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Animating Film Theory
| Animating Film Theory |
| Autore | Beckman Karen Redrobe <1971-> |
| Pubbl/distr/stampa | Durham, : Duke University Press, 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Disciplina |
791.43
791.4334 |
| Soggetto topico |
Animated films -- History and criticism
Animated films -- Social aspects Animation (Cinematography) Animated films - History and criticism Animated films - Social aspects Visual Arts Art, Architecture & Applied Arts Drawing, Design & Illustration |
| ISBN |
9780822376811
0822376814 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Hervé Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910547696903321 |
Beckman Karen Redrobe <1971->
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| Durham, : Duke University Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animating Film Theory / Karen Redrobe Beckman
| Animating Film Theory / Karen Redrobe Beckman |
| Pubbl/distr/stampa | [s.l.] : , : Duke University Press, , 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Soggetto topico |
Performing Arts / Film / History & Criticism
Performing Arts / Animation Performing arts |
| ISBN | 1-4780-9195-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996599564703316 |
| [s.l.] : , : Duke University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Animating Film Theory / Karen Redrobe Beckman
| Animating Film Theory / Karen Redrobe Beckman |
| Pubbl/distr/stampa | Duke University Press, 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Disciplina | 791.43/34 |
| Soggetto topico |
Performing Arts / Film / History & Criticism
Performing Arts / Animation Performing arts |
| ISBN |
9781478091950
1478091959 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Animating Film Theory: An Introduction -- I : : Time and Space -- 1 : : Animation and History -- 2 : : Animating the Instant: The Secret Symmetry between Animation and Photography -- 3 : : Polygraphic Photography and the Origins of 3-D Animation -- 4 : : “A Living, Developing Egg Is Present before You”: Animation, Scientific Visualization, Modeling -- II : : Cinema and Animation -- 5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms -- 6 : : “First Principles” of Animation -- 7 : : Animation, in Theory -- III : : The Experiment -- 8 : : Film as Experiment in Animation: Are Films Experiments on Human Beings? -- 9 : : Frame Shot: Vertov’s Ideologies of Animation -- 10 : : Signatures of Motion: Len Lye’s Scratch Films and the Energy of the Line -- 11 : : Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin -- 12 : : Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s -- IV : : Animation and the World -- 13 : : Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography -- 14 : : African American Representation through the Combination of Live Action and Animation -- 15 : : Animating Uncommon Life: U.S. Military Malaria Films (1942–1945) and the Pacific Theater -- 16 : : Realism in the Animation Media Environment: Animation Theory from Japan -- 17 : : Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine -- Bibliography -- Contributors -- Index |
| Record Nr. | UNINA-9910645999103321 |
| Duke University Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||