Doing dramaturgy : thinking through practice / / Maaike Bleeker

• Autore: Bleeker Maaike
• Pubblicazione: Cham, Switzerland : , : Palgrave Macmillan, , [2023]; ©2023
• Descrizione fisica: 1 online resource (298 pages)
• Disciplina: 808.2
• Soggetto topico: Drama - Technique; Dramaturges
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Intro -- Acknowledgments -- Praise for Doing Dramaturgy -- Contents -- List of Figures -- Chapter 1: Introduction -- 1.1 A Paradigm Shift -- 1.2 Thinking Through Practice -- 1.3 Dramaturgical Sensibility -- 1.4 The Making of My Thinking -- 1.5 About the Composition of This Book -- References -- Part I -- Chapter 2: Thinking Through Practice -- 2.1 Lessing and Institutional Dramaturgy -- 2.2 The Rise of the Director and Production Dramaturgy -- 2.3 Brecht and the Dramaturgical Concept -- 2.4 "New Dramaturgy" -- 2.5 From Product to Process -- 2.6 Making as Thinking Through Composition -- References -- Chapter 3: Doing Dramaturgy -- 3.1 Attending to Process -- 3.2 Inhabiting Process -- 3.2.1 Speculating -- 3.2.2 Analyzing -- 3.2.3 Feeding -- 3.2.4 Articulating -- 3.2.5 Questioning -- 3.2.6 Creating Conditions -- 3.2.7 Structuring -- 3.3 From Process to Planet -- 3.4 Enter the Dramaturg -- 3.5 Where to Begin? -- References -- Chapter 4: A Dramaturgical Mode of Looking -- 4.1 The Apparatus -- 4.2 Six Sets of Questions -- 4.2.1 The Space-Time Continuum That Is the Planet -- 4.2.2 Social Life on the Planet -- 4.2.3 Course of Events -- 4.2.4 Spectatorship -- 4.2.5 Echoes, Ghosts, Mirrors and Resonances -- 4.2.6 Macro Dramaturgical Concerns -- 4.3 Puzzles That Hold The Key -- References -- Part II -- Chapter 5: The Ghent Altarpiece-Milo Rau -- 5.1 The Small Planet Called The Ghent Altarpiece -- 5.1.1 Space-Time -- 5.1.2 Social Life -- 5.1.3 Course of Events -- 5.1.4 Spectatorship -- 5.1.5 Mirrors and Ghosts -- 5.1.6 Macro Dramaturgical Concerns -- 5.2 Beginnings, and from There -- 5.3 Thinking Through Practice -- 5.4 Doing Dramaturgy -- References -- Chapter 6: Chekhov's First Play-Dead Centre -- 6.1 The Small Planet Called Chekhov's First Play -- 6.1.1 Space-Time -- 6.1.2 Social Life -- 6.1.3 Course of Events -- 6.1.4 Spectatorship. ; 6.1.5 Mirrors and Ghosts -- 6.1.6 Macro Dramaturgical Concerns -- 6.2 Beginnings, and from There -- 6.3 Thinking Through Practice -- 6.4 Doing Dramaturgy -- References -- Chapter 7: Dear Winnie-Jr.cE.sA.r -- 7.1 The Small Planet Called Dear Winnie -- 7.1.1 Space-Time -- 7.1.2 Social Life -- 7.1.3 Course of Events -- 7.1.4 Spectatorship -- 7.1.5 Mirrors and Ghosts -- 7.1.6 Macro Dramaturgical Concerns -- 7.2 Beginnings, and from There -- 7.3 Thinking Through Practice -- 7.4 Doing Dramaturgy -- References -- Chapter 8: Complexity of Belonging-Anouk van Dijk and Falk Richter -- 8.1 The Small Planet Called Complexity of Belonging -- 8.1.1 Space-Time -- 8.1.2 Social Life -- 8.1.3 Course of Events -- 8.1.4 Spectatorship -- 8.1.5 Mirrors and Ghosts -- 8.1.6 Macro Dramaturgical Concerns -- 8.2 Beginnings, and from There -- 8.3 Thinking Through Practice -- 8.4 Doing Dramaturgy -- References -- Chapter 9: Lazarus-Ivo van Hove -- 9.1 The Small Planet Called Lazarus -- 9.1.1 Space-Time -- 9.1.2 Social Life -- 9.1.3 Course of Events -- 9.1.4 Spectatorship -- 9.1.5 Mirrors and Ghosts -- 9.1.6 Macro Dramaturgical Concerns -- 9.2 Beginnings, and from There -- 9.3 Thinking Through Practice -- 9.4 Doing Dramaturgy -- References -- Chapter 10: Le Corps du Ballet-EG|PC -- 10.1 The Small Planet Called Le Corps du Ballet -- 10.1.1 Space-Time -- 10.1.2 Social Life -- 10.1.3 Course of Events -- 10.1.4 Spectatorship -- 10.1.5 Mirrors and Ghosts -- 10.1.6 Macro Dramaturgical Concerns -- 10.2 Beginnings, and from There -- 10.3 Thinking Through Practice -- 10.4 Doing Dramaturgy -- References -- Chapter 11: Estado Vegetal-Manuela Infante -- 11.1 The Small Planet Called Estado Vegetal -- 11.1.1 Space-Time -- 11.1.2 Social Life -- 11.1.3 Course of Events -- 11.1.4 Spectatorship -- 11.1.5 Mirrors and Ghosts -- 11.1.6 Macro Dramaturgical Concerns -- 11.2 Beginnings, and from There. ; 11.3 Thinking Through Practice -- 11.4 Doing Dramaturgy -- References -- Chapter 12: Conversations (at the end of the world)-Kris Verdonck -- 12.1 The Small Planet Called Conversations (at the end of the world) -- 12.1.1 Space-Time -- 12.1.2 Social Life -- 12.1.3 Course of Events -- 12.1.4 Spectatorship -- 12.1.5 Mirrors and Ghosts -- 12.1.6 Macro Dramaturgical Concerns -- 12.2 Beginnings, and from There -- 12.3 Thinking Through Practice -- 12.4 Doing Dramaturgy -- References -- Chapter 13: Phobiarama-Dries Verhoeven -- 13.1 The Small Planet Called Phobiarama -- 13.1.1 Space-Time -- 13.1.2 Social Life -- 13.1.3 Course of Events -- 13.1.4 Spectatorship -- 13.1.5 Mirrors and Ghosts -- 13.1.6 Macro Dramaturgical Concerns -- 13.2 Beginnings, and from There -- 13.3 Thinking Through Practice -- 13.4 Doing Dramaturgy -- References -- Chapter 14: All Inclusive-Julian Hetzel -- 14.1 The Small Planet Called All Inclusive -- 14.1.1 Space-Time -- 14.1.2 Social Life -- 14.1.3 Course of Events -- 14.1.4 Spectatorship -- 14.1.5 Mirrors and Ghosts -- 14.1.6 Macro Dramaturgical Concerns -- 14.2 Beginnings, and from There -- 14.3 Thinking Through Practice -- 14.4 Doing Dramaturgy -- References -- Chapter 15: WAR (Ein Kriegstanz)-Amanda Piña -- 15.1 The Small Planet Called WAR (Ein Kriegstanz) -- 15.1.1 Space-Time -- 15.1.2 Social Life -- 15.1.3 Course of Events -- 15.1.4 Spectatorship -- 15.1.5 Mirrors and Ghosts -- 15.1.6 Macro Dramaturgical Concerns -- 15.2 Beginnings, and from There -- 15.3 Thinking Through Practice -- 15.4 Doing Dramaturgy -- References -- Chapter 16: Kamp-Hotel Modern -- 16.1 The Small Planet Called Kamp -- 16.1.1 Space-Time -- 16.1.2 Social Life -- 16.1.3 Course of Events -- 16.1.4 Spectatorship -- 16.1.5 Ghosts and Mirrors -- 16.1.6 Macro Dramaturgical Concerns -- 16.2 Beginnings, and from There -- 16.3 Thinking Through Practice. ; 16.4 Doing Dramaturgy -- References -- Chapter 17: SPEAK!-Sanja Mitrović -- 17.1 The Small Planet Called SPEAK! -- 17.1.1 Space-Time -- 17.1.2 Social Life -- 17.1.3 Course of Events -- 17.1.4 Spectatorship -- 17.1.5 Mirrors and Ghosts -- 17.1.6 Macro Dramaturgical Concerns -- 17.2 Beginnings, and from There -- 17.3 Thinking Through Practice -- 17.4 Doing Dramaturgy -- Reference -- Chapter 18: I am LGB-The LGB Society of Mind -- 18.1 The Small Planet Called I am LGB -- 18.1.1 Space-Time -- 18.1.2 Social Life -- 18.1.3 Course of Events -- 18.1.4 Spectatorship -- 18.1.5 Mirrors and Ghosts -- 18.1.6 Macro Dramaturgical Concerns -- 18.2 Beginnings, and from There -- 18.3 Thinking Through Practice -- 18.4 Doing Dramaturgy -- References -- Chapter 19: Epilogue -- References -- Index.
• Titolo autorizzato: Doing Dramaturgy
• ISBN: 9783031083037; 9783031083020
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910637709203321
• Lo trovi qui: Univ. Federico II
• Serie: New dramaturgies (Houndmills, Basingstoke, England)