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Confronting the Climate Crisis : Activism, Technology and Ecoaesthetics / / edited by Daniel Binns, Rebecca Najdowski
| Confronting the Climate Crisis : Activism, Technology and Ecoaesthetics / / edited by Daniel Binns, Rebecca Najdowski |
| Autore | Binns Daniel |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 304.25 |
| Altri autori (Persone) | NajdowskiRebecca |
| Collana | Palgrave Studies in Media and Environmental Communication |
| Soggetto topico |
Communication in the environmental sciences
Motion pictures Environmental Communication Audio-Visual Culture |
| ISBN |
9783031896064
9783031896057 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Navigating Catastrophe: Mapping Climate Crisis Responses Through Technology, Values, and Creative Practice -- Section : Protest and Progress: Activism & Ecopolitics -- Chapter 2: Teaching sustainable development: On systemic issues and fake excuses – Chapter 3: Greta Thunberg and the body of politics: How young climate change protesters are reminding us of the gift of materiality -- Chapter 4: The medium is the environment – COP26 memes as hypocritical resistance -- Chapter 5: Engendering care for the environment through podcasts -- Section 2 – Ecoaesthetic Practice & Analysis -- Chapter 6: A Close Reading of Climate-related Art: Aesthetics and Creative Engagement with the Structural Causes of the Climate Crisis -- Chapter 7: Networked Photography and the ‘Image That Comes’ -- Chapter 8: Losing Our Heads: Finding Bodies in the Digital Anthropocene through Contemporary Painting Practice -- Chapter 9: Invisible Threats and Materialist Visibilities: Degradations by James Schneider and Quiet Zone by Karl Lemieux and David Bryant -- Chapter 10: Noticing landscape, sensing climate: Extending ecocinema through expanded documentary -- Section 3 – Emerging Technological Practices -- Chapter 11: An ecoaesthetic of vegetal surfaces: on Seed, Image Ground as soft montage -- Chapter 12: Speculative Visions: Machine Learning, Photography and the Climate Crisis -- Chapter 13: Wasted Bodies Against Ruined Landscapes: How Mass Effect and The Last of Us Depict The Death of Humanity, But Not Neoliberalism -- Section 4 – New Theoretical Horizons -- Chapter 14: Three digressions (on the way to eco-aesthetic politics) -- Chapter 15: The Ecological Catastrophe of Algorithmic Individuation: Technological Mediation and its Social Implication in the Age of the Anthropocene. |
| Record Nr. | UNINA-9911018654503321 |
Binns Daniel
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Hollywood war film : critical observations from World War I to Iraq / / Daniel Binns
| The Hollywood war film : critical observations from World War I to Iraq / / Daniel Binns |
| Autore | Binns Daniel |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2017 |
| Descrizione fisica | 1 online resource (160 pages) |
| Disciplina | 791.43658 |
| Soggetto topico |
War films - United States - History and criticism
Motion pictures - United States - History |
| ISBN | 1-78320-756-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910794703603321 |
|
Binns Daniel
|
||
| Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Hollywood war film : critical observations from World War I to Iraq / / Daniel Binns
| The Hollywood war film : critical observations from World War I to Iraq / / Daniel Binns |
| Autore | Binns Daniel |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2017 |
| Descrizione fisica | 1 online resource (160 pages) |
| Disciplina | 791.43658 |
| Soggetto topico |
War films - United States - History and criticism
Motion pictures - United States - History |
| ISBN | 1-78320-756-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910813421903321 |
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Binns Daniel
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| Bristol, England ; ; Chicago, Illinois : , : Intellect, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Material media-making in the digital age / / Daniel Binns
| Material media-making in the digital age / / Daniel Binns |
| Autore | Binns Daniel |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, Engalnd : , : Intellect, , [2021] |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 302.231 |
| Soggetto topico | Digital media |
| ISBN |
1-78938-350-1
1-78938-351-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Half Title -- Material Media- Making in the Digital Age -- Copyright Page -- Dedication -- Table of contents -- List of Figures -- Foreword: Cherish the Thought -- Acknowledgements -- Introduction: Maker, Material -- The maker and their materials -- The matter with media -- What does it matter? -- What's ahead... -- Note -- 1 Hollis, My Smartphone and Me: Practical Lessons from Historic Avant-Garde Cinema -- Boxes within boxes: Surface Tension -- Emily Richardson: Cobra Mist (2008) -- Lauren Cook: Handmade (2004) and Trans/Figure/Ground (2016) -- Don't think: Do -- Exercise 1A: Breaking (down) the moving image -- Exercise 1B: Splitting sound and vision -- 2 Time I: From Clip to Continuity -- Exercise 2A: Feeling the moment of image creation -- Exercise 2B: The four facets of time -- Notes -- 3 Time II: From Continuity to Fluidity -- Exercise 3A: Shooting to cut -- Exercise 3B: Cutting by frames -- Note -- 4 Sound: From Added-Value to Cohesion -- Preamble -- Perceiving sound -- Sound according to Chion -- Sonic subterfuge -- An embodied approach -- Experimentation -- Exercise 4A: Start a sound library -- Exercise 4B: Construct a contiguous soundscape -- Exercise 4C: Shape an audio-visual experience -- Notes -- 5 Fragments: The Remnants of Media Practice -- Exercise 5A: Screengrabber -- Exercise 5B: Moving photo fun -- Notes -- 6 Messy Cinema: Casey Neistat and the Affordances of the Vlog -- Exercise 6: Daily videos -- Notes -- 7 The GIF: Silent but Digital -- Silent cinema: Pure movement -- From silent to GIF... -- It's alive -- Exercise 7A: Multi-shot silent storytelling -- Exercise 7B: Single-frame story -- Notes -- 8 A Purely Digital Form? Streams and Atmospheres -- A corruption of form: Annihilation -- Frankenstein's Monster's Monster, Frankenstein and Anima -- Loop the loop and the algorithmic director: Disrupting the flow.
Exercise 8A: Looper -- Exercise 8B: Unforeseen connections -- Notes -- 9 Dronopoetics: Telepresence and Aerial Cinematography -- Unmanned aerial cinematography and Ivan Sen's Goldstone -- I see, I fly... -- Exercise 9A: Shifting perspectives -- Exercise 9B: Editing with drone footage -- Notes -- Coda: Lessons from the Cutting-Room Floor -- References -- Index -- Back Cover. |
| Record Nr. | UNINA-9910795249203321 |
|
Binns Daniel
|
||
| Bristol, Engalnd : , : Intellect, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Material media-making in the digital age / / Daniel Binns
| Material media-making in the digital age / / Daniel Binns |
| Autore | Binns Daniel |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, Engalnd : , : Intellect, , [2021] |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 302.231 |
| Soggetto topico | Digital media |
| ISBN |
1-78938-350-1
1-78938-351-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Half Title -- Material Media- Making in the Digital Age -- Copyright Page -- Dedication -- Table of contents -- List of Figures -- Foreword: Cherish the Thought -- Acknowledgements -- Introduction: Maker, Material -- The maker and their materials -- The matter with media -- What does it matter? -- What's ahead... -- Note -- 1 Hollis, My Smartphone and Me: Practical Lessons from Historic Avant-Garde Cinema -- Boxes within boxes: Surface Tension -- Emily Richardson: Cobra Mist (2008) -- Lauren Cook: Handmade (2004) and Trans/Figure/Ground (2016) -- Don't think: Do -- Exercise 1A: Breaking (down) the moving image -- Exercise 1B: Splitting sound and vision -- 2 Time I: From Clip to Continuity -- Exercise 2A: Feeling the moment of image creation -- Exercise 2B: The four facets of time -- Notes -- 3 Time II: From Continuity to Fluidity -- Exercise 3A: Shooting to cut -- Exercise 3B: Cutting by frames -- Note -- 4 Sound: From Added-Value to Cohesion -- Preamble -- Perceiving sound -- Sound according to Chion -- Sonic subterfuge -- An embodied approach -- Experimentation -- Exercise 4A: Start a sound library -- Exercise 4B: Construct a contiguous soundscape -- Exercise 4C: Shape an audio-visual experience -- Notes -- 5 Fragments: The Remnants of Media Practice -- Exercise 5A: Screengrabber -- Exercise 5B: Moving photo fun -- Notes -- 6 Messy Cinema: Casey Neistat and the Affordances of the Vlog -- Exercise 6: Daily videos -- Notes -- 7 The GIF: Silent but Digital -- Silent cinema: Pure movement -- From silent to GIF... -- It's alive -- Exercise 7A: Multi-shot silent storytelling -- Exercise 7B: Single-frame story -- Notes -- 8 A Purely Digital Form? Streams and Atmospheres -- A corruption of form: Annihilation -- Frankenstein's Monster's Monster, Frankenstein and Anima -- Loop the loop and the algorithmic director: Disrupting the flow.
Exercise 8A: Looper -- Exercise 8B: Unforeseen connections -- Notes -- 9 Dronopoetics: Telepresence and Aerial Cinematography -- Unmanned aerial cinematography and Ivan Sen's Goldstone -- I see, I fly... -- Exercise 9A: Shifting perspectives -- Exercise 9B: Editing with drone footage -- Notes -- Coda: Lessons from the Cutting-Room Floor -- References -- Index -- Back Cover. |
| Record Nr. | UNINA-9910813820603321 |
|
Binns Daniel
|
||
| Bristol, Engalnd : , : Intellect, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||