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Barbey d’Aurevilly et l’esthétique : les paradoxes de l’écriture / / Pascale Aurais-Jonchière, France Marchal-Ninosque
| Barbey d’Aurevilly et l’esthétique : les paradoxes de l’écriture / / Pascale Aurais-Jonchière, France Marchal-Ninosque |
| Autore | Auraix-Jonchière Pascale |
| Pubbl/distr/stampa | Besançon, : Presses universitaires de Franche-Comté, 2022 |
| Descrizione fisica | 1 online resource (304 p.) |
| Altri autori (Persone) |
BertrandMathilde
BricaultCéline CailletVigor De Georges-MétralAlice DiazBrigitte DiazJosé-Luis FoucartClaude GlaudesPierre HadlockPhilip LysøeÉric Marchal-NinosqueFrance SégingerGisèle VareilleArnaud Vincent-MunniaNathalie Aurais-JonchièrePascale |
| Collana | Annales littéraires |
| Soggetto topico | Aesthetics |
| Soggetto non controllato |
esthétique
littérature Barbey d’Aurevilly |
| ISBN | 2-84867-732-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Altri titoli varianti |
Barbey d'Aurevilly et l'esthétique
Barbey d’Aurevilly et l’esthétique Barbey d’Aurevilly et l’esthétique |
| Record Nr. | UNINA-9910568200303321 |
Auraix-Jonchière Pascale
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| Besançon, : Presses universitaires de Franche-Comté, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary Photography as Collaboration / / edited by Mathilde Bertrand, Karine Chambefort-Kay
| Contemporary Photography as Collaboration / / edited by Mathilde Bertrand, Karine Chambefort-Kay |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (345 pages) |
| Disciplina | 060 |
| Soggetto topico |
Photography
Art, Modern - 21st century Contemporary Art |
| ISBN | 3-031-41444-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio. |
| Record Nr. | UNINA-9910831498203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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