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Millennial stages [[electronic resource] ] : essays and reviews, 2001-2005 / / Robert Brustein
| Millennial stages [[electronic resource] ] : essays and reviews, 2001-2005 / / Robert Brustein |
| Autore | Brustein Robert Sanford <1927-> |
| Pubbl/distr/stampa | New Haven, [Conn.], : Yale University Press, c2006 |
| Descrizione fisica | 1 online resource (1 online resource (xviii, 282 p.)) |
| Disciplina | 792.0973 |
| Soggetto topico |
Theater - United States
Drama - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-73510-8
9786611735104 0-300-13536-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Millennial Stages -- Front matter -- Contents -- Acknowledgments -- Introduction -- Part One: Positions and Polemics -- No Time for Comedy -- The New Relevance -- Does Theatre Matter? -- Maiming the Messenger -- Words on Fire -- The Rebirth of Political Theatre: The God of Hell; Democracy -- When Dramaturgs Ruled the Earth -- Red and Blue States of Mind: The 25th Annual Putnam County Spelling Bee; Terrorism -- Part Two: Plays and Productions -- Varieties of Histrionic Experience: Medea; The Resistible Rise of Arturo Ui -- Mind Over Material: The Invention of Love; Mnemonic -- The Jew Who Buried Hitler: The Producers -- The Harrowing of Hell: In the Penal Colony; Hamlet; and Hamlet -- Angels in Afghanistan: Homebody/Kabul -- Goat Song: The Goat, or Who Is Sylvia? -- Comedy Is Harder: Private Lives; The Underpants -- Prescient Plays: Far Away; A Number -- Clever Ladies: Imaginary Friends; Adult Entertainment -- Creations: Uncle Vanya and Twelfth Night; Take Me Out; Our Lady of 121st Street -- Dysfunctional Families, Dysgenic Dynasties: Salome; Gypsy; Long Day's Journey into Night -- Smelly Orthodoxies: A Bad Friend; I Am My Own Wife -- Shotover's Apocalypse: Omnium Gatherum; Anna in the Tropics -- Palace and Garden: Maria Stuart; House and Garden -- The Political Power of Puns: Caroline, or Change; The Beard of Avon -- A King and Two Queens: King Lear; Valhalla -- Homeboy Godot: Topdog/ Underdog; Fortune's Fool -- Pyrotechnics and Ice: Jumpers; Frozen -- The Past Revisited: The Frogs; After the Fall -- In the Jungle: Rose Rage; Hedda Gabler -- Impersonations: Monty Python's Spamalot; Orson's Shadow; Julius Caesar -- Prosecution Plays: Doubt; Romance; The Last Days of Judas Iscariot; The Pillowman; Thom Pain (Based on Nothing); The Light in the Piazza -- Theatre of the Mushy Tushy: Le dernier caravansérail (Odyssées) -- Lear's Lendings: King Lear -- Part Three: People and Places -- Marlon Brando: Contempt for Acting -- Requiem for Jan Kott -- Pieter-Dirk Uys: The Good Hope of the Cape -- Theatre in Australia: The Cultural Cringe -- Theatre in South Africa: Fronting -- MASS MoCa: A Boom in the Boonies -- Hallie Flanagan Davis and the Federal Theatre: Hallie's Comet -- Suzan-Lori Parks: Does Race Matter? -- Kenneth Tynan and Peter Brook: The Cavalier and the Roundhead -- Shakespeare in Bloom: The Two Noble Kinsmen; Henry IV; As You Like It -- George S. Kaufman: Keeping Company with Kaufman -- Shakespeare's Geography -- Primo Levi: The Saved and the Damned -- The Death of Arthur Miller -- Richard Gilman: Prisoner on the Aisle -- Laurence Olivier and Elia Kazan: The Peer and the Pariah -- Index |
| Record Nr. | UNINA-9910451653803321 |
Brustein Robert Sanford <1927->
|
||
| New Haven, [Conn.], : Yale University Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Millennial stages [[electronic resource] ] : essays and reviews, 2001-2005 / / Robert Brustein
| Millennial stages [[electronic resource] ] : essays and reviews, 2001-2005 / / Robert Brustein |
| Autore | Brustein Robert Sanford <1927-> |
| Pubbl/distr/stampa | New Haven, [Conn.], : Yale University Press, c2006 |
| Descrizione fisica | 1 online resource (1 online resource (xviii, 282 p.)) |
| Disciplina | 792.0973 |
| Soggetto topico |
Theater - United States
Drama - History and criticism |
| ISBN |
1-281-73510-8
9786611735104 0-300-13536-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Millennial Stages -- Front matter -- Contents -- Acknowledgments -- Introduction -- Part One: Positions and Polemics -- No Time for Comedy -- The New Relevance -- Does Theatre Matter? -- Maiming the Messenger -- Words on Fire -- The Rebirth of Political Theatre: The God of Hell; Democracy -- When Dramaturgs Ruled the Earth -- Red and Blue States of Mind: The 25th Annual Putnam County Spelling Bee; Terrorism -- Part Two: Plays and Productions -- Varieties of Histrionic Experience: Medea; The Resistible Rise of Arturo Ui -- Mind Over Material: The Invention of Love; Mnemonic -- The Jew Who Buried Hitler: The Producers -- The Harrowing of Hell: In the Penal Colony; Hamlet; and Hamlet -- Angels in Afghanistan: Homebody/Kabul -- Goat Song: The Goat, or Who Is Sylvia? -- Comedy Is Harder: Private Lives; The Underpants -- Prescient Plays: Far Away; A Number -- Clever Ladies: Imaginary Friends; Adult Entertainment -- Creations: Uncle Vanya and Twelfth Night; Take Me Out; Our Lady of 121st Street -- Dysfunctional Families, Dysgenic Dynasties: Salome; Gypsy; Long Day's Journey into Night -- Smelly Orthodoxies: A Bad Friend; I Am My Own Wife -- Shotover's Apocalypse: Omnium Gatherum; Anna in the Tropics -- Palace and Garden: Maria Stuart; House and Garden -- The Political Power of Puns: Caroline, or Change; The Beard of Avon -- A King and Two Queens: King Lear; Valhalla -- Homeboy Godot: Topdog/ Underdog; Fortune's Fool -- Pyrotechnics and Ice: Jumpers; Frozen -- The Past Revisited: The Frogs; After the Fall -- In the Jungle: Rose Rage; Hedda Gabler -- Impersonations: Monty Python's Spamalot; Orson's Shadow; Julius Caesar -- Prosecution Plays: Doubt; Romance; The Last Days of Judas Iscariot; The Pillowman; Thom Pain (Based on Nothing); The Light in the Piazza -- Theatre of the Mushy Tushy: Le dernier caravansérail (Odyssées) -- Lear's Lendings: King Lear -- Part Three: People and Places -- Marlon Brando: Contempt for Acting -- Requiem for Jan Kott -- Pieter-Dirk Uys: The Good Hope of the Cape -- Theatre in Australia: The Cultural Cringe -- Theatre in South Africa: Fronting -- MASS MoCa: A Boom in the Boonies -- Hallie Flanagan Davis and the Federal Theatre: Hallie's Comet -- Suzan-Lori Parks: Does Race Matter? -- Kenneth Tynan and Peter Brook: The Cavalier and the Roundhead -- Shakespeare in Bloom: The Two Noble Kinsmen; Henry IV; As You Like It -- George S. Kaufman: Keeping Company with Kaufman -- Shakespeare's Geography -- Primo Levi: The Saved and the Damned -- The Death of Arthur Miller -- Richard Gilman: Prisoner on the Aisle -- Laurence Olivier and Elia Kazan: The Peer and the Pariah -- Index |
| Record Nr. | UNINA-9910777811103321 |
|
Brustein Robert Sanford <1927->
|
||
| New Haven, [Conn.], : Yale University Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Millennial stages : essays and reviews, 2001-2005 / / Robert Brustein
| Millennial stages : essays and reviews, 2001-2005 / / Robert Brustein |
| Autore | Brustein Robert Sanford <1927-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New Haven, [Conn.], : Yale University Press, c2006 |
| Descrizione fisica | 1 online resource (1 online resource (xviii, 282 p.)) |
| Disciplina | 792.0973 |
| Soggetto topico |
Theater - United States
Drama - History and criticism |
| ISBN |
1-281-73510-8
9786611735104 0-300-13536-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Millennial Stages -- Front matter -- Contents -- Acknowledgments -- Introduction -- Part One: Positions and Polemics -- No Time for Comedy -- The New Relevance -- Does Theatre Matter? -- Maiming the Messenger -- Words on Fire -- The Rebirth of Political Theatre: The God of Hell; Democracy -- When Dramaturgs Ruled the Earth -- Red and Blue States of Mind: The 25th Annual Putnam County Spelling Bee; Terrorism -- Part Two: Plays and Productions -- Varieties of Histrionic Experience: Medea; The Resistible Rise of Arturo Ui -- Mind Over Material: The Invention of Love; Mnemonic -- The Jew Who Buried Hitler: The Producers -- The Harrowing of Hell: In the Penal Colony; Hamlet; and Hamlet -- Angels in Afghanistan: Homebody/Kabul -- Goat Song: The Goat, or Who Is Sylvia? -- Comedy Is Harder: Private Lives; The Underpants -- Prescient Plays: Far Away; A Number -- Clever Ladies: Imaginary Friends; Adult Entertainment -- Creations: Uncle Vanya and Twelfth Night; Take Me Out; Our Lady of 121st Street -- Dysfunctional Families, Dysgenic Dynasties: Salome; Gypsy; Long Day's Journey into Night -- Smelly Orthodoxies: A Bad Friend; I Am My Own Wife -- Shotover's Apocalypse: Omnium Gatherum; Anna in the Tropics -- Palace and Garden: Maria Stuart; House and Garden -- The Political Power of Puns: Caroline, or Change; The Beard of Avon -- A King and Two Queens: King Lear; Valhalla -- Homeboy Godot: Topdog/ Underdog; Fortune's Fool -- Pyrotechnics and Ice: Jumpers; Frozen -- The Past Revisited: The Frogs; After the Fall -- In the Jungle: Rose Rage; Hedda Gabler -- Impersonations: Monty Python's Spamalot; Orson's Shadow; Julius Caesar -- Prosecution Plays: Doubt; Romance; The Last Days of Judas Iscariot; The Pillowman; Thom Pain (Based on Nothing); The Light in the Piazza -- Theatre of the Mushy Tushy: Le dernier caravansérail (Odyssées) -- Lear's Lendings: King Lear -- Part Three: People and Places -- Marlon Brando: Contempt for Acting -- Requiem for Jan Kott -- Pieter-Dirk Uys: The Good Hope of the Cape -- Theatre in Australia: The Cultural Cringe -- Theatre in South Africa: Fronting -- MASS MoCa: A Boom in the Boonies -- Hallie Flanagan Davis and the Federal Theatre: Hallie's Comet -- Suzan-Lori Parks: Does Race Matter? -- Kenneth Tynan and Peter Brook: The Cavalier and the Roundhead -- Shakespeare in Bloom: The Two Noble Kinsmen; Henry IV; As You Like It -- George S. Kaufman: Keeping Company with Kaufman -- Shakespeare's Geography -- Primo Levi: The Saved and the Damned -- The Death of Arthur Miller -- Richard Gilman: Prisoner on the Aisle -- Laurence Olivier and Elia Kazan: The Peer and the Pariah -- Index |
| Record Nr. | UNINA-9910811980303321 |
|
Brustein Robert Sanford <1927->
|
||
| New Haven, [Conn.], : Yale University Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||