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Flâneries, Sulla Traccia Di Ricordi e Parole. Miscellanea Di Saggi in Onore Di Patrizio Collini
| Flâneries, Sulla Traccia Di Ricordi e Parole. Miscellanea Di Saggi in Onore Di Patrizio Collini |
| Autore | Battisti Diana |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Florence, : Firenze University Press, 2024 |
| Descrizione fisica | 1 online resource (0 pages) |
| Disciplina | 458.2421 |
| Altri autori (Persone) |
BronziniBenedetta
MeliMarco |
| Collana | Biblioteca Di Studi Di Filologia Moderna Series |
| Soggetto topico |
Italian language - Grammar
Italian language - Dialects |
| ISBN |
979-1-221-50420-0
979-1-221-50419-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910946928503321 |
Battisti Diana
|
||
| Florence, : Firenze University Press, 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Opera Across Borders : Word, Image, Scene, and Digital Transformations
| Opera Across Borders : Word, Image, Scene, and Digital Transformations |
| Autore | Albanese Angela |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2026 |
| Descrizione fisica | 1 online resource (280 pages) |
| Disciplina | 782.109 |
| Collana | Transcodification: Arts, Languages and Media Series |
| Soggetto topico |
Nonfiction
History Literary Criticism Music |
| Soggetto non controllato |
Performing arts
Comparative literature Community Opera Performancekunst Komparative Literatur Oper |
| ISBN |
3-11-221794-2
3-11-221775-6 9783112217757 |
| Classificazione | LIT000000MUS020000SOC000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Opera across Borders -- Contents -- Introduction: A Diachronic Journey Across the Borders of the Operatic Genre -- References -- Opera as a Popular Genre? Verdi Parodies at the San Carlino Theatre in Naples -- 1 Was Opera Ever for Everyone? -- 2 The San Carlo Theatre, Verdi's Works, and Censorship -- 3 The Other Side of the Coin: The San Carlino Theatre -- 4 Pasquale Altavilla, Antonio Petito, and the Parodies of Opera -- 5 A Parody of Il Trovatore: Na famiglia 'ntusiasmata pe la bella museca de lo Trovatore -- 6 A Parody of Aida: Aida dint' 'a casa 'e Donna Tolla Pandola -- 7 Conclusions -- References -- Un bagno freddo o Una notte fortunata: An Unknown and Unpublished Source for the Reconstruction of Neapolitan Musical Theatre in the Late 1 9th Century -- 1 Introduction -- 2 The "Frenchification" of Neapolitan Stages -- 3 Naples and the French Operetta -- 4 Camillo de Nardis and his Bagno freddo -- 5 The Libretto and the Music -- 6 Conclusions -- References -- Pietro Platania's Spartaco: A Forgotten Success Between Erudition and Verismo -- 1 Introduction -- 2 Genesis of the Opera -- 3 Spartaco at the Teatro San Carlo in Naples -- 4 Spartaco at the Costanzi in Rome -- 5 Attempts at other Performances of Spartaco -- 6 Spartaco at the Dal Verme in Milan -- 7 An Overview of the Opera -- 7.1 An Overview -- 7.2 Spartaco: The Plot -- 7.3 The Romanza di Spartaco -- 7.4 The Romanza di Ocnomaro -- 8 Analytical Considerations and Conclusions -- References -- Sources -- Spartacus 2.0: Rewriting and Remediation of a Forgotten Opera from the Late 19th-Century Neapolitan School -- 1 Introduction: Rethinking Opera through Remediation and Participation -- 2 Platania's Spartaco in Historical and Cultural Context -- 3 Project Objectives and Methodology -- 5 Audience Interaction: Mobile-Web Interfaces and Live Decision-Making.
5 Technology as Compositional Tool -- 6 Community Opera and Collaborative Creation -- 7 Ethical and Aesthetic Considerations -- 8 Conclusion: Towards a Digital Opera for the Present -- References -- Italian International Divas in 19th-Century London -- 1 Introduction -- 2 Italian Divas on the London Stage -- 3 Angelica Catalani -- 4 Giulia Grisi -- 5 Giuditta Pasta -- 6 Singers and Actresses Recite -- 7 Conclusions -- References -- L'Antologia di Spoon River a Milano: Actualizations and Reinterpretations of a "Secular Oratorio" -- 1 A "Community" and Its Anniversaries -- 2 Gino Negri in Postwar Milan -- 3 The Libretto and Musical References of a "Secular Oratorio" -- 4 The Mise-en-musique -- 5 The Staging -- 6 Collective Memory and Symbolic Construction of a Community in Milan -- References -- Opera for a Postmodern Generation: From Sellars' Don Giovanni and Così fan tutte to Serebrennikov -- 1 Introduction -- 2 Peter Sellars' Don Giovanni -- 3 Peter Sellars' Così fan tutte -- 4 Kirill Serebrennikov's Così fan tutte -- References -- Filmography -- Bringing Opera to Broader Audiences: Innovations and Emotions -- 1 Introduction -- 2 The Role of Technology and Innovations in Conveying Emotions and Democratizing Opera -- 2.1 The Phonograph: The First Step Towards Mass Access -- 2.2 The Radio Revolution: Bringing Opera to the Masses -- 2.3 Television and Cinema: Expanding Opera's Visual Reach -- 2.4 Digital Media and the Internet: A New Era of Global Access -- 3 The Emotive Power of Opera through its Language and Cross-Cultural Dimensions -- 3.1 Opera as a Global Language: The Universality of Emotion -- 3.2 The Role of Italian as the Lingua Franca of Opera -- 3.3 Subtitles and Translations: Breaking Down Language Barriers -- 3.4 Cross-Cultural Interpretations: How Opera Adapts to Different Cultures. 3.5 The Emotional Universality of Opera: Reaching a Younger, Global Audience -- 4 Contemporary Perspectives: Redynamizing Opera for New Audiences -- 4.1 Digital Transformation: Embracing New Media Platforms -- 4.2 Hybrid Performances: Merging Opera with Other Art Forms -- 4.3 Interactive and Immersive Experiences: Redefining the Opera House -- 4.4 Outreach and Education: Cultivating New Opera Audiences -- 4.5 Evolving the Operatic Repertoire and its Forms -- 5 Conclusions -- References -- Opera for All? Contemporary Strategies of Dissemination and Social Commitment of the Komische Oper Berlin as a Case Study -- 1 Opera in the City Today: Audience-Related Challenges for Contemporary Metropolitan Opera Houses -- 2 The Popular Vocation of the Komische Oper Berlin -- 3 Selam Opera! Operatic Music for Cultural Exchange -- 4 Fatma & -- Fatoş and Opernreise: An Operatic Travel Through Private and Collective Turkish and German Memories -- 5 Conclusions -- References -- The Global Utopia of Art: Operatic Containers, Broken Pacts, and the Politics of Dispersal -- 1 Introduction: The Global Utopia of Art -- 2 Media as Volumes: Binding, Sorting, and the Politics of Form -- 3 Invisible Cities: Operatic Drift and the Stationed Medium -- 4 Hopscotch: Ritual, Exhaustion, and the Architecture of the Few -- 5 Conclusion: The Fire and the Frame - On Maintenance, Mediation, and the Unfinished Pact -- References -- Scholarly Works -- Digital and Intermedial Works -- Christine Sun Kim's Face Opera II: Opera Beyond the Borders of Sound -- 1 Introduction -- 2 To Make Deaf P eople Part of the Western Musical World -- 3 Music Belongs to Whatever Culture it Comes From -- 4 Face Opera II -- 5 "Sonic R upture" -- 6 Conclusions: Beyond the Borders of Sound -- References -- Websites -- Opera and Race: A Bulletin on an American University Course -- 1 Introduction. 2 Why Race? A case study -- 3 An American Perspective -- 4 Course Requirements -- Comments on Discussion #1 -- Assignment #1 -- Comments on Assignment #1 -- Comments on Discussion #2 -- Assignment #2 -- Comments on Assignment #2 -- Assignment #3 -- Comments on Assignment #3 and Conclusions -- References -- Afterword: Polimnia and Opera for All between Musicology and Lifelong Learning. An Artistic Project for Social Change -- 1 Introduction -- 2 Community Music, Community Singing: An Overture for Duo -- 3 Community Opera: An Assolo -- 4 Polimnia: The Project in a Nutshell -- 5 Community Opera and Lifelong Learning: A Suite for All! -- 6 Conclusions -- References -- List of Contributors -- Index of Persons. |
| Record Nr. | UNINA-9911129181903321 |
|
Albanese Angela
|
||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2026 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Opera Across Borders : Word, Image, Scene, and Digital Transformations
| Opera Across Borders : Word, Image, Scene, and Digital Transformations |
| Autore | Albanese Angela |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2026 |
| Descrizione fisica | 1 online resource (280 pages) |
| Disciplina | 782.109 |
| Collana | Transcodification: Arts, Languages and Media Series |
| Soggetto topico |
Nonfiction
History Literary Criticism Music |
| Soggetto non controllato |
Performing arts
Comparative literature Community Opera Performancekunst Komparative Literatur Oper |
| ISBN |
3-11-221794-2
3-11-221775-6 9783112217757 |
| Classificazione | LIT000000MUS020000SOC000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Opera across Borders -- Contents -- Introduction: A Diachronic Journey Across the Borders of the Operatic Genre -- References -- Opera as a Popular Genre? Verdi Parodies at the San Carlino Theatre in Naples -- 1 Was Opera Ever for Everyone? -- 2 The San Carlo Theatre, Verdi's Works, and Censorship -- 3 The Other Side of the Coin: The San Carlino Theatre -- 4 Pasquale Altavilla, Antonio Petito, and the Parodies of Opera -- 5 A Parody of Il Trovatore: Na famiglia 'ntusiasmata pe la bella museca de lo Trovatore -- 6 A Parody of Aida: Aida dint' 'a casa 'e Donna Tolla Pandola -- 7 Conclusions -- References -- Un bagno freddo o Una notte fortunata: An Unknown and Unpublished Source for the Reconstruction of Neapolitan Musical Theatre in the Late 1 9th Century -- 1 Introduction -- 2 The "Frenchification" of Neapolitan Stages -- 3 Naples and the French Operetta -- 4 Camillo de Nardis and his Bagno freddo -- 5 The Libretto and the Music -- 6 Conclusions -- References -- Pietro Platania's Spartaco: A Forgotten Success Between Erudition and Verismo -- 1 Introduction -- 2 Genesis of the Opera -- 3 Spartaco at the Teatro San Carlo in Naples -- 4 Spartaco at the Costanzi in Rome -- 5 Attempts at other Performances of Spartaco -- 6 Spartaco at the Dal Verme in Milan -- 7 An Overview of the Opera -- 7.1 An Overview -- 7.2 Spartaco: The Plot -- 7.3 The Romanza di Spartaco -- 7.4 The Romanza di Ocnomaro -- 8 Analytical Considerations and Conclusions -- References -- Sources -- Spartacus 2.0: Rewriting and Remediation of a Forgotten Opera from the Late 19th-Century Neapolitan School -- 1 Introduction: Rethinking Opera through Remediation and Participation -- 2 Platania's Spartaco in Historical and Cultural Context -- 3 Project Objectives and Methodology -- 5 Audience Interaction: Mobile-Web Interfaces and Live Decision-Making.
5 Technology as Compositional Tool -- 6 Community Opera and Collaborative Creation -- 7 Ethical and Aesthetic Considerations -- 8 Conclusion: Towards a Digital Opera for the Present -- References -- Italian International Divas in 19th-Century London -- 1 Introduction -- 2 Italian Divas on the London Stage -- 3 Angelica Catalani -- 4 Giulia Grisi -- 5 Giuditta Pasta -- 6 Singers and Actresses Recite -- 7 Conclusions -- References -- L'Antologia di Spoon River a Milano: Actualizations and Reinterpretations of a "Secular Oratorio" -- 1 A "Community" and Its Anniversaries -- 2 Gino Negri in Postwar Milan -- 3 The Libretto and Musical References of a "Secular Oratorio" -- 4 The Mise-en-musique -- 5 The Staging -- 6 Collective Memory and Symbolic Construction of a Community in Milan -- References -- Opera for a Postmodern Generation: From Sellars' Don Giovanni and Così fan tutte to Serebrennikov -- 1 Introduction -- 2 Peter Sellars' Don Giovanni -- 3 Peter Sellars' Così fan tutte -- 4 Kirill Serebrennikov's Così fan tutte -- References -- Filmography -- Bringing Opera to Broader Audiences: Innovations and Emotions -- 1 Introduction -- 2 The Role of Technology and Innovations in Conveying Emotions and Democratizing Opera -- 2.1 The Phonograph: The First Step Towards Mass Access -- 2.2 The Radio Revolution: Bringing Opera to the Masses -- 2.3 Television and Cinema: Expanding Opera's Visual Reach -- 2.4 Digital Media and the Internet: A New Era of Global Access -- 3 The Emotive Power of Opera through its Language and Cross-Cultural Dimensions -- 3.1 Opera as a Global Language: The Universality of Emotion -- 3.2 The Role of Italian as the Lingua Franca of Opera -- 3.3 Subtitles and Translations: Breaking Down Language Barriers -- 3.4 Cross-Cultural Interpretations: How Opera Adapts to Different Cultures. 3.5 The Emotional Universality of Opera: Reaching a Younger, Global Audience -- 4 Contemporary Perspectives: Redynamizing Opera for New Audiences -- 4.1 Digital Transformation: Embracing New Media Platforms -- 4.2 Hybrid Performances: Merging Opera with Other Art Forms -- 4.3 Interactive and Immersive Experiences: Redefining the Opera House -- 4.4 Outreach and Education: Cultivating New Opera Audiences -- 4.5 Evolving the Operatic Repertoire and its Forms -- 5 Conclusions -- References -- Opera for All? Contemporary Strategies of Dissemination and Social Commitment of the Komische Oper Berlin as a Case Study -- 1 Opera in the City Today: Audience-Related Challenges for Contemporary Metropolitan Opera Houses -- 2 The Popular Vocation of the Komische Oper Berlin -- 3 Selam Opera! Operatic Music for Cultural Exchange -- 4 Fatma & -- Fatoş and Opernreise: An Operatic Travel Through Private and Collective Turkish and German Memories -- 5 Conclusions -- References -- The Global Utopia of Art: Operatic Containers, Broken Pacts, and the Politics of Dispersal -- 1 Introduction: The Global Utopia of Art -- 2 Media as Volumes: Binding, Sorting, and the Politics of Form -- 3 Invisible Cities: Operatic Drift and the Stationed Medium -- 4 Hopscotch: Ritual, Exhaustion, and the Architecture of the Few -- 5 Conclusion: The Fire and the Frame - On Maintenance, Mediation, and the Unfinished Pact -- References -- Scholarly Works -- Digital and Intermedial Works -- Christine Sun Kim's Face Opera II: Opera Beyond the Borders of Sound -- 1 Introduction -- 2 To Make Deaf P eople Part of the Western Musical World -- 3 Music Belongs to Whatever Culture it Comes From -- 4 Face Opera II -- 5 "Sonic R upture" -- 6 Conclusions: Beyond the Borders of Sound -- References -- Websites -- Opera and Race: A Bulletin on an American University Course -- 1 Introduction. 2 Why Race? A case study -- 3 An American Perspective -- 4 Course Requirements -- Comments on Discussion #1 -- Assignment #1 -- Comments on Assignment #1 -- Comments on Discussion #2 -- Assignment #2 -- Comments on Assignment #2 -- Assignment #3 -- Comments on Assignment #3 and Conclusions -- References -- Afterword: Polimnia and Opera for All between Musicology and Lifelong Learning. An Artistic Project for Social Change -- 1 Introduction -- 2 Community Music, Community Singing: An Overture for Duo -- 3 Community Opera: An Assolo -- 4 Polimnia: The Project in a Nutshell -- 5 Community Opera and Lifelong Learning: A Suite for All! -- 6 Conclusions -- References -- List of Contributors -- Index of Persons. |
| Record Nr. | UNISA-996708276003316 |
|
Albanese Angela
|
||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2026 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||