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Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, MA, : Harvard University Press, 1989 |
| Descrizione fisica | xvi, 334 p. : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910451274103321 |
Bordwell David
|
||
| Cambridge, MA, : Harvard University Press, 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
| Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910777459703321 |
|
Bordwell David
|
||
| Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
| Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910821420303321 |
|
Bordwell David
|
||
| Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Way Hollywood Tells It : Story and Style in Modern Movies / / David Bordwell
| The Way Hollywood Tells It : Story and Style in Modern Movies / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2006] |
| Descrizione fisica | 1 online resource (309 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion picture industry - United States - History
Motion pictures - Aesthetics Motion pictures - United States - History |
| Soggetto non controllato |
american art
american culture american film american history american life artistic blockbusters cinema studies cinematic cultural history cultural studies film history film studies filmmaker filmmaking hollywood indie cinema indie movies movie director movie editing movie genres movie studio moviemakers moviemaking romantic comedies social history social studies storytelling visual arts |
| ISBN |
1-4237-5549-9
9786612759420 1-282-75942-6 0-520-93232-3 1-59875-939-6 |
| Classificazione | AP 44983 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Beyond The Blockbuster -- 1. Continuing Tradition, By Any Means Necessary -- 2. Pushing the Premises -- 3. Subjective Stories and Network Narratives -- 4. A Certain Amount of Plot: Tentpoles, Locomotives, Blockbusters, Megapictures, and the Action Movie -- 1. Intensified Continuity: Four Dimensions -- 2. Some Likely Sources -- 3. Style, Plain and Fancy -- 4. What's Missing? -- Appendix: A Hollywood Timeline, 1960-2004 -- Notes -- Index |
| Record Nr. | UNISA-996248208403316 |
|
Bordwell David
|
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| Berkeley, CA : , : University of California Press, , [2006] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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