The science of sound recording / / Jay Kadis |
Autore | Kadis Jay. |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier/Focal Press, , 2012 |
Descrizione fisica | 1 online resource (250 p.) |
Disciplina |
621.3828
621.3893 |
Altri autori (Persone) | BrownPat <1957-> |
Soggetto topico |
Sound - Recording and reproducing
Acoustical engineering |
Soggetto genere / forma | Electronic books. |
ISBN |
1-136-12597-3
1-136-12598-1 1-280-58122-0 9786613611000 0-240-82364-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE SCIENCE OF SOUND RECORDING; Copyright; CONTENTS; INTRODUCTION; CHAPTER ONE Mathematics and the Measurement of Sound; MATHEMATICS; SINUSOIDS; LOGARITHMS AND EXPONENTS; VECTORS; POLAR COORDINATES; COMPLEX NUMBERS; CALCULUS; STATISTICS; UNITS OF MEASURE; CHAPTER TWO Physics; NEWTON'S LAWS OF MECHANICS; THERMODYNAMICS; ELECTROMAGNETISM; WORK AND ENERGY; RESONANCE AND HARMONIC MOTION; THE WAVE EQUATION; SUPERPOSITION; SUGGESTED READING; CHAPTER THREE Sound; THE PHYSICS OF SOUND; THE PHYSICS OF GASES; SOUND PROPAGATION; SOUND REFRACTION AND DIFFRACTION; ACOUSTICS
ROOM MODES OF REFLECTIONSUGGESTED READING; CHAPTER FOUR Hearing; THE AUDITORY SYSTEM; COCHLEAR PHYSIOLOGY; PERCEPTION OF SOUND; REFERENCES; SUGGESTED READING; CHAPTER FIVE Electronics; BASIC ELECTRICITY; PASSIVE ELECTRONIC DEVICES; ACTIVE ELECTRONIC DEVICES; SUGGESTED READING; CHAPTER SIX Microphones; DYNAMIC MICROPHONES; CAPACITOR MICROPHONES; SPATIAL SENSITIVITY; MICROPHONE SPECIFICATIONS; MULTIPLE-MICROPHONE TECHNIQUES; SUGGESTED READING; CHAPTER SEVEN Analog Signal Processing; IMPEDANCE MATCHING; SHIELDING; THE BALANCED LINE; GROUNDING; LINEAR AMPLIFIERS; NONLINEAR AMPLIFIERS DYNAMIC RANGE PROCESSORSEQUALIZERS; MIXING CONSOLES; SUGGESTED READING; CHAPTER EIGHT Analog Recorders; MAGNETISM; THE PHYSICS OF MAGNETIC RECORDING; THE INTERACTION OF HEAD AND TAPE; SOURCES OF NOISE; NOISE REDUCTION SYSTEMS; TAPE RECORDERS; RECORDER ALIGNMENT; SUGGESTED READING; CHAPTER NINE Digital Audio Recording and Processing; THE BINARY NUMBER SYSTEM; COMPUTERS AND TIME; DIGITAL AUDIO: THE THEORY; SAMPLING: QUANTIZATION; SAMPLING: TIMING; ANALOG-TO-DIGITAL CONVERSION; DIGITAL-TO-ANALOG CONVERSION; DIGITAL AUDIO INTERCONNECTION; DIGITAL RECORDING; DIGITAL SIGNAL PROCESSING DIGITAL FILE DISTRIBUTIONSUGGESTED READING; CHAPTER TEN Monitoring, Mixing, and Mastering; MONITORING; LOUDSPEAKER DRIVERS; SPEAKER CABINETS; LOUDSPEAKER-ROOM INTERACTIONS; MIXING; MASTERING; SUGGESTED READING; APPENDIX 1; INDEX; Additional Reference Material; CHAPTER FORTY-SIX Test and Measurement; 46.1. TEST AND MEASUREMENT; 46.1.1. Why Test?; 46.2. ELECTRICAL TESTING; 46.3. ACOUSTICAL TESTING; 46.3.1. Sound Level Measurements; 46.3.1.1. Conclusion; 46.3.2. Detailed Sound Measurements; 46.3.2.1. Sound Persistence in Enclosed Spaces; 46.3.2.2. Amplitude versus Time 46.3.2.3. The Transfer Function46.3.3. Measurement Systems; 46.3.3.1. Alternate Perspectives; 46.3.4. Testing Methods; 46.3.4.1. FFT Measurements; 46.3.4.2. Dual-Channel FFT; 46.3.4.3. Maximum-Length Sequence; 46.3.4.4. Time-Delay Spectrometry (TDS); 46.3.5. Preparation; 46.3.5.1. Dissecting the Impulse Response; 46.3.5.2. The Envelope-Time Curve; 46.3.5.3. A Global Look; 46.3.5.4. Time Window Length; 46.3.5.5. Acoustic Wavelengths; 46.3.5.6. Microphone Placement; 46.3.5.7. Estimate the Critical Distance DC; 46.3.5.8. Common Factors to All Measurement Systems; 46.3.5.9. Data Windows 46.3.5.10. A Methodical Approach |
Record Nr. | UNINA-9910457489403321 |
Kadis Jay.
![]() |
||
Waltham, Mass. : , : Elsevier/Focal Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The science of sound recording / / Jay Kadis |
Autore | Kadis Jay. |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier/Focal Press, , 2012 |
Descrizione fisica | 1 online resource (250 p.) |
Disciplina |
621.3828
621.3893 |
Altri autori (Persone) | BrownPat <1957-> |
Soggetto topico |
Sound - Recording and reproducing
Acoustical engineering |
ISBN |
1-136-12597-3
1-136-12598-1 1-280-58122-0 9786613611000 0-240-82364-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE SCIENCE OF SOUND RECORDING; Copyright; CONTENTS; INTRODUCTION; CHAPTER ONE Mathematics and the Measurement of Sound; MATHEMATICS; SINUSOIDS; LOGARITHMS AND EXPONENTS; VECTORS; POLAR COORDINATES; COMPLEX NUMBERS; CALCULUS; STATISTICS; UNITS OF MEASURE; CHAPTER TWO Physics; NEWTON'S LAWS OF MECHANICS; THERMODYNAMICS; ELECTROMAGNETISM; WORK AND ENERGY; RESONANCE AND HARMONIC MOTION; THE WAVE EQUATION; SUPERPOSITION; SUGGESTED READING; CHAPTER THREE Sound; THE PHYSICS OF SOUND; THE PHYSICS OF GASES; SOUND PROPAGATION; SOUND REFRACTION AND DIFFRACTION; ACOUSTICS
ROOM MODES OF REFLECTIONSUGGESTED READING; CHAPTER FOUR Hearing; THE AUDITORY SYSTEM; COCHLEAR PHYSIOLOGY; PERCEPTION OF SOUND; REFERENCES; SUGGESTED READING; CHAPTER FIVE Electronics; BASIC ELECTRICITY; PASSIVE ELECTRONIC DEVICES; ACTIVE ELECTRONIC DEVICES; SUGGESTED READING; CHAPTER SIX Microphones; DYNAMIC MICROPHONES; CAPACITOR MICROPHONES; SPATIAL SENSITIVITY; MICROPHONE SPECIFICATIONS; MULTIPLE-MICROPHONE TECHNIQUES; SUGGESTED READING; CHAPTER SEVEN Analog Signal Processing; IMPEDANCE MATCHING; SHIELDING; THE BALANCED LINE; GROUNDING; LINEAR AMPLIFIERS; NONLINEAR AMPLIFIERS DYNAMIC RANGE PROCESSORSEQUALIZERS; MIXING CONSOLES; SUGGESTED READING; CHAPTER EIGHT Analog Recorders; MAGNETISM; THE PHYSICS OF MAGNETIC RECORDING; THE INTERACTION OF HEAD AND TAPE; SOURCES OF NOISE; NOISE REDUCTION SYSTEMS; TAPE RECORDERS; RECORDER ALIGNMENT; SUGGESTED READING; CHAPTER NINE Digital Audio Recording and Processing; THE BINARY NUMBER SYSTEM; COMPUTERS AND TIME; DIGITAL AUDIO: THE THEORY; SAMPLING: QUANTIZATION; SAMPLING: TIMING; ANALOG-TO-DIGITAL CONVERSION; DIGITAL-TO-ANALOG CONVERSION; DIGITAL AUDIO INTERCONNECTION; DIGITAL RECORDING; DIGITAL SIGNAL PROCESSING DIGITAL FILE DISTRIBUTIONSUGGESTED READING; CHAPTER TEN Monitoring, Mixing, and Mastering; MONITORING; LOUDSPEAKER DRIVERS; SPEAKER CABINETS; LOUDSPEAKER-ROOM INTERACTIONS; MIXING; MASTERING; SUGGESTED READING; APPENDIX 1; INDEX; Additional Reference Material; CHAPTER FORTY-SIX Test and Measurement; 46.1. TEST AND MEASUREMENT; 46.1.1. Why Test?; 46.2. ELECTRICAL TESTING; 46.3. ACOUSTICAL TESTING; 46.3.1. Sound Level Measurements; 46.3.1.1. Conclusion; 46.3.2. Detailed Sound Measurements; 46.3.2.1. Sound Persistence in Enclosed Spaces; 46.3.2.2. Amplitude versus Time 46.3.2.3. The Transfer Function46.3.3. Measurement Systems; 46.3.3.1. Alternate Perspectives; 46.3.4. Testing Methods; 46.3.4.1. FFT Measurements; 46.3.4.2. Dual-Channel FFT; 46.3.4.3. Maximum-Length Sequence; 46.3.4.4. Time-Delay Spectrometry (TDS); 46.3.5. Preparation; 46.3.5.1. Dissecting the Impulse Response; 46.3.5.2. The Envelope-Time Curve; 46.3.5.3. A Global Look; 46.3.5.4. Time Window Length; 46.3.5.5. Acoustic Wavelengths; 46.3.5.6. Microphone Placement; 46.3.5.7. Estimate the Critical Distance DC; 46.3.5.8. Common Factors to All Measurement Systems; 46.3.5.9. Data Windows 46.3.5.10. A Methodical Approach |
Record Nr. | UNINA-9910779048403321 |
Kadis Jay.
![]() |
||
Waltham, Mass. : , : Elsevier/Focal Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The science of sound recording / / Jay Kadis |
Autore | Kadis Jay. |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier/Focal Press, , 2012 |
Descrizione fisica | 1 online resource (250 p.) |
Disciplina |
621.3828
621.3893 |
Altri autori (Persone) | BrownPat <1957-> |
Soggetto topico |
Sound - Recording and reproducing
Acoustical engineering |
ISBN |
1-136-12597-3
1-136-12598-1 1-280-58122-0 9786613611000 0-240-82364-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE SCIENCE OF SOUND RECORDING; Copyright; CONTENTS; INTRODUCTION; CHAPTER ONE Mathematics and the Measurement of Sound; MATHEMATICS; SINUSOIDS; LOGARITHMS AND EXPONENTS; VECTORS; POLAR COORDINATES; COMPLEX NUMBERS; CALCULUS; STATISTICS; UNITS OF MEASURE; CHAPTER TWO Physics; NEWTON'S LAWS OF MECHANICS; THERMODYNAMICS; ELECTROMAGNETISM; WORK AND ENERGY; RESONANCE AND HARMONIC MOTION; THE WAVE EQUATION; SUPERPOSITION; SUGGESTED READING; CHAPTER THREE Sound; THE PHYSICS OF SOUND; THE PHYSICS OF GASES; SOUND PROPAGATION; SOUND REFRACTION AND DIFFRACTION; ACOUSTICS
ROOM MODES OF REFLECTIONSUGGESTED READING; CHAPTER FOUR Hearing; THE AUDITORY SYSTEM; COCHLEAR PHYSIOLOGY; PERCEPTION OF SOUND; REFERENCES; SUGGESTED READING; CHAPTER FIVE Electronics; BASIC ELECTRICITY; PASSIVE ELECTRONIC DEVICES; ACTIVE ELECTRONIC DEVICES; SUGGESTED READING; CHAPTER SIX Microphones; DYNAMIC MICROPHONES; CAPACITOR MICROPHONES; SPATIAL SENSITIVITY; MICROPHONE SPECIFICATIONS; MULTIPLE-MICROPHONE TECHNIQUES; SUGGESTED READING; CHAPTER SEVEN Analog Signal Processing; IMPEDANCE MATCHING; SHIELDING; THE BALANCED LINE; GROUNDING; LINEAR AMPLIFIERS; NONLINEAR AMPLIFIERS DYNAMIC RANGE PROCESSORSEQUALIZERS; MIXING CONSOLES; SUGGESTED READING; CHAPTER EIGHT Analog Recorders; MAGNETISM; THE PHYSICS OF MAGNETIC RECORDING; THE INTERACTION OF HEAD AND TAPE; SOURCES OF NOISE; NOISE REDUCTION SYSTEMS; TAPE RECORDERS; RECORDER ALIGNMENT; SUGGESTED READING; CHAPTER NINE Digital Audio Recording and Processing; THE BINARY NUMBER SYSTEM; COMPUTERS AND TIME; DIGITAL AUDIO: THE THEORY; SAMPLING: QUANTIZATION; SAMPLING: TIMING; ANALOG-TO-DIGITAL CONVERSION; DIGITAL-TO-ANALOG CONVERSION; DIGITAL AUDIO INTERCONNECTION; DIGITAL RECORDING; DIGITAL SIGNAL PROCESSING DIGITAL FILE DISTRIBUTIONSUGGESTED READING; CHAPTER TEN Monitoring, Mixing, and Mastering; MONITORING; LOUDSPEAKER DRIVERS; SPEAKER CABINETS; LOUDSPEAKER-ROOM INTERACTIONS; MIXING; MASTERING; SUGGESTED READING; APPENDIX 1; INDEX; Additional Reference Material; CHAPTER FORTY-SIX Test and Measurement; 46.1. TEST AND MEASUREMENT; 46.1.1. Why Test?; 46.2. ELECTRICAL TESTING; 46.3. ACOUSTICAL TESTING; 46.3.1. Sound Level Measurements; 46.3.1.1. Conclusion; 46.3.2. Detailed Sound Measurements; 46.3.2.1. Sound Persistence in Enclosed Spaces; 46.3.2.2. Amplitude versus Time 46.3.2.3. The Transfer Function46.3.3. Measurement Systems; 46.3.3.1. Alternate Perspectives; 46.3.4. Testing Methods; 46.3.4.1. FFT Measurements; 46.3.4.2. Dual-Channel FFT; 46.3.4.3. Maximum-Length Sequence; 46.3.4.4. Time-Delay Spectrometry (TDS); 46.3.5. Preparation; 46.3.5.1. Dissecting the Impulse Response; 46.3.5.2. The Envelope-Time Curve; 46.3.5.3. A Global Look; 46.3.5.4. Time Window Length; 46.3.5.5. Acoustic Wavelengths; 46.3.5.6. Microphone Placement; 46.3.5.7. Estimate the Critical Distance DC; 46.3.5.8. Common Factors to All Measurement Systems; 46.3.5.9. Data Windows 46.3.5.10. A Methodical Approach |
Record Nr. | UNINA-9910800094403321 |
Kadis Jay.
![]() |
||
Waltham, Mass. : , : Elsevier/Focal Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The science of sound recording / / Jay Kadis |
Autore | Kadis Jay. |
Edizione | [1st edition] |
Pubbl/distr/stampa | Waltham, Mass. : , : Elsevier/Focal Press, , 2012 |
Descrizione fisica | 1 online resource (250 p.) |
Disciplina |
621.3828
621.3893 |
Altri autori (Persone) | BrownPat <1957-> |
Soggetto topico |
Sound - Recording and reproducing
Acoustical engineering |
ISBN |
1-136-12597-3
1-136-12598-1 1-280-58122-0 9786613611000 0-240-82364-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; THE SCIENCE OF SOUND RECORDING; Copyright; CONTENTS; INTRODUCTION; CHAPTER ONE Mathematics and the Measurement of Sound; MATHEMATICS; SINUSOIDS; LOGARITHMS AND EXPONENTS; VECTORS; POLAR COORDINATES; COMPLEX NUMBERS; CALCULUS; STATISTICS; UNITS OF MEASURE; CHAPTER TWO Physics; NEWTON'S LAWS OF MECHANICS; THERMODYNAMICS; ELECTROMAGNETISM; WORK AND ENERGY; RESONANCE AND HARMONIC MOTION; THE WAVE EQUATION; SUPERPOSITION; SUGGESTED READING; CHAPTER THREE Sound; THE PHYSICS OF SOUND; THE PHYSICS OF GASES; SOUND PROPAGATION; SOUND REFRACTION AND DIFFRACTION; ACOUSTICS
ROOM MODES OF REFLECTIONSUGGESTED READING; CHAPTER FOUR Hearing; THE AUDITORY SYSTEM; COCHLEAR PHYSIOLOGY; PERCEPTION OF SOUND; REFERENCES; SUGGESTED READING; CHAPTER FIVE Electronics; BASIC ELECTRICITY; PASSIVE ELECTRONIC DEVICES; ACTIVE ELECTRONIC DEVICES; SUGGESTED READING; CHAPTER SIX Microphones; DYNAMIC MICROPHONES; CAPACITOR MICROPHONES; SPATIAL SENSITIVITY; MICROPHONE SPECIFICATIONS; MULTIPLE-MICROPHONE TECHNIQUES; SUGGESTED READING; CHAPTER SEVEN Analog Signal Processing; IMPEDANCE MATCHING; SHIELDING; THE BALANCED LINE; GROUNDING; LINEAR AMPLIFIERS; NONLINEAR AMPLIFIERS DYNAMIC RANGE PROCESSORSEQUALIZERS; MIXING CONSOLES; SUGGESTED READING; CHAPTER EIGHT Analog Recorders; MAGNETISM; THE PHYSICS OF MAGNETIC RECORDING; THE INTERACTION OF HEAD AND TAPE; SOURCES OF NOISE; NOISE REDUCTION SYSTEMS; TAPE RECORDERS; RECORDER ALIGNMENT; SUGGESTED READING; CHAPTER NINE Digital Audio Recording and Processing; THE BINARY NUMBER SYSTEM; COMPUTERS AND TIME; DIGITAL AUDIO: THE THEORY; SAMPLING: QUANTIZATION; SAMPLING: TIMING; ANALOG-TO-DIGITAL CONVERSION; DIGITAL-TO-ANALOG CONVERSION; DIGITAL AUDIO INTERCONNECTION; DIGITAL RECORDING; DIGITAL SIGNAL PROCESSING DIGITAL FILE DISTRIBUTIONSUGGESTED READING; CHAPTER TEN Monitoring, Mixing, and Mastering; MONITORING; LOUDSPEAKER DRIVERS; SPEAKER CABINETS; LOUDSPEAKER-ROOM INTERACTIONS; MIXING; MASTERING; SUGGESTED READING; APPENDIX 1; INDEX; Additional Reference Material; CHAPTER FORTY-SIX Test and Measurement; 46.1. TEST AND MEASUREMENT; 46.1.1. Why Test?; 46.2. ELECTRICAL TESTING; 46.3. ACOUSTICAL TESTING; 46.3.1. Sound Level Measurements; 46.3.1.1. Conclusion; 46.3.2. Detailed Sound Measurements; 46.3.2.1. Sound Persistence in Enclosed Spaces; 46.3.2.2. Amplitude versus Time 46.3.2.3. The Transfer Function46.3.3. Measurement Systems; 46.3.3.1. Alternate Perspectives; 46.3.4. Testing Methods; 46.3.4.1. FFT Measurements; 46.3.4.2. Dual-Channel FFT; 46.3.4.3. Maximum-Length Sequence; 46.3.4.4. Time-Delay Spectrometry (TDS); 46.3.5. Preparation; 46.3.5.1. Dissecting the Impulse Response; 46.3.5.2. The Envelope-Time Curve; 46.3.5.3. A Global Look; 46.3.5.4. Time Window Length; 46.3.5.5. Acoustic Wavelengths; 46.3.5.6. Microphone Placement; 46.3.5.7. Estimate the Critical Distance DC; 46.3.5.8. Common Factors to All Measurement Systems; 46.3.5.9. Data Windows 46.3.5.10. A Methodical Approach |
Record Nr. | UNINA-9910817466703321 |
Kadis Jay.
![]() |
||
Waltham, Mass. : , : Elsevier/Focal Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Sound system engineering [[electronic resource]] / Don Davis, Eugene Patronis, Jr., Pat Brown ; edited by Glen Ballou |
Autore | Davis Don <1928-> |
Edizione | [4th ed.] |
Pubbl/distr/stampa | Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 |
Descrizione fisica | 1 online resource (644 p.) |
Disciplina |
621.389/3
621.3893 |
Altri autori (Persone) |
PatronisEugene, Jr.
BrownPat <1957-> BallouGlen |
Soggetto topico |
Sound - Recording and reproducing
Electro-acoustics |
Soggetto genere / forma | Electronic books. |
ISBN | 0-240-81847-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Sound System Engineering; Copyright; Contents; Preface; Chapter 1 Why Sound System Engineering?; 1.1 Prerequisites; 1.2 Basic Electrical Training; 1.3 Mathematics; 1.4 Hearing Versus Listening; 1.5 Craftsmanship; 1.6 Rigging; 1.7 Literacy; 1.8 The Art, Philosophy, and Science of Sound; 1.9 Fields; Chapter 2 Voices Out of the Past; 2.1 Significant Figures in the History of Audio and Acoustics*; 2.2 1893-The Magic Year; 2.3 Bell laboratories and Western Electric; 2.4 Harvey Fletcher (1884-1981); 2.5 Harry Nyquist (1889-1976); 2.6 The dB, dBm, and the VI; 2.7 Sound System Equalization
2.8 Acoustic Measurements-Richard C. Heyser (1931-1987)2.9 Calculators and Computers; 2.10 The Meaning of Communication; 2.11 Historical Notes; Chapter 3 Sound and Our Brain; 3.1 The Human Brain; 3.2 The Current Era; 3.3 Unexpected Validation; Chapter 4 Psychoacoustics; 4.1 Motivations; 4.2 Sound Reproduction; 4.3 Is it Better to be Born Blind or Deaf ?; 4.4 Recording Sound at the Eardrum; 4.5 Psychoacoustics via a Metaphysical Foundation; 4.6 Barks, Bands, Equivalent Rectangular Bandwidths (ERBs), Phons and Sones; Chapter 5 Digital Theory; 5.1 Shannon's Theory; 5.2 Dynamic Range 5.3 The Steps from Art to Science5.4 Moravec's Warning; 5.5 Digital Nomenclature; 5.6 What Is a Bit of Data?; 5.7 Bayesian Theory; 5.8 Planck System; 5.9 Bits, Nats, and Bans; 5.10 A Communication System; 5.11 Holography; Chapter 6 Mathematics for Audio Systems; 6.1 Engineering Calculations; 6.2 Precision, Accuracy, and Resolution; 6.3 Simple Numbers; 6.4 How to Add Gains and Losses Algebraically; 6.5 The Factor-Label System; 6.6 Basic Physical Terms; 6.7 Mathematical Operations; 6.8 Complex Number Operations; 6.9 Decade Calibration; 6.10 Converting Linear Scales to Logarithmic Scales 6.11 Finding the Renard Series for Fractional Octave Spacing6.12 Radians and Steradians; 6.13 Calculating Percentages and Ratios; 6.14 Useful Math Tables; 6.15 Angles; 6.16 A Little Trigonometry; 6.17 The Origin of the Base of the Natural Logarithm, e; 6.18 The Complex Plane; 6.19 Euler's Theorem; 6.20 Examples; 6.21 Phasors; 6.22 Rates of Change; Chapter 7 Using the Decibel; 7.1 The Decibel; 7.2 The Neper; 7.3 Concepts Underlying the Decibel and Its Use in Sound Systems; 7.4 Measuring Electrical Power; 7.5 Levels in dB; 7.6 The Decibel in Acoustics-LP, LW, and LI 7.7 Acoustic Intensity Level (LI), Acoustic Power Level (LW), and Acoustic Pressure Level (LP)7.8 Inverse Square Law; 7.9 Directivity Factor; 7.10 Ohm's Law; 7.11 A Decibel Is a Decibel Is a Decibel; 7.12 The Equivalent Level (LEQ) in Noise Measurements; 7.13 Combining Decibels; 7.14 Combining Voltage; 7.15 Using the Log Charts; 7.16 Finding the Logarithm of a Number to Any Base; 7.17 Semitone Intervals; 7.18 System Gain Changes; 7.19 The VU and the VI Instrument; 7.20 Calculating the Number of Decades in a Frequency Span; 7.21 Deflection of the Eardrum at Various Sound Levels; 7.22 The Phon 7.23 The Tempered Scale |
Record Nr. | UNINA-9910462928803321 |
Davis Don <1928->
![]() |
||
Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Sound system engineering [[electronic resource]] / Don Davis, Eugene Patronis, Jr., Pat Brown ; edited by Glen Ballou |
Autore | Davis Don <1928-> |
Edizione | [4th ed.] |
Pubbl/distr/stampa | Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 |
Descrizione fisica | 1 online resource (644 p.) |
Disciplina |
621.389/3
621.3893 |
Altri autori (Persone) |
PatronisEugene, Jr.
BrownPat <1957-> BallouGlen |
Soggetto topico |
Sound - Recording and reproducing
Electro-acoustics |
ISBN | 0-240-81847-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Sound System Engineering; Copyright; Contents; Preface; Chapter 1 Why Sound System Engineering?; 1.1 Prerequisites; 1.2 Basic Electrical Training; 1.3 Mathematics; 1.4 Hearing Versus Listening; 1.5 Craftsmanship; 1.6 Rigging; 1.7 Literacy; 1.8 The Art, Philosophy, and Science of Sound; 1.9 Fields; Chapter 2 Voices Out of the Past; 2.1 Significant Figures in the History of Audio and Acoustics*; 2.2 1893-The Magic Year; 2.3 Bell laboratories and Western Electric; 2.4 Harvey Fletcher (1884-1981); 2.5 Harry Nyquist (1889-1976); 2.6 The dB, dBm, and the VI; 2.7 Sound System Equalization
2.8 Acoustic Measurements-Richard C. Heyser (1931-1987)2.9 Calculators and Computers; 2.10 The Meaning of Communication; 2.11 Historical Notes; Chapter 3 Sound and Our Brain; 3.1 The Human Brain; 3.2 The Current Era; 3.3 Unexpected Validation; Chapter 4 Psychoacoustics; 4.1 Motivations; 4.2 Sound Reproduction; 4.3 Is it Better to be Born Blind or Deaf ?; 4.4 Recording Sound at the Eardrum; 4.5 Psychoacoustics via a Metaphysical Foundation; 4.6 Barks, Bands, Equivalent Rectangular Bandwidths (ERBs), Phons and Sones; Chapter 5 Digital Theory; 5.1 Shannon's Theory; 5.2 Dynamic Range 5.3 The Steps from Art to Science5.4 Moravec's Warning; 5.5 Digital Nomenclature; 5.6 What Is a Bit of Data?; 5.7 Bayesian Theory; 5.8 Planck System; 5.9 Bits, Nats, and Bans; 5.10 A Communication System; 5.11 Holography; Chapter 6 Mathematics for Audio Systems; 6.1 Engineering Calculations; 6.2 Precision, Accuracy, and Resolution; 6.3 Simple Numbers; 6.4 How to Add Gains and Losses Algebraically; 6.5 The Factor-Label System; 6.6 Basic Physical Terms; 6.7 Mathematical Operations; 6.8 Complex Number Operations; 6.9 Decade Calibration; 6.10 Converting Linear Scales to Logarithmic Scales 6.11 Finding the Renard Series for Fractional Octave Spacing6.12 Radians and Steradians; 6.13 Calculating Percentages and Ratios; 6.14 Useful Math Tables; 6.15 Angles; 6.16 A Little Trigonometry; 6.17 The Origin of the Base of the Natural Logarithm, e; 6.18 The Complex Plane; 6.19 Euler's Theorem; 6.20 Examples; 6.21 Phasors; 6.22 Rates of Change; Chapter 7 Using the Decibel; 7.1 The Decibel; 7.2 The Neper; 7.3 Concepts Underlying the Decibel and Its Use in Sound Systems; 7.4 Measuring Electrical Power; 7.5 Levels in dB; 7.6 The Decibel in Acoustics-LP, LW, and LI 7.7 Acoustic Intensity Level (LI), Acoustic Power Level (LW), and Acoustic Pressure Level (LP)7.8 Inverse Square Law; 7.9 Directivity Factor; 7.10 Ohm's Law; 7.11 A Decibel Is a Decibel Is a Decibel; 7.12 The Equivalent Level (LEQ) in Noise Measurements; 7.13 Combining Decibels; 7.14 Combining Voltage; 7.15 Using the Log Charts; 7.16 Finding the Logarithm of a Number to Any Base; 7.17 Semitone Intervals; 7.18 System Gain Changes; 7.19 The VU and the VI Instrument; 7.20 Calculating the Number of Decades in a Frequency Span; 7.21 Deflection of the Eardrum at Various Sound Levels; 7.22 The Phon 7.23 The Tempered Scale |
Record Nr. | UNINA-9910786943203321 |
Davis Don <1928->
![]() |
||
Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Sound system engineering [[electronic resource]] / Don Davis, Eugene Patronis, Jr., Pat Brown ; edited by Glen Ballou |
Autore | Davis Don <1928-> |
Edizione | [4th ed.] |
Pubbl/distr/stampa | Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 |
Descrizione fisica | 1 online resource (644 p.) |
Disciplina |
621.389/3
621.3893 |
Altri autori (Persone) |
PatronisEugene, Jr.
BrownPat <1957-> BallouGlen |
Soggetto topico |
Sound - Recording and reproducing
Electro-acoustics |
ISBN | 0-240-81847-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Sound System Engineering; Copyright; Contents; Preface; Chapter 1 Why Sound System Engineering?; 1.1 Prerequisites; 1.2 Basic Electrical Training; 1.3 Mathematics; 1.4 Hearing Versus Listening; 1.5 Craftsmanship; 1.6 Rigging; 1.7 Literacy; 1.8 The Art, Philosophy, and Science of Sound; 1.9 Fields; Chapter 2 Voices Out of the Past; 2.1 Significant Figures in the History of Audio and Acoustics*; 2.2 1893-The Magic Year; 2.3 Bell laboratories and Western Electric; 2.4 Harvey Fletcher (1884-1981); 2.5 Harry Nyquist (1889-1976); 2.6 The dB, dBm, and the VI; 2.7 Sound System Equalization
2.8 Acoustic Measurements-Richard C. Heyser (1931-1987)2.9 Calculators and Computers; 2.10 The Meaning of Communication; 2.11 Historical Notes; Chapter 3 Sound and Our Brain; 3.1 The Human Brain; 3.2 The Current Era; 3.3 Unexpected Validation; Chapter 4 Psychoacoustics; 4.1 Motivations; 4.2 Sound Reproduction; 4.3 Is it Better to be Born Blind or Deaf ?; 4.4 Recording Sound at the Eardrum; 4.5 Psychoacoustics via a Metaphysical Foundation; 4.6 Barks, Bands, Equivalent Rectangular Bandwidths (ERBs), Phons and Sones; Chapter 5 Digital Theory; 5.1 Shannon's Theory; 5.2 Dynamic Range 5.3 The Steps from Art to Science5.4 Moravec's Warning; 5.5 Digital Nomenclature; 5.6 What Is a Bit of Data?; 5.7 Bayesian Theory; 5.8 Planck System; 5.9 Bits, Nats, and Bans; 5.10 A Communication System; 5.11 Holography; Chapter 6 Mathematics for Audio Systems; 6.1 Engineering Calculations; 6.2 Precision, Accuracy, and Resolution; 6.3 Simple Numbers; 6.4 How to Add Gains and Losses Algebraically; 6.5 The Factor-Label System; 6.6 Basic Physical Terms; 6.7 Mathematical Operations; 6.8 Complex Number Operations; 6.9 Decade Calibration; 6.10 Converting Linear Scales to Logarithmic Scales 6.11 Finding the Renard Series for Fractional Octave Spacing6.12 Radians and Steradians; 6.13 Calculating Percentages and Ratios; 6.14 Useful Math Tables; 6.15 Angles; 6.16 A Little Trigonometry; 6.17 The Origin of the Base of the Natural Logarithm, e; 6.18 The Complex Plane; 6.19 Euler's Theorem; 6.20 Examples; 6.21 Phasors; 6.22 Rates of Change; Chapter 7 Using the Decibel; 7.1 The Decibel; 7.2 The Neper; 7.3 Concepts Underlying the Decibel and Its Use in Sound Systems; 7.4 Measuring Electrical Power; 7.5 Levels in dB; 7.6 The Decibel in Acoustics-LP, LW, and LI 7.7 Acoustic Intensity Level (LI), Acoustic Power Level (LW), and Acoustic Pressure Level (LP)7.8 Inverse Square Law; 7.9 Directivity Factor; 7.10 Ohm's Law; 7.11 A Decibel Is a Decibel Is a Decibel; 7.12 The Equivalent Level (LEQ) in Noise Measurements; 7.13 Combining Decibels; 7.14 Combining Voltage; 7.15 Using the Log Charts; 7.16 Finding the Logarithm of a Number to Any Base; 7.17 Semitone Intervals; 7.18 System Gain Changes; 7.19 The VU and the VI Instrument; 7.20 Calculating the Number of Decades in a Frequency Span; 7.21 Deflection of the Eardrum at Various Sound Levels; 7.22 The Phon 7.23 The Tempered Scale |
Record Nr. | UNINA-9910825095003321 |
Davis Don <1928->
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Burlington, Mass. ; ; Oxfordshire, England, : Focal Press, c2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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