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But There Was Love : Shaping the Memory of the Shoah
| But There Was Love : Shaping the Memory of the Shoah |
| Autore | Govrin Michal |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2025 |
| Descrizione fisica | 1 online resource (380 pages) |
| Disciplina | 940.4318 |
| Altri autori (Persone) |
Freibach-HeifetzDana
BenZakenEtty MoragRaya |
| Collana | Perspectives on Jewish Texts and Contexts Series |
| Soggetto topico | HISTORY / Holocaust |
| Soggetto non controllato |
Rememberance
Shoah, Memory |
| ISBN |
3-11-158996-X
3-11-158964-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition -- Preface: How to Remember the Shoah -- Book Sections and Chapters -- Section One: Conversations in the First Person -- “Everything was Death. But Within It There Was a lot of Love” -- On Historiography and the Personal Voice -- Section Two: Languages of Memory -- Memory of the Present -- Clouds -- Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust -- Section Three: Facing the Nothingness -- “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust -- Marek Laub: Negative of a Testimony -- Button-Camera -- Inside That Gray Cloud -- Unsettling Dust -- Section Four: Echoes and Witnesses -- Reflections on the Holocaust in Jewish Thought -- ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography -- Creating My Memory -- Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies -- Death of the Witness: Thoughts on what Remains when the Witness Departs -- Section Five: Poetics of Memory and Forgetting -- The Literary Act as Giving Shape to a Scream: a Transition to Poetics -- A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work -- The Role of Memory and Forgetting in the Creative Process -- Remembering and Forgetting in Music Composition -- Amulet for the Widening of the Heart -- Section Six: Representation and Responsibility -- Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema -- Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema -- Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films -- Survivors -- Ethics of Documentation: Attentiveness as Responsibility and Grace -- Section Seven: Hitkansut – Shoah Remembrance Ritual -- Creating Space Within Time: An Invitation to Ritual -- The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah -- A Note about Adapting Hitkansut to English -- Acknowledgements -- Contributors |
| Record Nr. | UNINA-9911023982803321 |
Govrin Michal
|
||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
But There Was Love : Shaping the Memory of the Shoah
| But There Was Love : Shaping the Memory of the Shoah |
| Autore | Govrin Michal |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2025 |
| Descrizione fisica | 1 online resource (380 pages) |
| Disciplina | 940.4318 |
| Altri autori (Persone) |
Freibach-HeifetzDana
BenZakenEtty MoragRaya |
| Collana | Perspectives on Jewish Texts and Contexts Series |
| Soggetto topico | HISTORY / Holocaust |
| Soggetto non controllato |
Rememberance
Shoah, Memory |
| ISBN |
3-11-158996-X
3-11-158964-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- But There Was Love: Shaping the Memory of the Shoah: Introduction to the English Edition -- Preface: How to Remember the Shoah -- Book Sections and Chapters -- Section One: Conversations in the First Person -- “Everything was Death. But Within It There Was a lot of Love” -- On Historiography and the Personal Voice -- Section Two: Languages of Memory -- Memory of the Present -- Clouds -- Memory and Oblivion from Individual to Society: Consequences for Remembering the Holocaust -- Section Three: Facing the Nothingness -- “And Who Will Remember? And How Shall We Preserve a Memory?”: New Approaches to Exhibits on The Holocaust -- Marek Laub: Negative of a Testimony -- Button-Camera -- Inside That Gray Cloud -- Unsettling Dust -- Section Four: Echoes and Witnesses -- Reflections on the Holocaust in Jewish Thought -- ‘The Hassidic Underground’ as a Counter Ultra-Orthodox (Haredi) Historiography -- Creating My Memory -- Reflections on Hannah Arendt, Radical Evil and Holocaust Survivors’ Testimonies -- Death of the Witness: Thoughts on what Remains when the Witness Departs -- Section Five: Poetics of Memory and Forgetting -- The Literary Act as Giving Shape to a Scream: a Transition to Poetics -- A Secret Sealed: Between the Researcher’s Riddle and the Poet’s in Pagis’ Work -- The Role of Memory and Forgetting in the Creative Process -- Remembering and Forgetting in Music Composition -- Amulet for the Widening of the Heart -- Section Six: Representation and Responsibility -- Four Views: Members of the Third Generation Reflect on the Holocaust in 2000s Cinema -- Arnon Goldfinger’s The Flat (2011): Ethics and Aesthetics in Third Generation Holocaust Cinema -- Cine-Memory: The Representation of Women’s Sexualized Trauma in Israeli Holocaust-Related Narrative Films -- Survivors -- Ethics of Documentation: Attentiveness as Responsibility and Grace -- Section Seven: Hitkansut – Shoah Remembrance Ritual -- Creating Space Within Time: An Invitation to Ritual -- The Responsibility to Remember – Remember Responsibly: Hitkansut, A Ritual Gathering for Yom HaShoah -- A Note about Adapting Hitkansut to English -- Acknowledgements -- Contributors |
| Record Nr. | UNISA-996659464103316 |
|
Govrin Michal
|
||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||