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The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath
| The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath |
| Autore | Baragwanath Nicholas |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (438 p.) |
| Disciplina | 782.10945/09034 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Opera - Italy - 19th century
Music theory - Italy - History - 19th century Composition (Music) - History - 19th century Music - Instruction and study - Italy - History - 19th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-00166-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Preface & Acknowledgments; A Note on Translation and Terminology; 1 Musical Traditions in Nineteenth-Century Italy; I The Italian Schools; II An Introduction to the Primary Sources; III Puccini and the End of the Great Tradition; 2 Studies in Lucca and Milan; I Composition as Craft; II The Istituto musicale in Lucca; III Scarpia and the Partimento Cadence; IV The Conservatorio di Milano; 3 Lessons in Dramatic Composition I: Rhythm; I Rhythm without Measure, Accent without Beat
II Rules of Versification, Lippmann's Rhythmic-Musical Types, and Two Case StudiesIII Historical Survey of Writings on Ritmo; IV Short Case Studies from Bellini and Puccini; 4 Lessons in Dramatic Composition II: Harmony and Counterpoint; I The Partimento Tradition; II Michele Puccini's Corso pratico di contrappunto (1846); III The Bolognese Attachment, or ""Little Keys for Winding Clocks""; IV Regular Motions and Melodic Composition; 5 Lessons in Dramatic Composition III: Affect, Imitation, and Conduct; I Dominant Affects and Their Movements; II Physical and Sentimental Imitation III Form and ConductIV Case Studies from Verdi, Boito, and Puccini; 6 Vocalizzi, Solfeggi, and Real (or Ideal) Composition; I Lessons in Singing and Counterpoint; II Lessons in Singing and Solfeggio; III From Solfeggio to Ideal Composition in Puccini (and Bellini); Notes; Bibliography; Index of Concepts; Index of Names and Works |
| Altri titoli varianti | Italian traditions and Puccini |
| Record Nr. | UNINA-9910456829003321 |
Baragwanath Nicholas
|
||
| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath
| The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath |
| Autore | Baragwanath Nicholas |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (438 p.) |
| Disciplina | 782.10945/09034 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Opera - Italy - 19th century
Music theory - Italy - History - 19th century Composition (Music) - History - 19th century Music - Instruction and study - Italy - History - 19th century |
| ISBN | 0-253-00166-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Preface & Acknowledgments; A Note on Translation and Terminology; 1 Musical Traditions in Nineteenth-Century Italy; I The Italian Schools; II An Introduction to the Primary Sources; III Puccini and the End of the Great Tradition; 2 Studies in Lucca and Milan; I Composition as Craft; II The Istituto musicale in Lucca; III Scarpia and the Partimento Cadence; IV The Conservatorio di Milano; 3 Lessons in Dramatic Composition I: Rhythm; I Rhythm without Measure, Accent without Beat
II Rules of Versification, Lippmann's Rhythmic-Musical Types, and Two Case StudiesIII Historical Survey of Writings on Ritmo; IV Short Case Studies from Bellini and Puccini; 4 Lessons in Dramatic Composition II: Harmony and Counterpoint; I The Partimento Tradition; II Michele Puccini's Corso pratico di contrappunto (1846); III The Bolognese Attachment, or ""Little Keys for Winding Clocks""; IV Regular Motions and Melodic Composition; 5 Lessons in Dramatic Composition III: Affect, Imitation, and Conduct; I Dominant Affects and Their Movements; II Physical and Sentimental Imitation III Form and ConductIV Case Studies from Verdi, Boito, and Puccini; 6 Vocalizzi, Solfeggi, and Real (or Ideal) Composition; I Lessons in Singing and Counterpoint; II Lessons in Singing and Solfeggio; III From Solfeggio to Ideal Composition in Puccini (and Bellini); Notes; Bibliography; Index of Concepts; Index of Names and Works |
| Altri titoli varianti | Italian traditions and Puccini |
| Record Nr. | UNINA-9910781213403321 |
|
Baragwanath Nicholas
|
||
| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath
| The Italian traditions & Puccini [[electronic resource] ] : compositional theory and practice in nineteenth-century opera / / Nicholas Baragwanath |
| Autore | Baragwanath Nicholas |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, c2011 |
| Descrizione fisica | 1 online resource (438 p.) |
| Disciplina | 782.10945/09034 |
| Collana | Musical meaning and interpretation |
| Soggetto topico |
Opera - Italy - 19th century
Music theory - Italy - History - 19th century Composition (Music) - History - 19th century Music - Instruction and study - Italy - History - 19th century |
| ISBN | 0-253-00166-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Preface & Acknowledgments; A Note on Translation and Terminology; 1 Musical Traditions in Nineteenth-Century Italy; I The Italian Schools; II An Introduction to the Primary Sources; III Puccini and the End of the Great Tradition; 2 Studies in Lucca and Milan; I Composition as Craft; II The Istituto musicale in Lucca; III Scarpia and the Partimento Cadence; IV The Conservatorio di Milano; 3 Lessons in Dramatic Composition I: Rhythm; I Rhythm without Measure, Accent without Beat
II Rules of Versification, Lippmann's Rhythmic-Musical Types, and Two Case StudiesIII Historical Survey of Writings on Ritmo; IV Short Case Studies from Bellini and Puccini; 4 Lessons in Dramatic Composition II: Harmony and Counterpoint; I The Partimento Tradition; II Michele Puccini's Corso pratico di contrappunto (1846); III The Bolognese Attachment, or ""Little Keys for Winding Clocks""; IV Regular Motions and Melodic Composition; 5 Lessons in Dramatic Composition III: Affect, Imitation, and Conduct; I Dominant Affects and Their Movements; II Physical and Sentimental Imitation III Form and ConductIV Case Studies from Verdi, Boito, and Puccini; 6 Vocalizzi, Solfeggi, and Real (or Ideal) Composition; I Lessons in Singing and Counterpoint; II Lessons in Singing and Solfeggio; III From Solfeggio to Ideal Composition in Puccini (and Bellini); Notes; Bibliography; Index of Concepts; Index of Names and Works |
| Altri titoli varianti | Italian traditions and Puccini |
| Record Nr. | UNINA-9910806971903321 |
|
Baragwanath Nicholas
|
||
| Bloomington, : Indiana University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||