 7 Cinematic Narrative -- 8 Cinematic Narration -- 9 Psychoanalysis and the Horror Film -- Notes -- References -- Section III Philosophy and Popular Film -- 10 Philosophical Insight, Emotion, and Popular Fiction: The Case of Sunset Boulevard -- Introduction -- Sunset Boulevard -- How can Sunset Boulevard be philosophical? -- Summary -- Notes -- References -- 11 Vertigo and the Pathologies of Romantic Love -- Aristotle, philosophy, and drama -- Love and fantasy.
Falling in love -- Knots -- Notes -- 12 What Mr Creosote Knows about Laughter -- To laugh, or to scream? -- Who's afraid of Mr Creosote? -- Just desserts -- Notes -- 13 Memento and the Phenomenology of Comprehending Motion Picture Narration -- Introduction -- On the possibility of movie-made philosophy -- Memento and the Art Cinema -- Memento and narrative comprehension -- Concluding remarks -- Notes -- Section IV Philosophy and Popular TV -- 14 Tales of Dread in The Twilight Zone: A Contribution to Narratology -- Introduction -- Tales of dread: some examples from The Twilight Zone -- The nature and function of Tales of Dread -- Horror fictions and tales of dread: a brief note -- Notes -- 15 Sympathy for Soprano -- Sympathy for the devil -- It was fascination -- Wish fulfillment -- Identification -- Paradox solved -- A remaining problem -- Notes -- 16 Consuming Passion: Sex and the City -- I. Introduction -- II. Consumerism -- III. Ethics and the evils of consumerism -- IV. Consumerism and the mass media -- V. Sex and the City -- VI. "A vogue idea" -- VII. Lighten up -- VIII. Summary -- Notes -- Section V Philosophy on Broadway -- 17 Art and Friendship -- Notes -- 18 Martin McDonagh's The Pillowman, or The Justification of Literature -- Notes -- Section VI Philosophy across Popular Culture -- 19 The Fear of Fear Itself: The Philosophy of Halloween -- Halloween: the festival of the wandering undead -- The paradox of halloween -- A psychoanalytic solution -- The meta-fear of fear -- 20 The Grotesque Today: Preliminary Notes toward a Taxonomy -- Notes -- 21 Andy Kaufman and the Philosophy of Interpretation -- I. Introduction -- II. Actual Intentionalism -- III. Hypothetical intentionalism -- IV. The case of Andy Kaufman -- V. Hypothetical intentionalism again: the second round -- VI . Conclusion -- Notes -- Index. |
Record Nr. | UNINA-9910822482803321 |
Carroll Noel <1947-> | ||
Malden, MA, : Wiley-Blackwell, c2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Philosophy of art : a contemporary introduction / / Noel Carroll |
Autore | Carroll Noel <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 1999 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 111/.85 |
Collana | Routledge contemporary introductions to philosophy |
Soggetto topico |
Art - Philosophy
Aesthetics |
ISBN |
1-134-72250-8
1-85506-807-9 0-203-19723-2 0-203-31951-6 1-280-18668-2 1-134-72251-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Philosophy of Art: A Contemporary Introduction; Copyright; Contents; Acknowledgments; Introduction; What Is Philosophy?; The Analytic Philosophy of Art; Analysing Concepts; Some Peculiarities of Philosophical Research; The Structure of This Book; The Aims of This Book; Chapter 1. Art and Representation; Part I Art as Representation; Art, Imitation and Representation; The Neo-representational Theory of Art; Part II What Is Representation?; Pictorial Representation; Traditional Approaches to Pictorial Representation; The Conventionalist Theory of Pictorial Representation
A Neo-naturalist Theory of Pictorial RepresentationRepresentation Across the Arts; Chapter Summary; Annotated Reading; Chapter 2. Art and Expression; Part I Art as Expression; The Expression Theory of Art; Objections to the Expression Theory of Art; Part II Theories of Expression; What Is Expression?; Expression, Exemplification and Metaphor; Some Problems with the Theory of Metaphorical Exemplification; Is Expression Always Metaphorical?; Chapter Summary; Annotated Reading; Chapter 3. Art and Form; Part I Art as Form; Formalism; Objections to Formalism; Neoformalism Part II What Is Artistic Form?Different Views of Artistic Form; Form and Function; Form and Appreciation; Chapter Summary; Annotated Reading; Chapter 4. Art and Aesthetic Experience; Part I Aesthetic Theories of Art; Art and Aesthetics; The Aesthetic Definition of Art; Two Versions of Aesthetic Experience; Objections to the Aesthetic Definition of Art; Part II The Aesthetic Dimension; Aesthetic Experience Revisited; Aesthetic Properties; Detection or Projection?; Aesthetic Experience and the Experience of Art; Chapter Summary; Annotated Reading; Chapter 5. Art, Definition and Identification Part I Against DefinitionNeo-wittgensteinianism: Art as an Open Concept; Objections to Neo-wittgensteinianism; Part II Two Contemporary Definitions of Art; The Institutional Theory of Art; Defining Art Historically; Part III Identifying Art; Definition and Identification; Identification and Historical Narration; Historical Narratives: Their Strengths and Weaknesses; Chapter Summary; Annotated Reading; Index |
Record Nr. | UNINA-9910807403403321 |
Carroll Noel <1947-> | ||
London ; ; New York, : Routledge, 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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