Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook
| Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook |
| Autore | Brook Clodagh J. |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina | 791.430233092 |
| Collana | Toronto Italian Studies |
| Soggetto topico | PERFORMING ARTS / Film & Video / Direction & Production |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4426-9854-3
1-4426-9855-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Note on the Text -- Acknowledgments -- 1. Auteur and Autobiography -- 2. Bellocchio's Political Cinema in the Sixties and Seventies -- 3. The Dreaming 'I': Interiority and Massimo Fagioli's Model of the Unconscious -- 4. Bellocchio's Political Cinema from the Eighties to the Present -- 5. The Rebel 'I': Patriarchy and Parents -- 6. Tradition and Its Discontents -- Notes -- Filmography of Marco Bellocchio -- Bibliography -- Index |
| Record Nr. | UNINA-9910458433203321 |
Brook Clodagh J.
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook
| Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook |
| Autore | Brook Clodagh J. |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina | 791.430233092 |
| Collana | Toronto Italian Studies |
| Soggetto topico | PERFORMING ARTS / Film & Video / Direction & Production |
| ISBN |
1-4426-9854-3
1-4426-9855-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere. |
| Record Nr. | UNINA-9910791658903321 |
Brook Clodagh J.
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook
| Marco Bellocchio : the cinematic I in the political sphere / / Clodagh J. Brook |
| Autore | Brook Clodagh J. |
| Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina | 791.430233092 |
| Collana | Toronto Italian Studies |
| Soggetto topico | PERFORMING ARTS / Film & Video / Direction & Production |
| ISBN |
1-4426-9854-3
1-4426-9855-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere. |
| Record Nr. | UNINA-9910818379203321 |
Brook Clodagh J.
|
||
| Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening Religions in Italy : Contemporary Italian Cinema and Television in the Post-secular Public Sphere / / Clodagh J. Brook
| Screening Religions in Italy : Contemporary Italian Cinema and Television in the Post-secular Public Sphere / / Clodagh J. Brook |
| Autore | Brook Clodagh J. |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2020] |
| Descrizione fisica | 1 online resource (191 pages) |
| Disciplina | 791.430945 |
| Collana | Toronto Italian Studies |
| Soggetto topico | Motion pictures - Italy |
| Soggetto non controllato |
Catholicism
Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television |
| ISBN |
1-4875-1801-3
1-4875-1800-5 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Italy, Secularization, and the Post-Secular -- 1. The Space for Religious Filmmaking: Policy and Infrastructures -- 2. The Persistence of Religion Onscreen: Icons, Rituals, and the Arts -- 3. Countercultural Catholic Values in the Public Sphere -- 4. Protest in the Public Sphere: The Shifting Line between Religious and Secular Space -- 5. Voicing the Religious Other: Assimilation, Horror, Resolution -- Conclusion: Seeing is Believing: Italian Filmmaking Looks Post-Secularism in the Eye. |
| Record Nr. | UNINA-9910793820103321 |
Brook Clodagh J.
|
||
| Toronto : , : University of Toronto Press, , [2020] | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening Religions in Italy : Contemporary Italian Cinema and Television in the Post-secular Public Sphere / / Clodagh J. Brook
| Screening Religions in Italy : Contemporary Italian Cinema and Television in the Post-secular Public Sphere / / Clodagh J. Brook |
| Autore | Brook Clodagh J. |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2020] |
| Descrizione fisica | 1 online resource (191 pages) |
| Disciplina | 791.430945 |
| Collana | Toronto Italian Studies |
| Soggetto topico | Motion pictures - Italy |
| Soggetto non controllato |
Catholicism
Habermas Islam Italian cinema Moretti Sorrentino fiction hagiopic horror post-secular religion television |
| ISBN |
1-4875-1801-3
1-4875-1800-5 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Italy, Secularization, and the Post-Secular -- 1. The Space for Religious Filmmaking: Policy and Infrastructures -- 2. The Persistence of Religion Onscreen: Icons, Rituals, and the Arts -- 3. Countercultural Catholic Values in the Public Sphere -- 4. Protest in the Public Sphere: The Shifting Line between Religious and Secular Space -- 5. Voicing the Religious Other: Assimilation, Horror, Resolution -- Conclusion: Seeing is Believing: Italian Filmmaking Looks Post-Secularism in the Eye. |
| Record Nr. | UNINA-9910828155103321 |
Brook Clodagh J.
|
||
| Toronto : , : University of Toronto Press, , [2020] | ||
| Lo trovi qui: Univ. Federico II | ||
| ||