Analyzing classical form : an approach for the classroom / / William E. Caplin |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (759 p.) |
Disciplina | 784.18 |
Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-974718-0
0-19-998730-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
Record Nr. | UNINA-9910453103303321 |
Caplin William Earl <1948-> | ||
New York : , : Oxford University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Analyzing classical form : an approach for the classroom / / William E. Caplin |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (759 p.) |
Disciplina | 784.18 |
Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
ISBN |
0-19-974718-0
0-19-998730-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
Record Nr. | UNINA-9910790634803321 |
Caplin William Earl <1948-> | ||
New York : , : Oxford University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Analyzing classical form : an approach for the classroom / / William E. Caplin |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
Descrizione fisica | 1 online resource (759 p.) |
Disciplina | 784.18 |
Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
ISBN |
0-19-974718-0
0-19-998730-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
Record Nr. | UNINA-9910808841903321 |
Caplin William Earl <1948-> | ||
New York : , : Oxford University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | New York ; ; Oxford : , : Oxford University Press, , 1998 |
Descrizione fisica | 1 online resource (xii, 307 p.) |
Disciplina | 784.18 |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-988175-8
1-280-45264-1 0-19-535575-X 1-60256-121-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
Record Nr. | UNINA-9910458515203321 |
Caplin William Earl <1948-> | ||
New York ; ; Oxford : , : Oxford University Press, , 1998 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | New York ; ; Oxford : , : Oxford University Press, , 1998 |
Descrizione fisica | 1 online resource (xii, 307 p.) |
Disciplina | 784.18 |
Soggetto topico |
Musical form
Instrumental music - 18th century - Analysis, appreciation Instrumental music - 19th century - Analysis, appreciation Musical analysis Classicism in music Music theory - History - 20th century |
ISBN |
0-19-772766-2
0-19-988175-8 1-280-45264-1 0-19-535575-X 1-60256-121-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
Altri titoli varianti | Theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
Record Nr. | UNINA-9910784555303321 |
Caplin William Earl <1948-> | ||
New York ; ; Oxford : , : Oxford University Press, , 1998 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical form, forms & formenlehre [[electronic resource] ] : three methodological reflections / / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | Leuven, : Leuven University Press, [c2009] |
Descrizione fisica | 1 online resource (180 p.) |
Disciplina | 781.8 |
Altri autori (Persone) |
HepokoskiJames A <1946-> (James Arnold)
WebsterJames <1942-> BergéPieter |
Collana | Studies in Musical Form |
Soggetto topico | Musical form |
Soggetto genere / forma | Electronic books. |
ISBN | 94-6166-004-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.
Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. |
Record Nr. | UNINA-9910459828503321 |
Caplin William Earl <1948-> | ||
Leuven, : Leuven University Press, [c2009] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical form, forms & formenlehre [[electronic resource] ] : three methodological reflections / / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé |
Autore | Caplin William Earl <1948-> |
Pubbl/distr/stampa | Leuven, : Leuven University Press, [c2009] |
Descrizione fisica | 1 online resource (180 p.) |
Disciplina | 781.8 |
Altri autori (Persone) |
HepokoskiJames A <1946-> (James Arnold)
WebsterJames <1942-> BergéPieter |
Collana | Studies in Musical Form |
Soggetto topico | Musical form |
ISBN | 94-6166-004-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.
Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. |
Record Nr. | UNINA-9910789818803321 |
Caplin William Earl <1948-> | ||
Leuven, : Leuven University Press, [c2009] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Musical form, forms & formenlehre : three methodological reflections / / William E. Caplin, James Hepokoski, James Webster ; edited by Pieter Bergé |
Autore | Caplin William Earl <1948-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Leuven, : Leuven University Press, [c2009] |
Descrizione fisica | 1 online resource (180 p.) |
Disciplina | 781.8 |
Altri autori (Persone) |
HepokoskiJames A <1946-> (James Arnold)
WebsterJames <1942-> BergéPieter |
Collana | Studies in Musical Form |
Soggetto topico | Musical form |
ISBN | 94-6166-004-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Preface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Bergé -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin.
Part II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. Part III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Bergé -- Bibliography -- About the authors. |
Record Nr. | UNINA-9910823335803321 |
Caplin William Earl <1948-> | ||
Leuven, : Leuven University Press, [c2009] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|