Becoming past : history in contemporary art / / Jane Blocker |
Autore | Blocker Jane |
Pubbl/distr/stampa | Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 |
Descrizione fisica | 1 online resource (246 p.) |
Disciplina | 700.9 |
Soggetto topico |
Arts and history
Arts, Modern - 20th century - Themes, motives Arts, Modern - 21st century - Themes, motives |
ISBN | 1-4529-4494-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V
WY |
Record Nr. | UNINA-9910797997103321 |
Blocker Jane
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Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Becoming past : history in contemporary art / / Jane Blocker |
Autore | Blocker Jane |
Pubbl/distr/stampa | Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 |
Descrizione fisica | 1 online resource (246 p.) |
Disciplina | 700.9 |
Soggetto topico |
Arts and history
Arts, Modern - 20th century - Themes, motives Arts, Modern - 21st century - Themes, motives |
ISBN | 1-4529-4494-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V
WY |
Record Nr. | UNINA-9910812821803321 |
Blocker Jane
![]() |
||
Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Becoming Past [[electronic resource] ] : History in Contemporary Art |
Autore | Blocker Jane |
Pubbl/distr/stampa | University of Minnesota Press, 2015 |
Descrizione fisica | 1 online resource (246 p.) |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4529-4494-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V
WY |
Record Nr. | UNINA-9910460517603321 |
Blocker Jane
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||
University of Minnesota Press, 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Seeing witness [[electronic resource] ] : visuality and the ethics of testimony / / Jane Blocker |
Autore | Blocker Jane |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2009 |
Descrizione fisica | 1 online resource (180 p.) |
Disciplina | 701 |
Soggetto topico |
Subjectivity in art
Reality in art Visual communication in art Art, Modern - 21st century |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8166-6804-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A promise always disappointing: the ethics of history in Ulay and Abramović's The lovers -- Peoples of memory: James Luna and the production of history -- Binding to another's wound: Felix Gonzalez-Torres and Ross McElwee on weddings -- A cemetery of images: photography and witness in the work of Gilles Peress and Alfredo Jaar -- Machine memory: digital witness in Dumb Type's memorandum -- This being you must create: transgenics, witness, and selfhood in the work of Eduardo Kac and Christine Borland -- The shame of biological being: microbiology and theories of subjectivity in a project by Ann Hamilton and Ben Rubin. |
Record Nr. | UNINA-9910459471903321 |
Blocker Jane
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||
Minneapolis, : University of Minnesota Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Seeing witness [[electronic resource] ] : visuality and the ethics of testimony / / Jane Blocker |
Autore | Blocker Jane |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2009 |
Descrizione fisica | 1 online resource (180 p.) |
Disciplina | 701 |
Soggetto topico |
Subjectivity in art
Reality in art Visual communication in art Art, Modern - 21st century |
ISBN | 0-8166-6804-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A promise always disappointing: the ethics of history in Ulay and Abramović's The lovers -- Peoples of memory: James Luna and the production of history -- Binding to another's wound: Felix Gonzalez-Torres and Ross McElwee on weddings -- A cemetery of images: photography and witness in the work of Gilles Peress and Alfredo Jaar -- Machine memory: digital witness in Dumb Type's memorandum -- This being you must create: transgenics, witness, and selfhood in the work of Eduardo Kac and Christine Borland -- The shame of biological being: microbiology and theories of subjectivity in a project by Ann Hamilton and Ben Rubin. |
Record Nr. | UNINA-9910785391403321 |
Blocker Jane
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||
Minneapolis, : University of Minnesota Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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