Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910511664103321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910796355703321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates
| Critical approaches to the production of music and sound / / [edited by] Samantha Bennett and Eliot Bates |
| Pubbl/distr/stampa | New York NY : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction |
| ISBN |
1-5013-3207-4
1-5013-3206-6 1-5013-3208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures ; List of Tables ; List of Contributors ; Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett --Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western ; Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella ; Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates ; Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet ; Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico -- Section 4: Technology and Technique. Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams ; Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall -- Section 5: Mediating Sound and Silence. Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brøvig-Hanssen ; Chapter 12: Six Types of Silence / Richard Osborne -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production / Samantha Bennett ; Chapter 14: Crowdfunding and Alternative Modes of Production / Mark Thorley -- Index. |
| Record Nr. | UNINA-9910822122303321 |
| New York NY : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||