Vai al contenuto principale della pagina

The Business of Satirical Prints in Late-Georgian England / / by James Baker



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Baker James Visualizza persona
Titolo: The Business of Satirical Prints in Late-Georgian England / / by James Baker Visualizza cluster
Pubblicazione: Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017
Edizione: 1st ed. 2017.
Descrizione fisica: 1 online resource (XIII, 232 p. 20 illus.)
Disciplina: 940.903
Soggetto topico: Europe—History—1492-
Great Britain—History
Printing
Publishers and publishing
Civilization—History
Culture
Technology
History of Early Modern Europe
History of Britain and Ireland
Printing and Publishing
Cultural History
Culture and Technology
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Acknowledgements -- List of Tables/Figures -- Chapter 1: Beginnings -- Chapter 2: Scandal -- Chapter 3: Production -- Chapter 4: People -- Chapter 5: Trade Networks -- Chapter 6: The Physical Marketplace -- Chapter 7: The Shops -- Chapter 8: Satiric Stock -- Bibliography -- Index.
Sommario/riassunto: This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Titolo autorizzato: The Business of Satirical Prints in Late-Georgian England  Visualizza cluster
ISBN: 3-319-49989-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910254770603321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Serie: Palgrave Studies in the History of the Media, . 2634-6575