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Animating Film Theory [[electronic resource]]
| Animating Film Theory [[electronic resource]] |
| Autore | Beckman Karen Redrobe <1971-> |
| Pubbl/distr/stampa | Durham, : Duke University Press, 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Disciplina |
791.43
791.4334 |
| Soggetto topico |
Animated films -- History and criticism
Animated films -- Social aspects Animation (Cinematography) Animated films - History and criticism Animated films - Social aspects Visual Arts Art, Architecture & Applied Arts Drawing, Design & Illustration |
| ISBN | 0-8223-7681-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Hervé Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910547696903321 |
Beckman Karen Redrobe <1971->
|
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| Durham, : Duke University Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Crash : cinema and the politics of speed and stasis / / Karen Beckman
| Crash : cinema and the politics of speed and stasis / / Karen Beckman |
| Autore | Beckman Karen Redrobe <1971-> |
| Pubbl/distr/stampa | Durham, NC, : Duke University Press, 2010 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina |
791.43/6
791.436 |
| Soggetto topico |
Car-chase films - History and criticism
Motion pictures - Plots, themes, etc Motion pictures - History |
| ISBN |
1-283-03675-4
9786613036759 0-8223-9276-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap. |
| Record Nr. | UNINA-9910433258703321 |
|
Beckman Karen Redrobe <1971->
|
||
| Durham, NC, : Duke University Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||