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Mobile Story Making in an Age of Smartphones / / edited by Max Schleser, Marsha Berry
| Mobile Story Making in an Age of Smartphones / / edited by Max Schleser, Marsha Berry |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (179 pages) |
| Disciplina | 701.05 |
| Soggetto topico |
Digital media
Communication Culture Technology Journalism Social media Digital/New Media Media and Communication Culture and Technology Social Media |
| ISBN | 3-319-76795-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction – Creative Mobile Media II: Making a Difference (Max Schleser and Marsha Berry) -- 2. Multimodality and Storytelling (Caroline Campbell) -- 3. Digital Development: Using the Smartphone to Enhance Screenwriting Practice (Craig Batty and Stayci Taylor) -- 4. From the studio to the bush: Aboriginal young people, mobile story making and cultural connections (Fran Edmonds, Richard Chenhall, Scott McQuire, Michelle Evans) -- 5. Smartphones and Evocative Documentary Practices (Dean Keep) -- 6. Wayfaring, creating and performing with smartphones (Jess Kilby and Marsha Berry) -- 7. Perspectives on Music Sharing via Mobile Phones in Papua New Guinea (Oli Wilson) -- 8. Stories from the field: Playing with Mobile Media (Larissa Hjorth and Ingrid Richardson) -- 9. Creating an Experiential Narrative: The Making of Mobilarte (Gerda Cammaer) -- 10. Mobile Virtual Realities and Portable Magic Circles (Michael Saker) -- 11. New Contextualised Perspectives: Using Bluetooth Beacons and Drones for Mixed-Reality Storytelling (Patrick Kelly) -- 12. Interface is the Place: Augmented Reality and the Phenomena of Smartphone-Spacetime (Rewa Wright) -- 13. Siyashuta! Capturing police brutality on mobile phones in South Africa (Lorenzo Dalvit and Alette Schoon) -- 14. Devising Mobile Apps: participatory design for endemic diseases transmitted by the mosquito Aedes (Dengue, Zika and Chikungunya) (Tiago Franklin Rodrigues Lucena, Ana Paula Machado Velho, Vinicius Durval Dorne, Diana Maria Gallicchio Domingues) -- 15. Mobile Framing: Vertical Videos from User Generated Content to Corporate Marketing (Dave Neal and Miriam Ross) -- 16. Pasifika Youth and Health Perspectives: Creative Transformation through Smartphone Filmmaking and Digital Talanoa (Max Schleser and Ridvan Firestone). |
| Record Nr. | UNINA-9910300010503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan
| The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (500 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture authorship Motion pictures Film and TV Production Screenwriting Film/TV Industry |
| ISBN | 3-030-21744-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2: Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 “Make it in post”: Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro’s Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists’ moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no ‘e’ in ‘constraints’: Teaching creativity in Higher Education screen production -- Chapter 32 “Is this degree practical or theoretical?” Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| Record Nr. | UNINA-9910484669503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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