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L'arte segreta dell'attore : un dizionario di antropologia teatrale / / Eugenio Barba, Nicola Savarese
| L'arte segreta dell'attore : un dizionario di antropologia teatrale / / Eugenio Barba, Nicola Savarese |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | Bari, : Edizioni di Pagina, 2011 |
| Descrizione fisica | 319 p |
| Disciplina | 792 |
| Altri autori (Persone) | SavareseNicola |
| ISBN | 88-7470-162-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910137911203321 |
Barba Eugenio
|
||
| Bari, : Edizioni di Pagina, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910459980903321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910789602603321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
| A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 795/.03 |
| Altri autori (Persone) |
FowlerRichard
SavareseNicola <1945-> |
| Soggetto topico |
Theater - Anthropological aspects
Acting Dance |
| ISBN |
1-283-10221-8
9786613102218 1-135-17635-3 1-135-17634-5 0-203-86395-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century
Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance Hands and the Japanese theatre |
| Altri titoli varianti | Dictionary of theatre anthropology |
| Record Nr. | UNINA-9910820957703321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba
| On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (239 pages) |
| Disciplina | 792.0232 |
| Soggetto topico |
Theater - Production and direction
Theater - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-22583-4
1-135-22584-2 1-282-44369-0 9786612443695 0-203-87029-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The empty ritual -- Organic dramaturgy as a level of organisation -- Narrative dramaturgy as a level of organisation -- Evocative dramaturgy as a level of organisation -- Theatre-in-liberty. |
| Record Nr. | UNINA-9910456686003321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba
| On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (239 pages) |
| Disciplina | 792.0232 |
| Soggetto topico |
Theater - Production and direction
Theater - Philosophy |
| ISBN |
1-135-22583-4
1-135-22584-2 1-282-44369-0 9786612443695 0-203-87029-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The empty ritual -- Organic dramaturgy as a level of organisation -- Narrative dramaturgy as a level of organisation -- Evocative dramaturgy as a level of organisation -- Theatre-in-liberty. |
| Record Nr. | UNINA-9910780804303321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba
| On directing and dramaturgy : burning the house / / Eugenio Barba ; translated by Judy Barba |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (239 pages) |
| Disciplina | 792.0232 |
| Soggetto topico |
Theater - Production and direction
Theater - Philosophy |
| ISBN |
1-135-22583-4
1-135-22584-2 1-282-44369-0 9786612443695 0-203-87029-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The empty ritual -- Organic dramaturgy as a level of organisation -- Narrative dramaturgy as a level of organisation -- Evocative dramaturgy as a level of organisation -- Theatre-in-liberty. |
| Record Nr. | UNINA-9910815044903321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler
| The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (197 p.) |
| Disciplina |
792
792.01 |
| Altri autori (Persone) | FowlerRichard |
| Soggetto topico |
Acting
Dance Theater - Anthropological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-415-11674-0
1-134-81820-3 1-280-05266-X 0-203-36009-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Contents; Preface; THE GENESIS OF THEATRE ANTHROPOLOGY; DEFINITION; RECURRING PRINCIPLES; NOTES FOR THE PERPLEXED (AND FOR MYSELF); ENERGY, OR RATHER, THE THOUGHT; THE DILATED BODY: Notes on the search for meaning; A THEATRE NOT MADE OF STONES AND BRICKS; CANOES, BUTTERFLIES AND A HORSE; Notes; Index |
| Record Nr. | UNINA-9910451097203321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler
| The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (197 p.) |
| Disciplina |
792
792.01 |
| Altri autori (Persone) | FowlerRichard |
| Soggetto topico |
Acting
Dance Theater - Anthropological aspects |
| ISBN |
1-134-81819-X
0-415-11674-0 1-134-81820-3 1-280-05266-X 0-203-36009-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Contents; Preface; THE GENESIS OF THEATRE ANTHROPOLOGY; DEFINITION; RECURRING PRINCIPLES; NOTES FOR THE PERPLEXED (AND FOR MYSELF); ENERGY, OR RATHER, THE THOUGHT; THE DILATED BODY: Notes on the search for meaning; A THEATRE NOT MADE OF STONES AND BRICKS; CANOES, BUTTERFLIES AND A HORSE; Notes; Index |
| Record Nr. | UNINA-9910783950103321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler
| The paper canoe : a guide to theatre anthropology / / Eugenio Barba ; translated by Richard Fowler |
| Autore | Barba Eugenio |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (197 p.) |
| Disciplina |
792
792.01 |
| Altri autori (Persone) | FowlerRichard |
| Soggetto topico |
Acting
Dance Theater - Anthropological aspects |
| ISBN |
1-134-81819-X
0-415-11674-0 1-134-81820-3 1-280-05266-X 0-203-36009-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Book Cover; Title; Contents; Preface; THE GENESIS OF THEATRE ANTHROPOLOGY; DEFINITION; RECURRING PRINCIPLES; NOTES FOR THE PERPLEXED (AND FOR MYSELF); ENERGY, OR RATHER, THE THOUGHT; THE DILATED BODY: Notes on the search for meaning; A THEATRE NOT MADE OF STONES AND BRICKS; CANOES, BUTTERFLIES AND A HORSE; Notes; Index |
| Record Nr. | UNINA-9910808383503321 |
|
Barba Eugenio
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||