Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Art, technology, consciousness : mind@large / / edited by Roy Ascott
| Art, technology, consciousness : mind@large / / edited by Roy Ascott |
| Pubbl/distr/stampa | Bristol, UK ; ; Portland, OR, : Intellect, 2000 |
| Descrizione fisica | 1 online resource (204 pages) : illustrations |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Art and technology
Consciousness in art |
| ISBN | 1-84150-814-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910466534003321 |
| Bristol, UK ; ; Portland, OR, : Intellect, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art, technology, consciousness [[electronic resource] ] : mind@large / / edited by Roy Ascott
| Art, technology, consciousness [[electronic resource] ] : mind@large / / edited by Roy Ascott |
| Pubbl/distr/stampa | Bristol, UK ; ; Portland, OR, : Intellect, 2000 |
| Descrizione fisica | 1 online resource (204 pages) : illustrations |
| Disciplina | 700/.1/05 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Art and technology
Consciousness in art |
| ISBN | 1-84150-814-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910793055403321 |
| Bristol, UK ; ; Portland, OR, : Intellect, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art, technology, consciousness : mind@large / / edited by Roy Ascott
| Art, technology, consciousness : mind@large / / edited by Roy Ascott |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, UK ; ; Portland, OR, : Intellect, 2000 |
| Descrizione fisica | 204p : ill. ; ; 24 cm |
| Disciplina | 700/.1/05 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Art and technology
Consciousness in art |
| ISBN |
1-84150-814-4
1841500410 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Preliminaries -- Contents -- Preface -- Chapter 1: Beyond Boundaries -- Edge-Life: technoetic structures and moist media - Roy Ascott -- Towards a Third Culture | Being in Between - Victoria Vesna -- The Posthuman Conception of Consciousness: A 10-point Guide - Robert Pepperell -- Genesis: a transgenic artwork - Eduardo Kac -- Techno-Darwinism: artificial selection in the electronic age - Bill Hill -- Not Science, or History: post digital biological art and a distant cousin - Michael Punt -- The Imagination of Matter, Pre-Columbian Cultural DNA and Maize Cultivation - Kathleen Rogers -- Chapter 2: Meaning and Emotion -- Capacity to Conceive New Meanings by Awareness of Conscious Experience - Michio Okuma and Isao Todo -- Motioning Toward the Emergent Definition of E-phany Physics - Bill Seaman -- Emotion Spaces Created from Poems - Tsutomu Miyasato -- The Process Appears: representation and nonrepresentation in computer-based art - Christiane Heibach -- Towards a Physics of Meaning - John Sanfey -- Inquiry into Allegorical Knowledge Systems for Telematic Art - Tania Fraga -- Making Emotional Spaces in The Secret Project: building emotional interactive spaces - Richard Povall -- The Spectactor Project: A Multi-user narrative in 'Mediaspace' - Mike Philips et al -- Interactive Media and the Construction of Dramatic Narrative: becoming and identity in contemporary American drama - Rhona Justice-Malloy -- Two Portraits of Chief Tupa Kupa: the image as an index of shifts in human consciousness - Niranjan Rajah -- Chapter 3: Transmodalities -- The Gift of Seeing: nineteenth-century views from the field - Amy Ione -- Rendering the Viewer Conscious: interactivity and dynamic seeing - Tiffany Holmes -- The Mind's Eye - Nina Czegledy -- Forms of Behaviour and a New Paradigm of Perception to the Production of New Sounds - Edson S. Zampronha.
Music Video, Technology and The Reversal of Perspective - Kevin Williams -- Paradigms of Change in Music and in Digital Communication - Dante Tanzi -- The Space of an Audiovisual Installation within a Real and a Virtual Environment - Dimitrios Charitos and Coti K -- 'Give us the Funk…' Machine Autonomy Meets Rhythmic Sensibility - Jonathan Bedworth and Ben Simmonds -- The Synesthetic Mediator - Malin Zimm -- Chapter 4: Location -- Places of Mind: implications of narrative space for the architecture of information environments - Peter Anders -- Crystal Palace to Media Museum: a conceptual framework for experience and sight - Kylie Message -- Disturbing Territories - Shaun Murray -- Being @ Installations: the space-time of technoetics - Royden Hunt -- Evolutionary Algorithms in Support of Architectural Ground Plan Design - Tomor Elezkurtaj -- Chapter 5: Mind Theory -- There is No Intelligence - Ted Krueger -- Toward a Theory of Creative Inklings - Liane Gabora -- The Bicameral Mind and the Split-Brain Human Computer Interface - Gregory P. Garvey -- Attractors and Vectors: the nature of the meme in visual art - Nicholas Tresilian -- Geo-Aesthetics of Quasi-Objects - Milan Jaros -- A Quantum Mechanical model of Consciousness - John Cowley -- Conceptor: a model of selected consciousness features including emergence of basic speech structures in early childhood - Konrad R. Fialkowski & -- Boleslaw K. Szymanski -- The Twin-data-stream Theory of Consciousness - Paul Ableman -- Kantian Descriptive Metaphysics and Artificial Consciousness - Susan A. J. Stuart and Chris H. Dobbyn -- Towards a Physics of Subjectivity - Stephen Jones -- Authors' Email Addresses -- Back Cover - Book Description. |
| Record Nr. | UNINA-9910810722903321 |
| Bristol, UK ; ; Portland, OR, : Intellect, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Engineering nature [[electronic resource] ] : art & consciousness in the post-biological era / / edited by Roy Ascott
| Engineering nature [[electronic resource] ] : art & consciousness in the post-biological era / / edited by Roy Ascott |
| Pubbl/distr/stampa | Bristol, UK ; ; Portland, OR, : Intellect, 2006 |
| Descrizione fisica | 1 online resource (328 p.) |
| Disciplina | 700.105 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Art
Art and technology |
| ISBN |
1-280-47707-5
9786610477074 1-84150-928-0 1-84150-128-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910781231003321 |
| Bristol, UK ; ; Portland, OR, : Intellect, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing consciousness : art, mind and technology / / editor, Roy Ascott
| Reframing consciousness : art, mind and technology / / editor, Roy Ascott |
| Pubbl/distr/stampa | Oxford : , : Intellect Limited, , 1999 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 700.1 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Technology and the arts - Psychological aspects
Consciousness in art - Philosophy Arts |
| ISBN |
1-280-47659-1
9786610476596 1-84150-815-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910780154203321 |
| Oxford : , : Intellect Limited, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing consciousness / / edited by Roy Ascott
| Reframing consciousness / / edited by Roy Ascott |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Exeter, England ; ; Portland, OR, : Intellect, 1999 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 700.1 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Technology and the arts
Consciousness in art Arts - Psychological aspects Arts - Philosophy |
| ISBN |
1-280-47659-1
9786610476596 1-84150-815-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover -- Preliminaries -- Contents -- Preface -- Introduction -- Part I - Mind -- 1. Models -- Can There Be Non-Embodied Information? Stephen Jones -- Acts Between and Between Acts1 Ranulph Glanville -- Between Reality & -- Virtuality: Toward A New Consciousness? Julio Bermudez -- The Actualisation of the Virtual Mark Palmer -- We are the Consciousness Musicians - Electronic Art, Consciousness and the Western Intellectual Tradition Mike King -- Immersive Computer Art and the Making of Consciousness Laurie McRobert -- 2. Memory -- Casablanca and Men in Black Consciousness, Remembering, and Forgetting Michael Punt -- Virtual Space and the Construction of Memory Andrea Polli -- Memory Maps and the Nazca Bruce Brown -- 3. Transcendence -- Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation and Multidimensional Awareness1 Kristine Stiles -- Sacred Art in a Digital Era or The Internet and the Immanent Place in the Heart Niranjan Rajah and Raman Srinivasan -- Negotiating New Systems of Perception: Darshan, Diegesis and Beyond Margot Lovejoy and Preminda Jacob -- Seeing Double: Art and the Technology of Transcendence Roy Ascott -- Jumping Over the Edge: Consciousness and Culture, the Self and Cyberspace Lily Díaz -- Space-time Boundaries in the Xmantic Web Maria Luiza P. G. Fragoso -- Part II - Body -- 4. Post-biological Body -- Recreating Ourselves: Romeo & -- Juliet in Hades by Future Movie Naoko Tosa, Ryohei Nakatsu -- The Body as Interface Jill Scott -- Art at the Biological Frontier Eduardo Kac -- Images and Imaging: Amy Ione -- The power of digital seduction in biomedicine Nina Czegledy -- Stasis: The Creation and Exploration of Subjective Experiential Realities Through Hypnosis, Psychosynthesis and Interactive Digital Technology R.D.Brown.
Emotion, Interactivity, and Human Measurement Christopher P. Csikszentmihályi -- Writing the Post-Biological Body Steve Tomasula -- 5. Space and Time -- For a Spatiotemporal Sensitivity Ginette Daigneault -- Virtual Geographies, Borders and Territories: GPS Drawings and Visual Spaces Andrea Wollensak -- An Exploration of Spatial/Temporal Slippage Chris Speed -- Thinking Through Asynchronous Space Mike Phillips -- The Space between the Assumed Real and the Digital Virtual Dan Livingstone -- Part III - Art -- 6. Strategies -- The Work of Art in the Age of Digital Historiography Brett Terry -- Mind Memory Mapping Metaphor: Is Hypermedia Cognitive Art? Dew Harrison -- The House That Jack Built: Jack Burnham's Concept of "Software" as a Metaphor for Art1 Edward A. Shanken -- Streams of Consciousness: Info-Narratives in Networked Art Christiane Paul -- Consciousness and Music Dr. Mladen Milicevic -- The Irreducibility of Literary Consciousness Philipp Wolf -- Nonsense Logic and Re-embodied Intelligence Bill Seaman -- Conscious Isomorphisms and Young Farmers: Consciousness as a Subject of Artistic Research Stefaan Van Ryssen -- Modelling Interpretation Sharon Daniel -- Performing Presence Barry Edwards -- 7. Projects -- Éphémère: Landscape, Earth, Body, and Time in Immersive Virtual Space Char Davies -- Virtual Environment as Rebus Margaret Dolinsky -- Dynamic Behavioural Spaces with Single and Multi-User Group Interaction Miroslaw Rogala -- Reality, Virtuality and Visuality in the Xmantic Web Tania Fraga -- Xmantic Webdesign Fatima Bueno -- Assigning Handlers to a Shadow [I] Kieran Lyons -- 8. Architecture -- Human Spatial Orientation in Virtual Worlds Dimitrios Charitos -- An Interactive Architecture Gillian Hunt -- Heterotic Architecture Ted Krueger -- The Cybrid Condition: Implementing Hybrids of Electronic and Physical Space Peter Anders. Virtual Architecture as Hybrid: Conditions of Virtuality vs. Expectations from Reality Dace A. Campbell -- 9. Creative Process -- Acquiring an Artistic Skill: A Multidimensional Network Christine Hardy -- Enlarging the Place for Creative Insight in the Theatre Model of Consciousness Thomas W. Draper -- An Approach to Creativity as Process Ernest Edmonds and Michael Quantrill -- We are Having an Idea: Creativity within Distributed Systems Fred McVittie -- To be or not to be . . . conscious Eva Lindh and John A. Waterworth -- Part IV - Values -- 10. Values -- CyberArt & -- CyberEthics Colin Beardon -- The Metaphoric Environment of Art and Technology Carol Gigliotti -- The Four Seas: Conquest, Colonisation, Consciousness in Cyberspace Joe Lewis -- Future Present: Reaestheticising Life Through A New Technology Of Consciousness Anna Jean Bonshek and Gurden Leete -- Conspiracies, Computers and Consensus Reality Paul O'Brien -- The Failure and Success of Multimedia Sean Cubitt -- Abstract Virtual Realism Nik Williams -- 'Beyond Film and Television-Whose Consciousness is it Anyway?' Clive Myer -- Chimera for the 21st Century: Mis-Construction as Feminist Strategy Terry Gips -- Back Cover - Book Description. |
| Record Nr. | UNINA-9910823233603321 |
| Exeter, England ; ; Portland, OR, : Intellect, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reframing Consciousness: Art, Mind and Technology
| Reframing Consciousness: Art, Mind and Technology |
| Autore | Ascott Roy |
| Pubbl/distr/stampa | [Place of publication not identified], : Intellect Limited, 1999 |
| Disciplina | 700.1 |
| Altri autori (Persone) | AscottRoy |
| Soggetto topico |
Technology and the arts - Psychological aspects
Consciousness in art - Philosophy Arts Fine Arts - General Art, Architecture & Applied Arts |
| ISBN |
1-280-47659-1
9786610476596 1-84150-815-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910455777503321 |
Ascott Roy
|
||
| [Place of publication not identified], : Intellect Limited, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||