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Bombay cinema's Islamicate histories / / edited by Ira Bhaskar and Richard Allen
| Bombay cinema's Islamicate histories / / edited by Ira Bhaskar and Richard Allen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2022] |
| Descrizione fisica | 1 online resource (442 pages) |
| Disciplina | 791.430954 |
| Soggetto topico | Islam in motion pictures |
| ISBN |
1-78938-399-4
1-78938-398-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Half Title -- Frontispiece -- Bombay Cinema's Islamicate Histories -- Copyright Page -- Table of contents -- Illustrations -- Acknowledgements -- A Note on Transliteration -- Part 1 Islamicate Histories -- 1 Passionate Refrains: The Theatricality of Urdu on the Parsi Stage -- Parsi pioneers and Urdu munshis -- Sight and sound in the urban playhouse -- Registers of Urdu -- Āghā Ḥashr and Yahūdī kī Laṛkī -- Acknowledgements -- References -- 2 The Persian Mas̤navī Tradition and Bombay Cinema -- Appendix 1: Indian films -- Appendix 2: Iranian films -- Notes -- References -- 3 Reflections from Padmini's Palace: Women's Voices of Longing and Lament in the Sufi Romance and Shi.i Elegy -- The virahi.i in early modern Awadhi and Braj literature -- Inter-canonical connections and the Hindavi mars.iya -- The virahi.i in the age of literary reform -- Notes -- References -- 4 Situating the T.awa'if as a Poet: Nostalgia, Urdu Literary Cultures and Vernacular Modernity -- Urdu print culture and vernacular modernity -- Ta.kiras on women poets and t.awa'if poets -- The Urdu ghazal and the forgotten t.awa'if poets -- Conclusion -- Notes -- References -- 5 Mughal Chronicles: Words, Images and the Gaps between Them -- Notes -- References -- 6 Justice, Love and the Creative Imagination in Mughal India -- Justice in Jahangir's memoir and paintings -- Legends of Jahangir's justice -- Jahangir's union with Nur Jahan -- Nur Jahan's rise to power -- Legend of romantic love -- Love and lex talionis -- Justice versus mercy: Sohrab Modi's Pukar -- Conclusion -- References -- 7 The 'Muslim Presence' in Padmaavat -- What is Muslim presence? -- Karni Sena's Padmaavati -- Padmaavat's Muslims -- Conclusion -- Notes -- References -- Part 2 Cinenatic Forms -- 8 Alibaba's Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films.
Alibaba (1937): Sadhona and Modhu Bose -- Alibaba (1940): Mehboob Khan -- Alibaba (1954): Homi Wadia -- Conclusion -- Notes -- References -- 9 The Textual, Musical and Sonic Journey of the Ghazal in Bombay Cinema -- The ghazal and the gramophone era -- Begum Akhtar and the ghazal -- The playback era and the ghazal in Bombay cinema -- The ma.fil-style ghazal -- The melancholic ghazal -- Notes -- References -- 10 The Sufi Sacred, the Qawwali and the Songs of Bombay Cinema -- Sufism: Philosophy, poetic idioms and musical performance -- Sufism and the qawwali in Bombay cinema -- Sufi idioms and Bollywood songs -- Acknowledgments -- References -- 11 Avoiding Urdu and the T..awa'if: Regendering Kathak Dance in Jhanak Jhanak Payal Baaje -- Love, hate and the Islamicate -- Jhanak Jhanak Payal Baaje -- Dance, gender and nationalism -- Screening the master narrative -- Notes -- References -- 12 The Poetics of Parda -- Veiling, looking and desire -- Veiling and mistaken identity -- Photography, cinema and parda -- Deconstructing parda -- Notes -- References -- 13 Transfigurations of the Star Body: Salman Khan and the Spectral Muslim -- The fame and notoriety of Salman Khan -- The rise of Salman Khan -- Salman Khan and the Muslim -- The early action films: Speaking to the exiled -- Transfigured body, transfigured landscape -- Conjurations of the star body -- Conclusion -- Acknowledgment -- Notes -- References -- 14 Terrorism, Conspiracy and Surveillance in Bombay's Urban Cinema -- The archive of memory -- Bombay's takeover in Black Friday -- The archaeology of the stereotype: Aamir -- The corridors of power in A Wednesday -- The technological uncanny -- Acknowlegdements -- Notes -- References -- Contributors -- Index -- Back Cover. |
| Record Nr. | UNINA-9910795873203321 |
| Bristol, England : , : Intellect, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bombay cinema's Islamicate histories / / edited by Ira Bhaskar and Richard Allen
| Bombay cinema's Islamicate histories / / edited by Ira Bhaskar and Richard Allen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2022] |
| Descrizione fisica | 1 online resource (442 pages) |
| Disciplina | 791.430954 |
| Soggetto topico | Islam in motion pictures |
| ISBN |
1-78938-399-4
1-78938-398-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Half Title -- Frontispiece -- Bombay Cinema's Islamicate Histories -- Copyright Page -- Table of contents -- Illustrations -- Acknowledgements -- A Note on Transliteration -- Part 1 Islamicate Histories -- 1 Passionate Refrains: The Theatricality of Urdu on the Parsi Stage -- Parsi pioneers and Urdu munshis -- Sight and sound in the urban playhouse -- Registers of Urdu -- Āghā Ḥashr and Yahūdī kī Laṛkī -- Acknowledgements -- References -- 2 The Persian Mas̤navī Tradition and Bombay Cinema -- Appendix 1: Indian films -- Appendix 2: Iranian films -- Notes -- References -- 3 Reflections from Padmini's Palace: Women's Voices of Longing and Lament in the Sufi Romance and Shi.i Elegy -- The virahi.i in early modern Awadhi and Braj literature -- Inter-canonical connections and the Hindavi mars.iya -- The virahi.i in the age of literary reform -- Notes -- References -- 4 Situating the T.awa'if as a Poet: Nostalgia, Urdu Literary Cultures and Vernacular Modernity -- Urdu print culture and vernacular modernity -- Ta.kiras on women poets and t.awa'if poets -- The Urdu ghazal and the forgotten t.awa'if poets -- Conclusion -- Notes -- References -- 5 Mughal Chronicles: Words, Images and the Gaps between Them -- Notes -- References -- 6 Justice, Love and the Creative Imagination in Mughal India -- Justice in Jahangir's memoir and paintings -- Legends of Jahangir's justice -- Jahangir's union with Nur Jahan -- Nur Jahan's rise to power -- Legend of romantic love -- Love and lex talionis -- Justice versus mercy: Sohrab Modi's Pukar -- Conclusion -- References -- 7 The 'Muslim Presence' in Padmaavat -- What is Muslim presence? -- Karni Sena's Padmaavati -- Padmaavat's Muslims -- Conclusion -- Notes -- References -- Part 2 Cinenatic Forms -- 8 Alibaba's Open Sesame: Unravelling the Islamicate in Oriental Fantasy Films.
Alibaba (1937): Sadhona and Modhu Bose -- Alibaba (1940): Mehboob Khan -- Alibaba (1954): Homi Wadia -- Conclusion -- Notes -- References -- 9 The Textual, Musical and Sonic Journey of the Ghazal in Bombay Cinema -- The ghazal and the gramophone era -- Begum Akhtar and the ghazal -- The playback era and the ghazal in Bombay cinema -- The ma.fil-style ghazal -- The melancholic ghazal -- Notes -- References -- 10 The Sufi Sacred, the Qawwali and the Songs of Bombay Cinema -- Sufism: Philosophy, poetic idioms and musical performance -- Sufism and the qawwali in Bombay cinema -- Sufi idioms and Bollywood songs -- Acknowledgments -- References -- 11 Avoiding Urdu and the T..awa'if: Regendering Kathak Dance in Jhanak Jhanak Payal Baaje -- Love, hate and the Islamicate -- Jhanak Jhanak Payal Baaje -- Dance, gender and nationalism -- Screening the master narrative -- Notes -- References -- 12 The Poetics of Parda -- Veiling, looking and desire -- Veiling and mistaken identity -- Photography, cinema and parda -- Deconstructing parda -- Notes -- References -- 13 Transfigurations of the Star Body: Salman Khan and the Spectral Muslim -- The fame and notoriety of Salman Khan -- The rise of Salman Khan -- Salman Khan and the Muslim -- The early action films: Speaking to the exiled -- Transfigured body, transfigured landscape -- Conjurations of the star body -- Conclusion -- Acknowledgment -- Notes -- References -- 14 Terrorism, Conspiracy and Surveillance in Bombay's Urban Cinema -- The archive of memory -- Bombay's takeover in Black Friday -- The archaeology of the stereotype: Aamir -- The corridors of power in A Wednesday -- The technological uncanny -- Acknowlegdements -- Notes -- References -- Contributors -- Index -- Back Cover. |
| Record Nr. | UNINA-9910818257303321 |
| Bristol, England : , : Intellect, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||