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A theory of art [[electronic resource] /] / Karol Berger
| A theory of art [[electronic resource] /] / Karol Berger |
| Autore | Berger Karol <1947-> |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2000 |
| Descrizione fisica | 1 online resource (302 p.) |
| Disciplina | 700/.1 |
| Soggetto topico |
Arts - Philosophy
Aesthetics Poetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-515852-0
0-19-978580-5 1-280-47213-8 9786610472130 0-19-802952-7 1-60256-354-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""PROLOGUE: THE FUNCTION AND VALUE OF ART""; ""PART I: AESTHETICS: THE ENDS OF ARTWORKS""; ""CHAPTER 1 AESTHETICS I. THE NATURE OF ART""; ""a. The Media of Culture""; ""b. Visual Media""; ""c. Music""; ""d. Language""; ""e. Works and Performances, Originals and Copies""; ""f. Representations and Arguments""; ""CHAPTER 2 AESTHETICS II. THE USES OF ART""; ""a. The Ethical Life""; ""b. Art and History""; ""c. Art and Philosophy""; ""d. Art, Religion, and the State""; ""e. Pleasure""; ""CHAPTER 3 AESTHETICS III. THE GENEALOGY OF MODERN EUROPEAN ART MUSIC""
""a. Social Practices and Their Histories""""b. Functional and Autonomous Music""; ""c. The Rise of Mimetic Music""; ""d. The Rise of Abstract Music""; ""e. The Cold War of Mimesis and Abstraction""; ""f. The Significance of Abstraction""; ""PART II: POETICS AND HERMENEUTICS: THE CONTENTS AND INTERPRETATION OF ARTWORKS""; ""CHAPTER 4 POETICS I. DIEGESIS AND MIMESIS: THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION""; ""a. The Voices""; ""b. The Modes in Painting and Music""; ""c. The Author, Implied and Real, Dead and Alive"" ""CHAPTER 5 POETICS II. NARRATIVE AND LYRIC: THE POETIC FORMS AND THE OBJECT OF ARTISTIC PRESENTATION""""a. Narrative and Lyric""; ""b. The Forms in Painting and Music""; ""c. Action and Passion""; ""CHAPTER 6 HERMENEUTICS. INTERPRETATION AND ITS VALIDITY""; ""a. Interpretation: Metaphor and Metonymy""; ""b. Validity: Persuasion and Legitimacy""; ""EPILOGUE: THE POWER OF TASTE""; ""Notes""; ""Selected Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Z"" |
| Record Nr. | UNINA-9910455728203321 |
Berger Karol <1947->
|
||
| New York, : Oxford University Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A theory of art [[electronic resource] /] / Karol Berger
| A theory of art [[electronic resource] /] / Karol Berger |
| Autore | Berger Karol <1947-> |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2000 |
| Descrizione fisica | xii, 287 p |
| Disciplina | 700/.1 |
| Soggetto topico |
Arts - Philosophy
Aesthetics Poetics |
| ISBN |
0198029527
9780198029526 0-19-978580-5 1-280-47213-8 0-19-515852-0 0-19-512860-5 9786610472130 1-60256-354-3 0-19-802952-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795714903321 |
|
Berger Karol <1947->
|
||
| New York, : Oxford University Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A theory of art / / Karol Berger
| A theory of art / / Karol Berger |
| Autore | Berger Karol <1947-> |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2000 |
| Descrizione fisica | xii, 287 p |
| Disciplina | 700/.1 |
| Soggetto topico |
Arts - Philosophy
Aesthetics Poetics |
| ISBN |
0198029527
9780198029526 0-19-978580-5 1-280-47213-8 0-19-515852-0 0-19-512860-5 9786610472130 1-60256-354-3 0-19-802952-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- PROLOGUE: THE FUNCTION AND VALUE OF ART -- PART I: AESTHETICS: THE ENDS OF ARTWORKS -- CHAPTER 1 AESTHETICS I. THE NATURE OF ART -- a. The Media of Culture -- b. Visual Media -- c. Music -- d. Language -- e. Works and Performances, Originals and Copies -- f. Representations and Arguments -- CHAPTER 2 AESTHETICS II. THE USES OF ART -- a. The Ethical Life -- b. Art and History -- c. Art and Philosophy -- d. Art, Religion, and the State -- e. Pleasure -- CHAPTER 3 AESTHETICS III. THE GENEALOGY OF MODERN EUROPEAN ART MUSIC -- a. Social Practices and Their Histories -- b. Functional and Autonomous Music -- c. The Rise of Mimetic Music -- d. The Rise of Abstract Music -- e. The Cold War of Mimesis and Abstraction -- f. The Significance of Abstraction -- PART II: POETICS AND HERMENEUTICS: THE CONTENTS AND INTERPRETATION OF ARTWORKS -- CHAPTER 4 POETICS I. DIEGESIS AND MIMESIS: THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION -- a. The Voices -- b. The Modes in Painting and Music -- c. The Author, Implied and Real, Dead and Alive -- CHAPTER 5 POETICS II. NARRATIVE AND LYRIC: THE POETIC FORMS AND THE OBJECT OF ARTISTIC PRESENTATION -- a. Narrative and Lyric -- b. The Forms in Painting and Music -- c. Action and Passion -- CHAPTER 6 HERMENEUTICS. INTERPRETATION AND ITS VALIDITY -- a. Interpretation: Metaphor and Metonymy -- b. Validity: Persuasion and Legitimacy -- EPILOGUE: THE POWER OF TASTE -- Notes -- Selected Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z. |
| Record Nr. | UNINA-9910810184103321 |
|
Berger Karol <1947->
|
||
| New York, : Oxford University Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||