Cognitive Theory and Documentary Film / / edited by Catalin Brylla, Mette Kramer |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (348 pages) : illustrations |
Disciplina | 791.4353 |
Soggetto topico |
Motion pictures
Documentary films Motion pictures - Production and direction Film Theory Documentary Film and TV Production |
ISBN | 3-319-90332-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1 Introduction: Intersecting Cognitive Theory and Documentary Film -- Part I The Mediation of Realities -- 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard’s Films -- 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory -- 4 Documentary Spectatorship and the Navigation of “Difficulty” -- 5 Docudrama and the Cognitive Evaluation of Realism -- 6 The Duties of Documentary in a Post-Truth Society -- Part II Character Engagement -- 7 Characterization and Character Engagement in the Documentary -- 8 The Difficulty of Eliciting Empathy in Documentary -- 9.Fake Pictures, Real Emotions: A Case Study of Art and Craft -- 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent Audience Responses -- 12 Slow TV: The Experiential and Multisensory Documentary -- 13 Toward a Cognitive Definition of First-Person Documentary -- 14 The Communication of Relational Knowledge in the First-Person Documentary -- Part IV Documentary Practice -- 15 A Social Cognition Approach to Stereotyping in Documentary Practice -- 16 A Cognitive Approach to Producing the Documentary Interview -- 17 Documentary Editing and Distributed Cognition. |
Record Nr. | UNINA-9910300026703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Documentary and disability / / Catalin Brylla, Helen Hughes, editors |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London, United Kingdom : , : Palgrave Macmillan, , [2017] |
Descrizione fisica | 1 online resource (xv, 299 pages) : illustrations (some color) |
Disciplina | 791.43 |
Collana | Gale eBooks |
Soggetto topico |
Documentary films - History and criticism
Disabilities in motion pictures |
ISBN | 1-137-59894-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: The Bricolage of Documentary and Disability (Catalin Brylla, Helen Hughes) -- 2. Part One: Film Practice - Chapter 2: Not Without Us – Collaborating Across Difference in Documentary Filmmaking (Samuel Avery) -- 3. Visual Psychological Anthropology and the Lived Experience of Disability (Annie Tucker, Robert Lemelson) -- 4. Valorising Disability on Screen: When did ‘Inspirational’ Become a Dirty Word? (Veronica Wain) -- 5. Spectatorship and Alternative Portrayals of Blindness (Catalin Brylla -- 6. Aberrancy and Autobiographical Documentary (Phoebe Hart) -- 7. Part Two: Representation - Chapter 7: Thomas Quasthoff and the Performativity of Disability in Michael Harder’s The Dreamer (Anna Drum, Martin Brady) -- 8. Rethinking Ability and Disability in the Work of Johan van der Keuken (Hing Tsang) -- 9. (Dis)abling the Spectator: Embodying Disability Experience in Animated Documentary (Slava Greenberg) -- 10. The Poetics of Touch: Mediating the Reality of Deafblindness in Planet of Snail (Anne-Marie Callus).- 11. Sexual Dissidence and Crip Empowerment in Yes, We Fuck! (Andrea García-Santesmases) -- 12. Part Three: Identity, Participation and Exhibition - Chapter 12: Accessing Alternative Ethical Maps of In(ter)depenent Living in Global Disability Documentary (David T. Mitchell, Sharon L. Snyder) -- 13. Interface Productions and Disability Programming for Channel 4: 1984 – 1986 (Tony Steyger, Jamie Clarke) -- 14. Disability and the Para-TV Communities of Reality Television (Anita Biressi) -- 15. Singing Altogether Now: Unsettling Images of Disability and Experimental Filmic Practices (Robert Stock).- 16. To Document is to Preserve: Moving Pictures and Sign Language (Magdalena Zdrodowska) -- 17. Documenting Neuropolitics: Cochlear Implant Activation Videos (Beate Ochsner) -- 18. On Andrew Kötting’s Mapping Perception (Helen Hughes). . |
Record Nr. | UNINA-9910733714803321 |
London, United Kingdom : , : Palgrave Macmillan, , [2017] | ||
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Lo trovi qui: Univ. Federico II | ||
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