The emblematics of the self : ekphrasis and identity in Renaissance imitations of Greek romance / / Elizabeth B. Bearden |
Autore | Bearden Elizabeth B. <1975-> |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 |
Descrizione fisica | 1 online resource (273 p.) |
Disciplina | 809.031 |
Soggetto topico |
European literature - Renaissance, 1450-1600 - History and criticism
European literature - Renaissance, 1450-1600 - Greek influences Identity (Philosophical concept) in literature Ekphrasis |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4426-9614-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Note on Editions, Translations, and Abbreviations -- Introduction -- 1. The Romance Globe: Why the Renaissance Repainted Greek Romance -- 2. Converso Convertida: Cross-Dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- 3. Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- 4. Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes's Persiles -- 5. Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- 6. 'We are all picturd in that Piece': Lovers, Persians, Tartars, and the 'Tottering' Romance Globe in Lady Mary Wroth's Urania -- Conclusions -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910451978003321 |
Bearden Elizabeth B. <1975->
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The emblematics of the self : ekphrasis and identity in Renaissance imitations of Greek romance / / Elizabeth B. Bearden |
Autore | Bearden Elizabeth B. <1975-> |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 |
Descrizione fisica | 1 online resource (273 p.) |
Disciplina | 809.031 |
Soggetto topico |
European literature - Renaissance, 1450-1600 - History and criticism
European literature - Renaissance, 1450-1600 - Greek influences Identity (Philosophical concept) in literature Ekphrasis |
ISBN |
1-4426-9615-X
1-4426-9614-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions. |
Record Nr. | UNINA-9910779170803321 |
Bearden Elizabeth B. <1975->
![]() |
||
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The emblematics of the self : ekphrasis and identity in Renaissance imitations of Greek romance / / Elizabeth B. Bearden |
Autore | Bearden Elizabeth B. <1975-> |
Pubbl/distr/stampa | Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 |
Descrizione fisica | 1 online resource (273 p.) |
Disciplina | 809.031 |
Soggetto topico |
European literature - Renaissance, 1450-1600 - History and criticism
European literature - Renaissance, 1450-1600 - Greek influences Identity (Philosophical concept) in literature Ekphrasis |
ISBN |
1-4426-9615-X
1-4426-9614-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions. |
Record Nr. | UNINA-9910808078003321 |
Bearden Elizabeth B. <1975->
![]() |
||
Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|